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Felice Giardini
1716 - 1796 Person Name: Giardini Hymnal Number: 5a Composer of "TRINITY" in A Collection of Hymn Tunes from the most modern and approved authors Felice Giardini, born in Italy. When young, he studied singing, harpsichord, and violin. He became a composer and violin virtuoso. By age 12 he was playing in theatre orchestras. His most instructive lesson: While playing a solo passage during an opera, he decided to show off his skills by improvising several bravura variations that the composer, Jommelli, had not written . Although the audience applauded loudly, Jomelli, who happened to be there, went up and slapped Giardini in the face. He learned a lesson from that. He toured Europe as a violinist, considered one of the greatest musical artists of his time. He served as orchestra leader and director of the Italian Opera in London, giving concerts. He tried to run a theatre in Naples, but encountered adversity. He went to Russia, but had little fortune there, where he died.
John Perry
Felice Giardini
Martin Madan
1726 - 1790 Person Name: Dr. Madan Hymnal Number: 5b Composer of "HALLIFAX" in A Collection of Hymn Tunes from the most modern and approved authors Madan, Martin, son of Colonel Martin Madan, and brother of Dr. Spencer Madan, sometime Bishop of Peterborough, was born in 1726. He was to have qualified for the Bar, but through a sermon by J. Wesley on the words "Prepare to meet thy God," the whole current of his life was changed. After some difficulty he received Holy Orders, and subsequently founded and became chaplain of the Lock Hospital, Hyde Park Corner. He was popular as a preacher, and had no inconsiderable reputation as a musical composer. He ceased preaching on the publication of his work Thelyphthora, in which he advocated the practice of polygamy. He died in 1790. He published A Commentary on the Articles of the Church of England; A Treatise on the Christian Faith, &c, and:- A Collection of Psalms and Hymns Extracted from Various Authors, and published by the Reverend Mr. Madan. London, 1760.
This Collection contained 170 hymns thrown together without order or system of any kind. In 1763 he added an Appendix of 24 hymns. This Collection, referred to as Madam’s Psalms & Hymns, had for many years a most powerful influence on the hymnody of the Church of England. Nearly the whole of its contents, together with its extensively altered texts, were reprinted in numerous hymnbooks for nearly one hundred years. At the present time many of the great hymns of the last century are in use as altered by him in 1760 and 1763. Although several hymns have been attributed to him, we have no evidence that he ever wrote one. His hymnological labours were employed in altering, piecing, and expanding the work of others. And in this he was most successful.
-- John Julian, Dictionary of Hymnology (1907)
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Martin Madan
William Hammond
1719 - 1783 Hymnal Number: XXII Author of "Lord we come before thee now" in A Collection of Hymn Tunes from the most modern and approved authors Hammond, William, B.A, born at Battle, Sussex, Jan. 6, 1719, and educated at St. John's College, Cambridge. In 1743 he joined the Calvinistic Methodists; and in 1745, the Moravian Brethren. He died in London, Aug. 19, 1783, and was buried in the Moravian burial-ground, Sloane Street, Chelsea. He left an Autobiography in Greek, which remains unpublished. His original hymns, together with his translations from the Latin, were published in his:—
Psalms, Hymns, and Spiritual Songs. To which is prefix'd A Preface, giving some Account of a Weak Faith, and a Full Assurance of Faith; and briefly stating the Doctrine of Sanctification; and shewing a Christian's Completeness, Perfection, and Happiness in Christ. By William Hammond, A.B., late of St. John's College, Cambridge. London: Printed by W. Strahan; and sold by J. Oswald, at the Rose and Crown in the Poultry, mdccxlv.
A few of his original hymns from scriptural fidelity and earnestness have attained to a foremost position amongst English hymns. These include, "Awake, and sing the song," and "Lord, we come before Thee now." His translations of Latin hymns were amongst the earliest published after those contained in the Primers and other devotional works of 16th and 17th centuries. They are of merit, and worthy of attention. Greater use might also be made of his original compositions. In addition to those named above, the following are also in common use:—
1. Brightness of the Father's Face. God the Son.
2. How great the Christian's portion is. Possession of All in Christ.
3. If Jesus is yours. God's unchangeable Love.
4. In Thine own appointed way. Divine Worship.
5. Jesus, Who died the [a] world to save. Easter.
6. Lord, if on earth the thought of Thee. Heaven anticipated.
1. Now with joint consent we sing. Divine Worship.
8. O Lord, how little do we know. Quinquagesima.
9. Would you win a soul to God ? The Gospel Message.
--John Julian, Dictionary of Hymnology (1907)
William Hammond
Alfred King
1837 - 1926 Person Name: A. King Hymnal Number: 35 Composer of "SOPHRONIA" in A Collection of Hymn Tunes from the most modern and approved authors
Alfred King
William Law
Publisher of "" in A Collection of Hymn Tunes from the most modern and approved authors
William Law
William Jackson
1730 - 1803 Person Name: W. I. Hymnal Number: 10a Composer of "LAUNCESTON" in A Collection of Hymn Tunes from the most modern and approved authors William Jackson of Exeter
William Jackson
