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Scripture:John 8

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Texts

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Vain repentance

Meter: 8.6.8.6 Appears in 32 hymnals Scripture: John 8:11 First Line: Times without number have I pray'd Topics: Humiliation Backslidings Lamented
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Viene la Luz

Appears in 1 hymnal Scripture: John 8:12 First Line: En la aurora de paz cuando el sol dío su luz Refrain First Line: Vuelve la luz, Aleluya a Dios

Tunes

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VOX DILECTI

Meter: 8.6.8.6 D Appears in 281 hymnals Composer and/or Arranger: John Bacchus Dykes Scripture: John 8:12 Tune Key: A Flat Major Incipit: 55112 33221 1177 Used With Text: I Heard the Voice of Jesus Say
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VENI, VENI EMMANUEL

Meter: 8.8.8.8 with refrain Appears in 277 hymnals Composer and/or Arranger: Thomas Helmore, 1811-1890 Scripture: John 8:12 Tune Sources: Mode I Tune Key: e minor Incipit: 13555 46543 4531 Used With Text: O Come, O Come, Emmanuel
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VICAR

Meter: 11.10.11.10 Appears in 17 hymnals Composer and/or Arranger: V. Earle Copes Scripture: John 8:12 Tune Key: D Major Incipit: 13456 54312 33456 Used With Text: Hope of the World

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Vain repentance

Hymnal: New Hymn and Tune Book #101e (1889) Meter: 8.6.8.6 Scripture: John 8:11 First Line: Times without number have I pray'd Topics: Humiliation Backslidings Lamented Languages: English
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Viene la Luz

Hymnal: Himnos de Gloria #7 (1969) Scripture: John 8:12 First Line: En la aurora de paz cuando el sol dío su luz Refrain First Line: Vuelve la luz, Aleluya a Dios Languages: Spanish

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Scripture: John 8:12 Adapter and Harmonizer of "KINGSFOLD" in Voices Together Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Henry Vander Werp

1846 - 1918 Scripture: John 8:12 Composer of "RESTING PLACE" in Psalter Hymnal (Gray)

Henry Van Dyke

1852 - 1933 Scripture: John 8:12 Author of "Joyful, Joyful, We Adore Thee" in The Worshiping Church See biography and works at CCEL