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Scripture:Matthew 10
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Alfred V. Fedak

b. 1953 Scripture: Matthew 10:39 Arranger of "PRAYER OF ST. FRANCIS" in Glory to God Alfred Fedak (b. 1953), is a well-known organist, composer, and Minister of Music at Westminster Presbyterian Church on Capitol Hill in Albany, New York. He graduated from Hope College in 1975 with degrees in organ performance and music history. He obtained a Master’s degree in organ performance from Montclair State University, and has also studied at Westminster Choir College, Eastman School of Music, the Institute for European Studies in Vienna, and at the first Cambridge Choral Studies Seminar at Clare College, Cambridge. As a composer, he has over 200 choral and organ works in print, and has three published anthologies of his work (Selah Publishing). In 1995, he was named a Visiting Fellow in Church Music at Episcopal Seminary of the Soutwest in Austin, Texas. He is also a Fellow of the American Guild of Organists, and was awarded the AGO’s prestigious S. Lewis Elmer Award. Fedak is a Life Member of the Hymn Society, and writes for The American Organist, The Hymn, Reformed Worship, and Music and Worship. He was a member of the Presbyterian Committee on Congregational Song that prepared Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.) Laura de Jong

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Scripture: Matthew 10:29 Arranger of "DIX" in Laudes Domini William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Ira F. Stanphill

1920 - 1993 Person Name: Ira F. Stanphill, 1914- Scripture: Matthew 10:31 Author of "I Don't Know about Tomorrow (I Know Who Holds Tomorrow)" in African Methodist Episcopal Church Hymnal

Kurt Kaiser

1934 - 2018 Scripture: Matthew 10:8 Author of "Pass It On" in The Worshiping Church Kurt Kaiser was born December 17, 1934, in Chicago. He attended American Conservatory of Music and Northwestern University. He moved to Waco, Texas in 1959 in order to join Word Music, where he later worked as vice president and director of music. He arranged and produced several albums. He composed more than 300 songs, and with Ralph Carmichael developed Christian youth musicals. He was a longtime member of the Seventh & James Baptist Church in Waco, Texas. He later helped start Dayspring Baptist Church in Waco. He was an acclaimed pianist who accompanied George Beverly Shea at Billy Graham crusades. He received the Lifetime Achievement Award from the American Society of Composers, Authors and Publishers and was elected to the Gospel Music Hall of Fame. He died November 12, 2018, in Waco. Dianne Shapiro, from obituary in "Baptist Standard" (https://www.baptiststandard.com/news/obituaries/obituary-kurt-kaiser/) and "Gospel Music Hall of Fame" (http://gospelmusichalloffame.org/kurt-kaiser/) accessed 2-8-2019

Margaret Cropper

1886 - 1980 Person Name: Margaret B. Cropper, 1886-1980 Scripture: Matthew 10:39-40 Author of "Jesus' Hands Were Kind Hands" in Community of Christ Sings

Bartholomäus Gesius

1555 - 1613 Person Name: Bartholomäus Gesius, c. 1555-1613 Scripture: Matthew 10:38-39 Composer of "MACHS MIT MIR, GOTT" in Lutheran Service Book Bartholomaeus Gesius; b. 1555, Muencheberg, near Frankfort; d. 1613 or 14, Wittenberg Evangelical Lutheran Hymnal, 1908

Johann Hermann Schein

1586 - 1630 Person Name: Johann Hermann Schein, 1586-1630 Scripture: Matthew 10:38-39 Arranger of "MACHS MIT MIR, GOTT" in Lutheran Service Book Schein, Johann Hermann, son of Hieronymus Schein, pastor at Griinhain, near Annaberg, in Saxony, was born at Grünhain, Jan. 20,1586. He matriculated at the University of Leipzig in 1607, and studied there for four years. Thereafter he acted for some time as a private tutor, including two years with a family at Weissenfels. On May 21, 1615, he was appointed Capellmeister, at the court of Duke Johann Ernst, of Sachse-Weimar; and in 1616 he became cantor of I3t. Thomas's Church, and music director at Leipzig, in succession to Seth Calvisius (d. Nov. 24, 1615). This post he held till his death, at Leipzig, Nov. 19, 1630. Schein was one of the most distinguished musicians of his time, both as an original composer, and as a harmoniser of the works of others. As a hymnwriter he was not so prolific, or so noteworthy. Most of his hymns were written on the deaths of his children or friends, e.g. on seven of his children, and on his first wife. They appeared mostly in broadsheet form, and were included, along with his original melodies, in his Cantional oder Gesang-Buch Augspurgischer Confession, Leipzig, 1627; 2nd ed., 1645. [Both in Wernigerode Library.] Those of Schein's hymns which have passed into English are:— i. Machs mit mir, Gott, nach deiner Güt. For the Dying. First published, as a broadsheet, at Leipzig, 1628, as a Trost-Liedlein á 5 (i.e. for 5 voices), &c. [Berlin Library.] The words, the melody, and the five-part setting, are all by Schein. It was written for, and first used at, the funeral, on Dec. 15, 1628, of Margarita, wife of Caspar Werner, a builder and town councillor at Leipzig, and a churchwarden of St. Thomas's. It is in 6 stanzas of 6 lines; the initial letters of 11. 1, 3, in st. i.-iv., forming the name Margarita; and the W of st. v. 1. 1 standing for Werner. In Schein's Cantional, 1645, No. 303 (marked as Trost-Liedlein, Joh. Herm. Scheins, á 5), and later hymn-books, as e.g. the Unverfäschter Liedersegen, 1851, No. 830, st. vi. was omitted. It is Schein's finest production, and one of the best German hymns for the sick and dying. Translated as:— Deal with me, God, in mercy now. This is a good and full translation by Miss Winkworth, in her Chorale Book for England, 1863, No. 191, set to Schein's melody of 1628. ii. Mein Gott und Herr, ach sei nicht fern. For the Dying. First published, with his name, in his Cantional, 1627, No. 262, in 9 stanzas of 6 lines. The initial letters of the stanzas give the name Margarita, probably one of the daughters who predeceased him. It is included, in 5 st., in the 164-8, and later eds., of Crüger's Praxis. The translation in common use is:— My Lord and God, go not away. A good tr. of st. i., ii., iv., v., vii., by A. T. Russell, as No. 254, in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

George Lockwood

b. 1946 Person Name: George Lockwood, b. 1946 Scripture: Matthew 10:34 Translator of " You, Lord, Are Both Lamb and Shepherd (Tú, pastor, También Cordero)" in Oramos Cantando = We Pray In Song Rev. George Lockwood was born in 1946 and has been a missionary to Costa Rica. He has pastored Spanish-speaking congregations in both Arizona and California and served on the editorial committee for the Methodist hymnal supplement Celebremos II. In addition, Lockwood has traveled throughout Central and South America interviewing church musicians and gathering new hymns from both Spanish and Portuguese cultures which he then presents at conferences and workshops. The Presbyterian Hymnal Companion, 1993

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett (1805-1876) Scripture: Matthew 10:34 Composer of "TRIUMPH" in Church Hymnary (4th ed.) Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

John R. Van Maanen

Person Name: John R. Van Maanen, 1958- Scripture: Matthew 10:24-39 Composer of "CHRISTUS PARADOX" in Common Praise (1998) John Van Maanen has been a member of Arcady since its founding and often sings as a baritone soloist in performances of Handel's Messiah. He sings in the choir of his home congregation and sometimes serves as a substitute organist in local churches. John’s first hymn tune, (Christus) Paradox (1984), is in three Canadian denominational hymnals: Voices United (1996), The Book of Praise (1997) and Common Praise (1998). Common Praise (1998) also has his tune, Phos Hilaron, written in 1990. John’s arrangement of the hymn Let All Mortal Flesh Keep Silence was published by Oxford University Press in 2007. He continues to enjoy composing: most of his works are for choir with organ accompaniment. John Van Maanen

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