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Richard Runciman Terry

1865 - 1938 Person Name: R. R. Terry, 1865-1938 Topics: Advent I Year B; Advent I Year C Composer of "HIGHWOOD" in Common Praise Terry, Richard R., was born at Morpeth, Jan. 3, 1868, and was Tate Choral Scholar at King's College, Cambridge. In 1896 he became organist and music-master at Downside R. C. College and Abbey, Bath; and in 1901 organist and director of the choir at Westminster Cathedral (R. C.) London. He contributed to A. E. Tozer's Catholic Hymns, 1898, thirteen tunes and the words of two hymns:— 1. Christ, the Lord, is my true Shepherd. Ps. xxiii. 2. Peaceful eve, so still and holy. Christmas Carol. It is marked as D. C. B., i.e. for Downside Coll., Bath. The tune by Mr. Tozor was published in 1881 to a carol beginning with the same first line, but otherwise entirely different. --John Julian, Dictionary of Hymnology, New Supplement (1907)

I-to Loh

b. 1936 Person Name: I-to Loh, b. 1936 Topics: Church Year Advent; Disciples / Calling; Earth; Elements of Worship Call to Worship; Elements of Worship Praise and Adoration; Enthronement Psalms; God as Judge; God as King; God's Reigning; God's Sovereignty; God's Wonders; God's Deeds; God's Glory; God's Justice; God's Majesty; God's Name; God's Power; God's Strength; Grace; Hymns of Praise; Idols and Idolatry; Joy; Judgment; Mission; Music and Musicians; New Creation; Occasional Services Civic / National Occasions; Offering of Sacrifice; People of God / Church Citizens of Heaven; People of God / Church Witnessing; Rejoicing; Temple; Ten Commandments 2nd Commandment (do not make graven emages); The Creation; Truth; Witness; Year A, B, C, Christmas I, December 24 or 25; Year A, Ordinary Time after Pentecost, October 16-22; Year C, Ordinary Time after Epiphany, 9th Sunday; Year C, Ordinary Time after Pentecost, May 29-June 4 (if after Trinity Sunday) Arranger of "SALIDUMMAY" in Psalms for All Seasons

Karl Heinrich von Bogatzky

1690 - 1774 Person Name: Karl Bogatzky Topics: Andre Søndag I Advent Til Høimesse -Til Sekund Tekstrækkes Evangelium Author of "O, Frelser, som er Lys og Livet" in Salmebog for Lutherske Kristne i Amerika Bogatzky, Carl Heinrich von. He was born Sept. 7,1690, on his father's estate of Jankowe, near Militsch, in Silesia. His father, J. A. v. Bogatzky, was descended from a noble Hungarian family, and entering the Austrian service attained the rank of Lieutenant-Colonel. Bogatzky's early education was picked up at various places as family arrangements permitted. He was for some time page at the Ducal Court of Weissenfels. From Weissenfels his father removed him to 13realau, to prepare for entering the army. During a long illness at Breslau he became convinced that God had other work for him to do. Receiving an offer of assistance from Count Heinrich xxiv., of Reuss-Kostriz, towards the expenses of an University course, he entered Urn University of Jena in 1713; but removed at Easter, 1715, to the University of Halle, still as a student of law. Before Christinas ho received notice that his mother had died in Silesia, and that he must return. During the week that elapsed before setting out, while attending divine service, he received what he regarded as his first true views of Justification by Faith. Disowned by his father for objecting to enter the army, he returned from Silesia to Halle and enrolled himself, at Easter, 1716, as a student of theology. At Halle he began for his own edification his best known work, The Golden Treasury, 1st published at Breslau in 1718. During 1718 his health failed, and his voice became so seriously affected that he was unable to take any parochial charge. From thenceforth he devoted himself to religious authorship, and speaking in private gatherings. He left Silesia in 1740, and for five years resided at Saalfeld, where he wrote many works, including that on True Conversion, 1741. In 1746 he removed to Halle, where G. A. Francke gave him a free room in the orphanage. The rest of his life was spent mainly in that town. The most important of his publications at this time was his Meditations and Prayers on the New Testament, 7 vols., 1755-61. He died at Halle, June 15, 1774. (Koch, iv. 468-478; Allg. Deutsche Biog., iii. 37- 39; Autobiography tr. by Samuel Jackson, Lond., 1856—the second dating his death, possibly through a misprint, as at Glaucha, near Halle, 1754).Bogatzky seems to have begun hymn-writing about 1718, and in all composed 411 hymns, some of which appeared in part, in his devotional works, 3 in the Cothnische Lieder, 1733-36, 6 in the Wernigerode Gesang-Buch, 1735, and in a collected form at Halle, 1750, as Die Uebungder Gottseligkeit in allerley Geistlichen Liedern, with 302 hymns (2nd ed. Halle, 1755, with 396; 3rd ed.. 1771, with 411, reprinted unaltered at Berlin, 1844). With this the Dowager Queen of Denmark was so much pleased that, as the 1st ed. was in very small type, she offered to contribute to an ed. in larger type, and when that was issued in 1750 (with 376 hymns), bought 300 copies, all of which she distributed.His hymns have little poetic fire or glow of imagination; but in his better productions there is stimulating zeal, warmth of religious feeling, and simplicity of religious faith, linking him rather with the earlier Halle School, than with the spiritual sensuousness of some of his fellow contributors to the Cothnische Lieder. (1) The hymns by him in English common use are: i. Wach auf du Geist der crsten Zeugen. [Missions.] 1st pub. 1750, as above, No. 133, of 14 stanzas of 6 lines, entitled, "For faithful labourers in the Harvest of the Lord, for the blessed spread of the Word to all the world." Included in the Berlin G. L. S., ed. 1863, No. 1383. Translated as:— Awake, Thou Spirit, Who of old. A good translation of st. i.-iii., v.-viii. by Miss Winkworth, in her Lyra Germanica, 1st series, 1855, p. 41, and thence, omitting st. ii., altered in metre, and beginning, "Awake, Thou Spirit, Who didst fire," as No. 290 in the Pennsylvania Lutheran Church Book, 1868. In Miss Winkworth's Chorale Book for England, 1863, No. 87, it is altered in metre to "Wake, Spirit, Who in times now olden," st: vii. being omitted, and this form is No. 190 in the Ohio Lutheran Hymnal, 1880. Another translation is "O spirit of the early martyrs, wake," in the British Herald, Oct. 1865, p. 151. Not in common use: ii. Ich bin erlost durch xneines Mittler's Blut. [Passiontide.] 1750, as above, No. 330, in 10 stanzas of 9 lines, entitled, "The believer's consolation in death." J. C. Wagner in his Neues Hildburghausisches Gesang-Buch, 1807 (1808, No. 231), included a greatly altered form beginning, "Ich bin erlost! Es floss des Mittler's Blut." The text translation is that in Knapp's Ev. L. S., 1837, No. 503, based on st. i., iii., v.-vii. of the original. The only translation in common use is:— I am redeem'd! the purchase of that blood, from Knapp, by Dr. H. Mills in his Horae Germanica, 1845 (1856, p. 64); repeated, omitting stanza ii., as No. 125 in Stryker's Christian Chorals, 1885.(2) Hymns not in English common use:— iii. Du Hiiter Israel. [Morning.] 1750, as above, No. 7, in 15 stanzas translated as "Guardian of Israel, Thou," by H. J. Buckoll, 1842, p. 53. iv. Einer bliebt Konig, wenn allea erlieget. [Christ as King.] 1st in the large type ed., 1750, No. 367, in 10 stanzas translated as "One reigneth still, though all else may be failing," by Miss Burlingham, in the British Herald, Dec. 1865, p. 185, and repeated, as No. 394, in Reid's Praise Book, 1872. v. Heut ist dein Tag vorhanden. [Sunday Morning.] 1750, as above, No. 106, in 5 stanzas translated as "This is Thy day so glorious," by H. J. Buckoll, 1842, p. 8. vi. Hirt und Euter deiner Schaafe. [Spiritual Watchfulness] 1750, as above, No. 279, in 16 stanzas translated as "Great Shepherd of the sheep, No longer," in S. Jackson's translation of Bogatzky's Life, 1856, p. 187. vii. Jehovah, hoher Gott von Hacht und Starke. [The Almighty God.] At Schreibersdorf in the Riesengebirge in 1720, standing on an eminence, he viewed the distant mountains which at first he thought were clouds, and deeply impressed by the majesty, glory, and omnipotence of God, he wrote this hymn after returning to the house (Life, 1856, p. 51). Included, as No. 558, in the Sammluvg Geist- und lieblicher Lieder, Leipzig and Gorlitz, 1725, and repeated, 1750, as above, No. 263, in 12 stanzas as "Jehovah, God of boundless strength and might," by Miss Winkworth, 1869, p. 274. viii. 0 stilles Lamm, du hast fur mich gelitten. [Cross and Consolation.] 1750, as above, No. 305, in 7 stanzas translated as "O silent Lamb! for me Thou hast endured," by Mrs. Findlater, in Hymns from the Land of Luther, 1858 (p. 64, 1884, p. 122). -John Julian, Dictionary of Hymnology (1907)

Diana Kodner

Topics: Advent I Composer (acc.) of "[Sólo enti confio, estaré sin vergüenza]" in Gather Comprehensive Diana Kodner Gokce holds a double M.M. in Music from Northwestern University specializing in voice/opera and conducting. As an undergraduate, Diana was a flute major at Northwestern University. She has been a flutist in the Minnesota Orchestra, performing under Leonard Slatkin, Stanislaw Skrowaczewski, and Jean-Pierre Rampal, to name but a few conductors. At the age of 17 Diana conducted the Minnesota Orchestra in a young people's concert as winner of the Urban Arts conducting competition. For six years Diana was conductor and musical director of the Mozart Sinfonia. She has been a conductor of choirs at Loyola University, National-Louis University, and Holy Name Cathedral in Chicago. Diana has authored several books including Handbook for Cantors (Liturgy Training Publications) and Sing God a Simple Song Volumes I and II (Treehaus Communications). She was the editor of A Sourcebook about Music and the Gather Comprehensive Hymnal, first edition (G.I.A. Publications). She was also the conductor for the choral recordings: Catholic Classics, V.I and II (G.I.A. Publications) and both flute and vocal soloist on the Taize recording "Wait for the Lord," from the same publisher. Diana was senior editor of Clavier Magazine and the editor of both Flute Talk and Flute Explorer magazines (The Instrumentalist Company). As editor of Flute Talk Diana interviewed the great flutist Sir James Galway and Jazz flutist Steve Kujala. Most recently Diana was music director for the DVD and CD series from Egghead Learning Systems: As I Grow, for children from birth to 18 months. For 11 years she was the music specialist at Baker Demonstration School in Wilmette, Illinois, and performed as a flutist in the chamber ensemble "Diletto Musicale." Beginning with the 2012-2013 school year, she is the middle school music teacher at The Frances Xavier Warde School, Holy Name Cathedral Campus in Chicago. Diana Kodner

Donna Peña

b. 1955 Topics: Advent I Author of "Psalm 25: Levanto Mi Alma" in Gather Comprehensive

F. W. H. Myers

1843 - 1901 Person Name: Frederic W. H. Myers, 1843-1901 Topics: Advent I Year B; Advent I Year C Author of "Hark what a sound, and too divine for hearing" in Common Praise

Birgitte K. Boye

1742 - 1824 Person Name: Birg. Boye Topics: Tredie Søndag i Advent Til Aftensang Translator of "Jeg har af Hjertens Grund afsagt" in M. B. Landstads Kirkesalmebog og "Nokre Salmar" ved Professor Dr. E. Blix, samt følgende tillæg Birgitte was born on March 7, 1742, in Gentofte, Denmark. She was the daughter of Jens Johansen. Boye married a supreme court judge in Copenhagen, Denmark. She found time to study German, French and English and translated hymns into Danish from these languages. As a hymnist, she was involved with Guldbergs og Harboes Psalmebog (Ove Guldberg’s and Ludvig Harboe’s Psalter), to which she contributed 146 hymns. She also produced "national dramatic writing." She died on October 17, 1824. Sources: Julian, p. 1001 & Stulken, p. 145

Johan Nordahl Brun

1745 - 1816 Person Name: Johan N. Brun Topics: Tredje Søndag i Advent Til Høimesse Author of "Jesus, som iblandt os staar" in Salmebog for Lutherske Kristne i Amerika

Johann Schop

1590 - 1667 Topics: Holy Communion; Advent III The Holy Communion In place of Gloria; Ash Wednesday The Holy Communion In place of Gloria; Ember Days The Holy Communion In place of Gloria; Lent II The Holy Communion In place of Gloria; Lent IV The Holy Communion In place of Gloria; Sexagesima The Holy Communion In place of Gloria; Trinity I The Holy Communion Communion; Trinity XIX The Communion Communion Composer of "JESU JOY OF MAN'S DESIRING" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Johann Schop Germany 1590-1667. Born at lower Saxony, Germany, he became a Lutheran composer and violinist, much admired for his virtuoso and technical ability. In 1614 Duke Friedrich Ulrich made him a probationary musician in the Hofkapelle at Wolfenbuttel. He performed playing various instruments, but excelled as a violinist. He was engaged permanently in 1615, but the same year he responded to a summons to join the flourishing musical establishment of King Christian IV of Denmark in Copenhagen. There he met English viol player, William Brade, who had earlier been in service to Hamburg, Germany (and may have taught Schop there). Schops compositions for the violin set impressive demands for that area at that time. He also played other instruments, including the violi, lute, cornet, trombon, trumpet, zinke, and violin (virtuoso). In 1619 Schop and Brade left Copenhagen to escape the plague. He then went to Iburg, where he worked at the courtof the Osnabruck bishop, Philipp Sigismund. Schop had such a reputation that he soon acquired a post as Kapellmeister at an establishment in Hamburg and was the first member of the council music. In 1621 he was its director and the leading municipal violinist in that city, which offered him a substantial income for his participation in the church music program. He also was organist at the Jacobikirche. In 1634 he again traveled to Copenhagen with Heinrich Schutz and Heinrich Albert for the wedding of Crown Prince Christian. He won a violin contest there. Few German violinists were of his caliber musically. He returned to Hamburg, and the Danish king tried several times to woo him back to Denmark, but he stayed in Hamburg, becoming a director of music. He published books of violin music in 4 to 6 parts. He wrote two books of well-loved dance pieces and sacred concertos. He co-founded a school of song writing there in Hamburg with Thomas Selle. Many of his tunes were writtten for fellow townsmen and friend Johann Rist. Some of his music was performed at the Peace of Westphalia celebrations. Some of his tunes were used by chants in a cantata. Schop was married (wife’s name not found) and they had two sons, Johann II, and Albert, who also became musicians. He died in Hamburg. John Perry

Johann Eusebius Schmidt

1670 - 1745 Person Name: Joh. Schmidt Topics: Tredje Søndag I Advent Til Høimesse -Til Sekund Tekstrækkes Evangelium Author of "Far dog fort" in Salmebog for Lutherske Kristne i Amerika Schmidt, Johann Eusebius, son of Johann Jakob Schmidt, pastor at Hohenfelden, near Erfurt, was born at Hohenfelden, Jan. 12, 1670. He matriculated at the University of Jena in the autumn of 1688, and in 1691 went to Erfurt to attend lectures by Breithaupt and Francke. Part of 1692 he spent in travelling in North Germany, and during the years 1693-96 he was mostly employed in private tuition at Gotha. On the 12th Sunday after Trinity, 1697, he began work at Siebleben, near Gotha, as substitute (curate in charge), and on the 4th Sunday in Advent, 1698, as pastor there. He died at Siebleben, Dec. 25, 1745, with the character of "An edifying teacher in his parish, a good example to his flock, and a methodical man in his office." (G. G. Brückner's Kirchen und Schulenstaat, vol. iii. pt. iv. p. 59, Gotha, 1761, &c). Schmidt's hymns were contributed to Freylinghausen's Geistreiches Gesang-Buch, 1704, and Neues Geistreiches Gesang-Buch, 1714. In the latter Freylinghausen prints as a supplement (Zugabe) 17 so-called "Psalms for Festivals," being compositions in Ode or Psalm form and unrhymed, remarking in his preface that the author of these (i.e. Schmidt), had written similar compositions for all the Sundays in the year. Of his hymns in rhyme (4, 1st pub. 1704; 21, 1st pub. 1714), some have attained considerable popularity, being of moderate length, good in style, thoughtful and interesting. Of Schmidt's hymns those which have passed into English are:— i. Es ist vollbracht: vergissja nicht. Passiontide. This hymn on “It is finished," first appeared in 1714 as above, No. 72, in 5 stanzas of 5 lines. Included as No. 96 in the Unverf älschter Liedersegen, 1851. The translations in common use are:— 1. All is fulfill'd--my heart, record. By A. T. Russell, omitting st. iv., vi., as No. 100 in his Psalms & Hymns, 1851. 2. 'Tis finished : 0 glorious word. A full but rather free translation by Dr. Kennedy, in his Hymnologia Christiana, 1863, repeated, omitting st. ii., vi., in Reid's Praise Book, 1872. ii. Erhebe den Herren, der Alles in Allen. Thanksgiving. First published 1714 as above, No. 560, in 4 st. of 8 1. Included in Knapp's Evangelischer Lieder-Schatz, 1837 and 1865. Translated as, "The praises of him who is Grace's Dispenser." This is No. 550 in pt. i. of the Moravian Hymn Book, 1751. iii. Fahre fort, fahre fort. Faithfulness. Founded on Christ's Messages to the Seven Churches in Asia. First published 1704 as above, No. 667, in 7 stanzas of 7 lines. In the Unverfälschter Liedersegen. 1851, No. 223. The translations are:— (1) "Hasten on, hasten on," by Miss Burlingham, In the British Herald, Sept. 1865, p. 143, and Reid's Praise Book, 1872. (2) "Hold thy course," by E. Massie, 1867, p. 31. (3) "Onward go, onward go," by N. L. Frothingham, 1870, p. 238. iv. Gekreuzigter! mein Herze sucht. Passiontide. First published 1714 as above, No. 73, in 6 st. of 6 1. In Burg's Gesang-Buch, Breslau, 1746, No. 483. The translations are:— (l) "Christ crucify'd! my Soul by Faith Desires," in the Supp. to German Psalmody, ed. 1765, p. 23. (2) "Christ crucify'd, my soul by faith, With," as No. 424, based on the earlier tr., in the Moravian Hymn Book, 1789 (1886, No. 959). v. 0 Jesu der du dich. Easter. First published 1704 as above, No. 651, in 5 st. of 61., repeated in the Herrnhut Gesang-Buch 1735, No. 123. Translated as "0 Jesu, who now free," as No. 552 in pt. i. of the Moravian Hymn Book, 1754. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)