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Scripture:Psalm 8

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GOD"s Sovereignty and Goodness; and Man's Dominion over the Creatures

Appears in 129 hymnals Scripture: Psalm 8 First Line: O Lord, our heav'nly King Lyrics: 1 O Lord, our heav'nly King, Thy name is all divine; Thy glories round the earth are spread, And o'er the heavens they shine. 2 When to thy works on high I raise my wond'ring eyes, And see the moon, complete in light, Adorn the darksome skies: 3 When I survey the stars And all their shining forms, LORD, what is man, that worthless thing, A-kin to dust and worms? 4 LORD, what is worthless man, That thou should'st love him so? Next to thine angels is he plac'd, And lord of all below. 5 Thine honours crown his head, While beasts like slaves obey, And birds that cut the air with wings, And fish that cleave the sea. 6 How rich thy bounties are! And wondrous are thy ways: Of dust and worms thy power can frame A monument of praise. 7 [From mouths of feeble babes And sucklings, thou canst draw Surprising honours to thy name! And strike the world with awe. 8 O Lord, our heav'nly King, Thy name is all divine: Thy glories round the earth is spread, And o'er the heavens they shine.
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God, Who Stretched the Spangled Heavens

Author: Catherine Cameron Meter: 8.7.8.7 D Appears in 46 hymnals Scripture: Psalm 8 Lyrics: 1 God, who stretched the spangled heavens, infinite in time and place, flung the suns in burning radiance through the silent fields of space; we, your children in your likeness, share inventive pow’rs with you. Great creator still creating, show us what we yet may do. 2 We have ventured worlds undreamed of since the childhood of our race, known the ecstasy of winging through untraveled realms of space, probed the secrets of the atom, yielding unimagined pow’r, facing us with life’s destruction or our most triumphant hour. 3 As each far horizon beckons, may it challenge us anew, children of creative purpose serving others, hon’ring you. May our dreams prove rich with promise, each endeavor well begun. Great creator, give us guidance till our goals and yours are one. Topics: Creation God as Creator; God Power of; God Works of; Praying; Science and Technology; Vocation Used With Tune: HOLY MANNA Text Sources: Contemporary Worship I, 1969, alt.

God in great love for us lent us this planet

Author: Fred Pratt Green, 1903- Meter: 11.10.11.10 Appears in 20 hymnals Scripture: Psalm 8:3-8 Topics: Creation; Ecology / Environment; One Life in Christ Justice; Rural Life / Rogation Sunday; Sharing; Stewardship Used With Tune: STEWARDSHIP

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GOTT SEI DANK DURCH ALLE WELT

Meter: 7.7.7.7 Appears in 206 hymnals Scripture: Psalm 8 Tune Sources: Freylinghausen's Geistreiches Gesangbuch, 1704; alt. Tune Key: C Major Incipit: 13556 71725 76655 Used With Text: Lord, Our Lord, Thy Glorious Name
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GOD OF WONDERS

Appears in 8 hymnals Composer and/or Arranger: Marc Byrd; Steve Hindalong; Albert Chung Scripture: Psalm 8 Tune Key: G Major Incipit: 16121 66161 26332 Used With Text: God of Wonders
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GALILEE

Meter: 8.8.8.8 Appears in 39 hymnals Composer and/or Arranger: Philip Armes, 1836-1908 Scripture: Psalm 8:2 Tune Key: D Major Incipit: 53211 66551 67656 Used With Text: Jesus shall reign

Instances

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Give to Our God Immortal Praise

Author: Isaac Watts, 1674-1748 Hymnal: Worship and Rejoice #63 (2003) Meter: 8.8.8.8 Scripture: Psalm 8 Lyrics: 1 Give to our God immortal praise; mercy and truth are all his ways: wonders of grace to God belong; repeat his mercies in your song. 2 He built the earth, he spread the sky, and fixed the starry lights on high: wonders of grace to God belong; repeat his mercies in your song. 3 He fills the sun with morning light; he bids the moon direct the night: his mercies ever shall endure, when suns and moons shall shine no more. 4 He sent His Son with power to save from guilt and darkness and the grave: wonders of grace to God belong; repeat his mercies in your song. 5 Through this vast world he guides our feet, and leads us to his heavenly seat: his mercies ever shall endure, when this our world shall be no more. Languages: English Tune Title: DUKE STREET
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Glory, mercy, grace

Hymnal: New Hymn and Tune Book #57c (1889) Meter: 8.6.8.6 Scripture: Psalm 8:1 First Line: Father, how wide thy glory shines Topics: The Divine Perfections Languages: English
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Glory, mercy, grace

Author: Isaac Watts Hymnal: Hymnal of the Methodist Episcopal Church #146 (1891) Meter: 8.6.8.6 Scripture: Psalm 8:1 First Line: Father, how wide thy glory shines Topics: God Glory of; God Grace of ; God Mercy of; God Works of; Heaven Songs of ; Seraphs Languages: English

People

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Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Scripture: Psalm 8 Composer (Gelineau tone) of "[How great is your name, O Lord our God]" in Gather Comprehensive Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

John Goss

1800 - 1880 Person Name: John Goss (1800-1880) Scripture: Psalm 8:3 Composer of "HUMILITY (OXFORD)" in Church Hymnary (4th ed.) John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Walter Bond Gilbert

1829 - 1910 Person Name: Walter B. Gilbert Scripture: Psalm 8 Composer of "THANKSGIVING" in The Psalter Walter Bond Gilbert DMus United Kingdom 1829-1910. Born at Exeter, Devon, England, he studied music under Alfred Angel, Samuel Wesley and Henry Bishop. He attended New College, Oxford and the University of Toronto, Canada. He was organist in Devon at Topsham in 1847, Bideford in 1849, Kent at Tonbridge in 1854, Old Colliegiate Church, Maidstone in 1859, Lee in 1866, Boston, Lincolnshirein 1868, and Trinity Chapel in New York City in 1869-1897. He taught music at Tonbridge School, helped found the College of Organists, edited the America Episcopal Hymnal, and wrote a number of monographs, including “Antiquities of Maidstone”. He continued to write church music, producing services, oratorios (including “The Restoration of Israel and St. John, 1857), organ works, and anthems. He died at Headington, Oxford, England. John Perry