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Andrew Moore

Scripture: Psalm 78 Composer (Response) of "[We will tell the glorious deeds of the Lord]" in Hymns for a Pilgrim People

Laurence Bévenot

1901 - 1990 Person Name: Laurence Bevenot Scripture: Psalm 78 Composer (Psalm tone) of "[We will tell the glorious deeds of the Lord]" in Hymns for a Pilgrim People

Rick Gunn

Scripture: Psalm 78:52 Composer of "AVERY" in More Voices

Dean B. McIntyre

Person Name: Dean McIntyre Scripture: Psalm 78:5-6 Harmonizer of "BUNESSAN" in Discipleship Ministries Collection

1920 - 2009 Person Name: William J. Reynolds Scripture: Psalm 78:16 Composer of "MORA PROCTOR" in Christian Science Hymnal Pseudonyms include: Bigelow, James Buie, Dean Clark, John Day, Francis Dorff, Gregory Dorsey, Jane Drakestone, John East, Richard Eastis, Ellen Frye, Dan Gregory, Peter Harrold, Stan Hawk, John Horn, Ellen Ingham, Marie Jordaan, Jacques Keely, Grant Kije, Cyd Kringel, Cark Kuliami, Tiki [?] Lee, Wilbur Long, Richard Long, Robert MacDougall, Thom Madsen, Carl O. Monroe, Lou Munroe, June Reed, Ruth Rodgers, Lee Rosemont, David Ross, Don Saul, J. Crawford Sneed, Roger Wheeler, Annette Winston, Clyde York, Henry --Email from William Colson to Mary Louise VanDyke, 4 May 2005, DNAH Archives. Names taken from the program of Reynolds' retirement dinner. Colson notes, "The program has faded and the one designated with a question mark is not 100% certain."

Charles F. Gounod

1818 - 1893 Scripture: Psalm 78 Composer of "LUX PRIMA" in Trinity Psalter Hymnal Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society. Bert Polman