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African American Heritage Hymnal
Publication Date: 2001 Publisher: GIA Publications, Inc. Publication Place: Chicago
African American Heritage Hymnal
Life's Railway to Heaven
Author: M. E. Abbey Meter: 8.7.8.7 D with refrain Appears in 90 hymnals First Line: Life is like a mountain railroad Refrain First Line: Blessed Savior, Thou wilt guide us Lyrics: 1 Life is like a mountain railroad,
With an engineer that’s brave;
We must make the run successful,
From the cradle to the grave;
Watch the curves, the fills, the tunnels;
Never falter, never quail;
Keep your hand upon the throttle,
And your eye upon the rail.
Refrain:
Blessed Savior, Thou wilt guide us,
Till we reach the blissful shore,
Where the angels wait to join us
In Thy praise forevermore.
2 You will roll up grades of trial;
You will cross the bridge of strife;
See that Christ is your conductor
On this lightning train of life;
Always mindful of obstruction,
Do your duty, never fail;
Keep your hand upon the throttle,
And your eye upon the rail. [Refrain]
3 You will often find obstructions,
Look for storms and wind and rain;
On a fill, or curve, or trestle
They will almost ditch your train;
Put your trust alone in Jesus,
Never falter, never fail;
Keep your hand upon the throttle,
And your eye upon the rail. [Refrain]
4 As you roll across the trestle,
Spanning Jordan’s swelling tide,
You behold the Union Depot
Into which your train will glide;
There you’ll meet the Sup’rintendent,
God the Father, God the Son,
With the hearty, joyous plaudit,
“Weary pilgrim, welcome home.” [Refrain] Topics: Everlasting Life; Christian Pilgrimage Scripture: Hebrews 12:1 Used With Tune: LIFE'S RAILWAY
Life's Railway to Heaven
Victory in Jesus
Author: Eugene M. Bartlett, 1885-1941 Meter: 15.15.15.14 with refrain Appears in 95 hymnals First Line: I heard an old, old story, how a Savior came from glory Refrain First Line: O victory in Jesus, my Savior, forever! Topics: Confession and repentance; Everlasting Life; Jesus Christ His Blood Scripture: 1 Corinthians 15:57 Used With Tune: HARTFORD
Victory in Jesus
Oh, What He's Done for Me
Appears in 4 hymnals Lyrics: 1 Oh, what He's done for me.
Oh, what He's done for me.
Oh, what He's done for me.
I never shall forget what He's done for me.
2 He took my feet out the miry clay,
That's what He's done for me.
He took my feet out the miry clay,
I never shall forget what He's done for me.
3 He feeds me when I'm hungry,
That's what He's done for me.
He feeds me when I'm hungry,
I never shall forget what He's done for me.
4 He picked me up and turned me around,
That's what He's done for me.
He picked me up and turned me around,
I never shall forget what He's done for me.
5 He gave me a home in glory,
That's what He's done for me.
He gave me a home in glory
I never shall forget what He's done for me.
Topics: God Love and Mercy Scripture: Job 5:9 Used With Tune: [Oh, what He's done for me] Text Sources: Congregational Praise Song
Oh, What He's Done for Me
DUKE STREET
Meter: 8.8.8.8 Appears in 1,443 hymnals Composer and/or Arranger: John Hatton, c. 1710-1793 Tune Key: C Major Incipit: 13456 71765 55565 Used With Text: Jesus Shall Reign
DUKE STREET
JESUS SAVES
Meter: 7.6.7.6.7.7.7.6 Appears in 350 hymnals Composer and/or Arranger: William J. Kirkpatrick, 1838-1921 Tune Key: G Major Incipit: 55151 23555 31255 Used With Text: Jesus Saves
JESUS SAVES
Bless the Lord
Hymnal: AAHH2001 #105 (2001) First Line: He has done great things Refrain First Line: Bless the Lord, O my soul Topics: Jesus Christ His Name; Worship and Adoration Scripture: Psalm 103:1 Languages: English Tune Title: [He has done great things]
Bless the Lord
In the Beauty of Holiness
Author: Nettil L. Sawyer Lester Hymnal: AAHH2001 #106 (2001) First Line: Come let us worship the Lord Topics: Worship and Adoration Scripture: 1 Peter 1:15-16 Languages: English Tune Title: [Come let us worship the Lord]
In the Beauty of Holiness
We've Come to Worship You
Author: Stephen Key Hymnal: AAHH2001 #107 (2001) First Line: Lord, we've come to worship You Topics: Worship and Adoration Scripture: Exodus 8:1 Languages: English Tune Title: [Lord, we've come to worship You]
We've Come to Worship You
Chas. H. Gabriel
1856 - 1932 Person Name: Charles H. Gabriel, 1856-1932 Hymnal Number: 232 Author of "He Lifted Me" in African American Heritage Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
Ray Palmer
1808 - 1887 Person Name: Ray Palmer, 1808-1887 Hymnal Number: 456 Author of "My Faith Looks Up to Thee" in African American Heritage Hymnal Ray Palmer (b. Little Compton, RI, 1808; d. Newark, NJ, 1887) is often considered to be one of America's best nineteenth-century hymn writers. After completing grammar school he worked in a Boston dry goods store, but a religious awakening prodded him to study for the ministry. He attended Yale College (supporting himself by teaching) and was ordained in 1835. A pastor in Congregational churches in Bath, Maine (1835-1850), and Albany, New York (1850-1865), he also served as secretary of the American Congregational Union (1865-1878). Palmer was a popular preacher and author, writing original poetry as well as translating hymns. He published several volumes of poetry and hymns, including Sabbath Hymn Book (1858), Hymns and Sacred Pieces (1865), and Hymns of My Holy Hours (1868). His complete poetical works were published in 1876.
Bert Polman
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Palmer, Ray, D.D., son of the Hon. Thomas Palmer, a Judge in Rhode Island, was born at Little Compton, Rhode Island, Nov. 12, 1808. His early life was spent at Boston, where he was for some time clerk in a dry-goods store. At Boston he joined the Park Street Congregational Church, then under the pastoral care of Dr. S. E. Dwight. After spending three years at Phillips Academy, Andover, he entered Yale College, New Haven, where he graduated in 1830. In 1835 he became pastor of the Central Congregational Church, Bath, Maine. During his pastorate there he visited Europe in 1847. In 1850 he was appointed to the First Congregational Church, at Albany, New York, and in 1865 Corresponding Secretary to the American Congregational Union, New York. He resigned in 1878, and retired to Newark, New Jersey. He died at Newark, Mar. 29, 1887. Dr. Palmer's published works in prose and verse include:--
(1) Memoirs and Select Remains of Charles Pond, 1829; (2) The Spirit's Life, a Poem, 1837; (3) How to Live, or Memoirs of Mrs. C. L. Watson, 1839; (4) Doctrinal Text Book, 1839; (5) Spiritual Improvement, 1839, republished as Closet Hours in 185; (6) What is Truth? or Hints on the Formation of Religious Opinions, 1860; (7) Remember Me, or The Holy Communion, 1865; (8) Hymns and Sacred Pieces, with Miscellaneous Poems, 1865; (9) Hymns of my Holy Hours, and Other Pieces, 1868; (10) Home, or the Unlost Paradise, 1873; and (11) Voices of Hope and Gladness, 1881.
Most of Dr. Palmer's hymns have passed into congregational use, and have won great acceptance. The best of them by their combination of thought, poetry, and devotion, are superior to almost all others of American origin. The first which he wrote has become the most widely known of all. It is:—
1. My faith looks up to Thee. Faith in Christ. This hymn was written by the author when fresh from College, and during an engagement in teaching in New York. This was in 1830. The author says concerning its composition, "I gave form to what I felt, by writing, with little effort, the stanzas. I recollect I wrote them with very tender emotion, and ended the last line with tears." A short time afterwards the hymn was given to Dr. Lowell Mason for use, if thought good, in a work then being compiled by him and Dr. T. Hastings. In 1831 that work was published as Spiritual Songs for Social Worship: adapted to the use of Families, &c. Words and Music arranged by Thomas Hastings, of New York, and Lowell Mason of Boston. It is No. 141 in 4 stanzas of 8 lines, entitled "Self Consecration," and accompanied with the tune by Dr. L. Mason, there given as "My faith looks up to Thee, "but subsequently known as Olivet. (Orig. text of hymn in Thring's Collection, 1882.) It has passed into most modern collections in all English-speaking countries, and has been rendered into numerous languages. That in Latin, by H. M. Macgill (p. 708, ii.), begins "Fides Te mea spectat."
2. Fount of everlasting love. Praise for renewed Spiritual Life. This also appeared in the Spiritual Songs, &c, 1831, No. 191, in 4 stanzas of 4 lines, and headed "Praise for a Revival."
The hymns which are given below are all in Dr. Palmer's Poetical Works, N. Y., 1876, and the dates appended in brackets are those given by him in that work.
3. Thou who roll'st the year around. (1832.) Close of the Year. In several American collections.
4. Away from earth my spirit turns. (1833.) Holy Communion. Appeared in Lowell Mason's Union Hymns, in 4 stanzas of 4 lines. In the Church Praise Book, N. Y.. 1882, it begins with st. ii., "Thou, Saviour, art the Living Bread."
5. Before Thy throne with tearful eyes. (1834.) Liberty of Faith.
6. Stealing from the world away. (1834.) Evening. Written at New Haven in 1834, and is very popular in America.
7. Thine [Thy] holy day's returning. (1834.) Sunday Morning.
8. Wake thee, 0 Zion. (1862.) Zion Exultant.
9. We stand in deep repentance. (1834.) Lent.
This last, No. 9, in common with Nos. 10, 11, 12, is marked "original," in the Presbyterian Parish Hymns, 1843. Probably they were given to the editors of that book in manuscript, and had not previously appeared.
10. And is there, Lord, a rest? (1843.) Rest in Heaven. Written at Bath, Maine, in 1843.
11. 0 sweetly breathe the lyres above. Consecration to Christ. This was accidentally omitted from Dr. Palmer's Poetical Works, 18?6. S. W. Duffield says:—
"It was written in the winter of 1842-43, at a time of revival. At the previous Communion several had been received under circumstances that made Doddridge's hymn, ‘0 happy day that fixed my choice 'a most appropriate selection. Not caring to repeat it, and needing something similar, Dr. Palmer composed the present hymn." English Hymns, N. Y., 1886, p. 432.
12. When downward to the darksome tomb. (1842.) Death Contemplated. Written at Bath, Maine, 1842.
From 1843 there comes a long break, and Dr. Palmer seems to have done no more hymn-writing until called upon by Professors Park and Phelps, of Andover, for contributions to their Sabbath Hymn-Book, 1858. His hymns written for that important collection rank amongst the best that America has produced. This is specially true of the first four (Nos. 13-16) from the Latin.
13. Jesus, Thou joy of loving hearts. (l858.) Translation of a cento from "Jesu dulcis memoria" (p. 588, ii.).
14. 0 Bread to Pilgrims given. (1858.) Translation of “O esca viatorum" (q.v.).
15. 0 Christ our King, Creator Lord. (1858.) Translation of “Rex Christe, factor omnium "
16. Come Holy Ghost, in love. (1858.) Translation of “Veni Sancte Spiritus" (q.v.)
17. Jesus, these eyes have never seen. (1858.) Christ loved, though unseen. This hymn is accounted by many as next in merit and beauty to "My faith looks up to Thee."
18. Lord, my weak thought in vain would climb. (1858.) God Unsearchable. This hymn deals with the mysteries of Predestination in a reverent and devout manner.
19. Thy Father's house! thine own bright home. (1858.) Heaven.
The next group, Nos. 20-27, appeared in Dr. Robinson's Songs for the Sanctuary, 1865.
20. Lord, Thou wilt bring the joyful day. (1864.) Contemplation of Heaven. Written in New York City.
21. Eternal Father, Thou hast said. (i860.) Missions.
22. Jesus, Lamb of God, for me. (1863.) Jesus, the Way of Salvation. Written in Albany, New York.
23. Take me, 0 my Father, take me. (1864.) Lent.
24. Wouldst thou eternal life obtain. (1864.) Good Friday.
25. Come Jesus, Redeemer, abide Thou with me. (1864.) Holy Communion.
26. Lord, Thou on earth didst love Thine own. (1864.) Fellowship with Christ.
27. Thou, Saviour, from Thy throne on high. (1864.) Prayer.
The next four (Nos. 28-31) present another group. They appeared in D. E. Jones's Songs for the New Life, 1869, and the Reformed Dutch Hymns of the Church, N. Y., 1869. The dates of composition are from Dr. Palmer's Poems, 1876.
28. Lord, Thou hast taught our hearts to glow. (1865.) Ordination, or Meeting of Ministers.
29. When inward turns my searching gaze. (1868.) Evening.
30. 0 Jesus, sweet the tears I shed. (1867.) Good Friday.
31. Jesus, this [my] heart within me burns. (1868.) Love.
The hymns which follow are from various sources.
32. 0 Christ, the Lord of heaven, to Thee. (1867.) Universal Praise to Christ. Appeared in the author's Hymns of my Holy Hours, 1867. It is a hymn of great merit, and is widely used.
33. Behold the shade of night is now receding. (1869.) A translation of "Ecce jam noctis." (p. 320, i., and Various).
34. Hid evening shadows let us all be waking. (1869.) A translation of "Nocte surgentes" (p. 809, i.).
35. I give my heart to Thee. (Aug. 20, 1868.) A translation of "Cor meum Tibi dedo," p. 262, ii.
36. Holy Ghost, that promised came. (1873.) Whitsuntide. From the author's Poems, 1876.
37. 0 Holy Comforter, I hear. The Comforter. Appeared in the Boston Congregationalist, September 7th, 1867.
38. Lord, when my soul her secrets doth reveal. (1865.) Holy Communion.
Most of the foregoing hymns are in common in Great Britain, and all are found in one or more American hymnbooks of importance. [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
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Palmer, Ray, D.D., p. 877, i. The following original hymns by Dr. Palmer are also in common use:—
1. O Rock of Ages, since on Thee. Faith. From his Poetical Works, 1876, p. 27, where it is dated 1869. Bp. Bickersteth says "This hymn"... is "worthy of Luther." (Note Hymnal Companion, ed. 1876.)
2. Thy holy will, my God, be mine. Resignation. From his Hymns of my Holy Hours, &c, 1868, p. 47. Also in his P. Works, 1876, dated 1867.
3. We praise Thee, Saviour, for Thy grace. Holy Communion. From his Hymns and Sacred Pieces, &c, 1865. Also in P. Works, 1876, dated 1864.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Ray Palmer was born at Little Compton, Rhode Island, in 1808. He studied at Phillip's Academy, Andover, Mass., and graduated at Yale College in 1830. In 1835, he was ordained pastor of a Congregational Society in Bath, Maine, from which he removed, in 1850, to the pastorate of a Congregational Society in Albany, N.Y. He has published many hymns, some of his own authorship, and some translations. He has published some sermons and reviews.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
Ray Palmer
Theodulf, Bishop of Orléans
750 - 821 Person Name: Theodulph of Orleans, c.760-821 Hymnal Number: 226 Author of "All Glory, Laud, and Honor" in African American Heritage Hymnal Theodulph of Orleans appears to have been a native of Italy. He was brought to France by Charles the Great, perhaps when Charles returned from Italy in 781. He became Bishop of Orleans about 785, and soon afterwards also Abbot of Fleury. After the death of Charles he continued for some time on friendly terms with the Emperor Louis, but, falling under suspicion of being concerned in the plot in favour of Bernard of Italy, was imprisoned in 818, at Angers, where he seems to have died in 821, apparently on Sep. 18. There is a full and interesting sketch of his life and works in the Dictionary of Chr. Biog., iii., pp. 983-989. See also Potthast's Biblical History, Medii Aevi, 1896, vol. ii., p. 1058. The best and most recent edition of his Carmina is in vol. i., Berlin, 1881, of the Poetae Latini Aevi Carolini, which includes his famous "Gloria, laus et honor," p. 426, i.
[Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Theodulf, Bishop of Orléans
