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Thomas Augustine Arne

1710 - 1778 Person Name: Thomas A. Arne Scripture: Isaiah 44:23-24 Composer of "ARLINGTON" in Celebremos Su Gloria Dr. Thomas Augustine Arne was born March 12, 1710, in London; became early celebrated as a composer, and established his reputation by settling Milton's "Comus" to music - light, airy, and original; he composed many songs, and nearly all his attempts were successful; died March 5, 1778, aged 68. A Dictionary of Musical Information by John W. Moore, Boston: Oliver, Ditson & Company, 1876

Donnie Harper

Scripture: Isaiah 44:8 Author of "Praise Him" in Worship and Song

Steve Grundy

b. 1955 Person Name: Steve Grundy, b. 1955 Scripture: Isaiah 44:20 Arranger of "[We rise again from ashes]" in Glory and Praise (3rd. ed.)

T. H. Stockton

1808 - 1868 Scripture: Isaiah 44:6 Author of "When God--neglected or denied" in The Voice of Praise Stockton, Thomas Hewlings, D.D. (Mount Holly, New Jersey, June 4, 1808--October 9, 1868, Philadelphia). The son of William S., founder and editor of The Wesleyan Repository, 1821, and Elizabeth S. (Hewlings) Stockton. Largely educated in private schools, after studying medicine for a time and spending some five years following literary pursuits, he was admitted to the Maryland Annual Conference of the Methodist Protestant Church. A voluminous writer, he became one of the most eloquent preachers of the nineteenth century in America. When but twenty-five years of age he was elected chaplain of the House of Representatives, Congress of the United States, serving in that capacity the sessions of 1835-1836, 1859-1860, 1861-1862, and in 1862 was chosen chaplain of the United States Senate. It was he who offered the memorable prayer at the dedication of the Gettysburg National Monument. Although much in the public eye as an eminent preacher, lecturer, and leader in all forms of social progress, he insisted his name be used with neither prefix nor suffix. He did not acknowledge the degree of Doctor of Divinity conferred on him by Gettysburg College and refused to accept the presidency of Miami College, Oxford, Ohio, when unanimously elected to that position by its board of trustees. Because of his opposition to denominationalism he twice resigned his assigned pastorates and organized, in Philadelphia and Cincinnati, "Societies of Brotherly Love," designed to follow the pattern set by John Wesley for his early converts. Dr. Stockton compiled the Methodist Protestant Hymn-Book of 1837, the first Methodist hymnal to accredit the hymns to their respective authors. In addition to numerous sermons and speeches, his published works include: Floating Flowers from a Hidden Brook, 1844 Ecclesiastical Opposition to the Bible, 1853 Stand Up, A Christian Ballad, 1858 Poems, 1862 "Stand up for Jesus," from A Christian Ballad which included autobiographical notes and some other poems, was suggested by the same incident which gave rise to the George Duffield, Jr., hymn with the same opening line. Although set to music several times it gave way to the latter. --Robert G. McCutchan, DNAH Archives

Gracia Grindal

b. 1943 Person Name: Gracia Grindal, 1943- Scripture: Isaiah 44:1-8 Author of "We Sing to You, O God" in Common Praise (1998) Gracia Grindal (b. Powers Lake, ND, 1943). Grindal was educated at Augsburg College, Minneapolis, Minnesota; the University of Arkansas; and Luther-Northwestern Seminary, St. Paul, Minnesota, where she has served since 1984 as a professor of pastoral theology and communications. From 1968 to 1984 she was a professor of English and poet-in-residence at Luther College, Decorah, Iowa. Included in her publications are Sketches Against the Dark (1981), Scandinavian Folksongs (1983), Lessons in Hymnwriting (1986, 1991), We Are One in Christ: Hymns, Paraphrases, and Translations (1996), Good News of Great Joy: Advent Devotions for the Home (1994 with Karen E. Hong), Lina Sandell, the Story of Her Hymns (2001 with John Jansen), and A Revelry of Harvest: New and Selected Poems (2002). She was instrumental in producing the Lutheran Book of Worship (1978) and The United Methodist Hymnal (1989). Bert Polman

Richard Proulx

1937 - 2010 Person Name: Richard Proulx, 1937- Scripture: Isaiah 44:1-8 Composer of "CAMANO" in Common Praise (1998) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

David Fellingham

Scripture: Isaiah 44:24 Author of "Shout for joy and sing" in Complete Anglican Hymns Old and New

Thomas M. Westrup

1837 - 1909 Person Name: Tomás M. Westrup (1837-1909) Scripture: Isaiah 44:23 Author of "Venid, cantad, de gozo en plenitud" in Himnario Adventista del Séptimo Día Thomas Martin Westrup moved with his family from London to Mexico when he was fifteen years old. He translated hundreds of hymns and, along with his son, Enrique, published a three-volume hymnal Incienso Christiano. Dianne Shapiro from Celebremos su Gloria (Colombia/Illinois: Libros Alianza/Celebration), 1992

James McGranahan

1840 - 1907 Person Name: James McGranahan (1840-1907) Scripture: Isaiah 44:23 Composer of "REDEEMED" in Himnario Adventista del Séptimo Día James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Marty Haugen

b. 1950 Person Name: Marty Haugen (1950-) Scripture: Isaiah 44:1-8 Author of "Wind upon the Waters" in Common Praise (1998) Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink