My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Hymn 118
Author: Isaac Watts Meter: 6.6.8.6 Appears in 88 hymnals Scripture: Hebrews 3:3 First Line: The law by Moses came Lyrics:
The law by Moses came,
But peace, and truth, and love,
Were brought by Christ, a nobler name,
Descending from above.
Amidst the house of God
Their diff'rent works were done;
Moses a faithful servant stood,
But Christ a faithful Son.
Then to his new commands
Be strict obedience paid;
O'er all his Father's house he stands
The sovereign and the head.
Ihe man that durst despise
The law that Moses brought,
Behold! how terribly he dies
For his presumptuous fault!
But sorer vengeance falls
On that rebellious race,
Who hate to hear when Jesus calls,
And dare resist his grace.
Hymn 118
You, Lord, Are Both Lamb and Shepherd
Author: Sylvia G. Dunstan, 1955-1993 Meter: 8.7.8.7.8.7 Appears in 25 hymnals Scripture: Hebrews 3:3 Used With Tune: REGENT SQUARE
You, Lord, Are Both Lamb and Shepherd
To-day the Saviour Calls
Author: Samuel F. Smith Meter: 6.4.6.4 Appears in 572 hymnals Scripture: Hebrews 3:7 First Line: Today the Saviour calls: Ye wande'rers, come Topics: Evangelistic Invitation Used With Tune: TO-DAY
To-day the Saviour Calls
ALL IS WELL
Meter: 10.6.10.6.8.8.8.6 Appears in 67 hymnals Scripture: Hebrews 3:2 Tune Sources: Traditional English melody; The Sacred Harp, 1844 Tune Key: G Major Incipit: 11231 71234 31217 Used With Text: Renew Your Church, Her Ministries Restore
ALL IS WELL
O for a heart to praise my God
Author: Charles Wesley, 1707-88 Hymnal: Together in Song #568 (1999) Meter: 8.6.8.6 Scripture: Hebrews 3:12-15 Lyrics: 1 O for a heart to praise my God,
a heart from sin set free,
a heart that always feels your blood
so freely shed for me:
2 a heart resigned, submissive, meek,
my great Redeemer's throne,
where only Christ is heard to speak,
where Jesus reigns alone:
3 a humble, lowly, contrite heart,
believing, true, and clean,
which neither life nor death can part
from Christ who dwells within:
4 a heart in every thought renewed,
and full of love divine,
perfect, and right, and pure, and good —
your life revealed in mine.
5 Your nature, gracious Lord, impart:
come quickly from above;
write your new name upon my heart,
your new best name of love. Topics: Assurance; God's Love to Us; Holiness; Personal Response to Jesus; Renewal Languages: English Tune Title: LLOYD
O for a heart to praise my God
The Church’s One Foundation
Author: Samuel John Stone Hymnal: Glory to God #321 (2013) Meter: 7.6.7.6 D Scripture: Hebrews 3:1-6 First Line: The church's one foundation Lyrics: 1 The church's one foundation
is Jesus Christ her Lord.
She is his new creation
by water and the word.
From heaven he came and sought her
to be his holy bride.
With his own blood he bought her,
and for her life he died.
2 Elect from every nation,
yet one o'er all the earth,
her charter of salvation:
one Lord, one faith, one birth.
One holy name she blesses,
partakes one holy food,
and to one hope she presses,
with every grace endued.
3 Though with a scornful wonder
this world sees her oppressed,
by schisms rent asunder,
by heresies distressed,
yet saints their watch are keeping;
their cry goes up: "How long?"
And soon the night of weeping
shall be the morn of song.
4 Mid toil and tribulation,
and tumult of her war,
she waits the consummation
of peace forevermore:
till with the vision glorious
her longing eyes are blest,
and the great church victorious
shall be the church at rest.
5 Yet she on earth has union
with God, the Three in One,
and mystic sweet communion
with those whose rest is won:
O happy ones and holy!
Lord, give us grace that we,
like them, the meek and lowly,
may live eternally. Topics: Atonement; The Church; Eternal Life; Hope; Reconciliation; Salvation; Unity Languages: English Tune Title: AURELIA
The Church’s One Foundation
The Church's One Foundation
Author: Samuel J. Stone, 1839-1900 Hymnal: Glory and Praise (3rd. ed.) #571 (2015) Meter: 7.6.7.6.7.6.7.6 Scripture: Hebrews 3:1-6 Lyrics: 1 The Church's one foundation
Is Jesus Christ her Lord;
She is his new creation
By water and the word:
From heav'n he came and sought her
To be his holy bride;
With his own blood he bought her,
And for her life he died.
2 Elect from ev'ry nation,
Yet one o'er all the earth,
Her charter of salvation,
"One Lord, one faith, one birth!"
One holy Name she blesses,
Partakes one holy food,
And to one hope she presses
With ev'ry grace endued.
3 'Mid toil and tribulation,
And tumult of her war
She waits the consummation
Of peace forevermore;
Till with the vision glorious
Her longing eyes are blest,
And the great Church victorious
Shall be the Church at rest.
4 Yet she on earth hath union
With God, the Three-in-One,
And with the saints, communion
With those whose rest is won.
O happy ones and holy!
Lord, give us grace that we
Like them, the meek and lowly,
On high may dwell with thee. Topics: Church; Church; Church; Eternal Life/Heaven; Faith; Journey; Pilgrim Church; Saints; Unity; Service Music for Mass Entrance Song (Gathering of Processional); Rites of the Church Dedication of a Church; Rites of the Church Rite of Christian Initiation of Adults: Sending of the Catechumns for Election; Rites of the Church Rite of Christian Initiation of Adults: Rite of Election; The Liturgical Year All Saints (November 1); The Liturgical Year The Dedication of teh Lateran Basilica (November 9) Languages: English Tune Title: AURELIA
The Church's One Foundation
Isaac Watts
1674 - 1748 Scripture: Hebrews 3:3 Author of "Hymn 118" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
===========
See also in:
Hymn Writers of the Church
Isaac Watts
Ralph Carmichael
1927 - 2021 Scripture: Hebrews 3:7-8 Author of "The Saviour Is Waiting" in Hymns of Faith and Life Ralph Carmichael was born May 27, 1927, in Quincy, Ill. to Rev. Richard and Adelle Carmichael. A graduate of Southern California Bible College (now Vanguard University), he became head of the school’s music department in his early 20s. His “Campus Christian Hour” that aired on KHJ-TV in Los Angeles, featuring his college band and singers with big band treatments of hymns and gospel songs, won an Emmy in 1951. Other early work involved serving as minister of music for Temple Baptist and Calvary Assembly churches, arranging and conducting musical scores for religious radio shows as well as for numerous sacred artists.
Ralph’s musical talents have given us over 300 gospel songs, including such favorites as “The Savior Is Waiting,” “There Is a Quiet Place,” “Reach Out to Jesus,” and “He’s Everything to Me” to name a few. His songs have been recorded by Elvis Presley, The Carpenters, George Beverly Shea, Bill Gaither, and hundreds of other artists.
Ralph is recognized as the Father of Contemporary Christian Music because of his focus on creating religious music for the new generation of the 1960’s and beyond. In 1968 he founded Light Records and Lexicon Music Publishing to promote new Christian artists and composers in addition to his own music, including projects that were considered too risky for mainstream labels. He also served for several years as president of the Gospel Music Association. Ralph told his life story in his autobiography, “He’s Everything to Me,” that was published in 1986.
His creative arranging skills were quickly noticed by the pop world, and he recorded with numerous big-name artists including Frankie Laine, Rosemary Clooney, Bing Crosby, Clint Walker and Jack Jones. Ralph is well known for his many collaborations with Nat King Cole, including the Christmas album and Nat’s final sessions in 1964. Ralph also became a primary arranger & conductor for pianist Roger Williams, including 1965’s hit “Born Free.”
Ralph wrote numerous movie scores for such diverse classics as “The Blob,” “4D Man” and “The Cross and the Switchblade.” For many years he wrote film music for the Billy Graham organization including “Mr. Texas,” “Oiltown, U.S.A.,” “The Restless Ones,” “For Pete’s Sake” and “His Land” and many others.
For about 25 years, Ralph toured with his own big band. He received the Dove Award in 1994 for his CD “Strike Up the Band.” His last major studio project was to record his symphonic arrangements of 43 great hymns with the London Symphony and Choir. He was inducted into the Gospel Music Hall of Fame in 1985 and the National Religious Broadcasters Hall of Fame in 2001.
Ralph enjoyed his life to the fullest. He was passionate about the music that flowed from his soul and created it as the consummate professional. He cared deeply for his family and friends, and he lived out his cowboy dreams with the many horses that he owned along the way. He laughed easily, loved deeply, enjoyed a good joke or a prank, and charmed anyone who came across his path. Undergirding it all was his abiding faith in his Lord Jesus Christ.
Ralph Carmichael
Sylvia G. Dunstan
1955 - 1993 Person Name: Sylvia G. Dunstan, 1955-1993 Scripture: Hebrews 3:3 Author of "You, Lord, Are Both Lamb and Shepherd" in Worship and Rejoice After a brief, arduous battle with liver cancer, Canadian Sylvia Dunstan died in 1993 at the age of 38. For thirteen years, Dunstan had served the United Church of Canada as a parish minister and prison chaplain. She is remembered by those who knew her for her passion for those in need, her gift of writing, and her love of liturgy.
Sing! A New Creation
Sylvia G. Dunstan
