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O for a thousand tongues to sing
Author: Charles Wesley (1707-1788) Meter: 8.6.8.6 Appears in 1,736 hymnals Scripture: Romans 8:6 Lyrics: 1 O for a thousand tongues, to sing
my great Redeemer's praise,
the glories of my God and King,
the triumphs of his grace!
2 Jesus! the name that charms our fears,
and bids our sorrows cease;
'tis music in the sinner's ears,
'tis life, and health, and peace.
3 He breaks the power of cancelled sin,
he sets the prisoner free;
his blood can make the foulest clean,
his blood availed for me.
4 He speaks, and listening to his voice,
new life the dead receive,
the mournful, broken hearts rejoice,
the humble poor believe.
5 Hear him, ye deaf; his praise, ye dumb,
your loosened tongues employ;
ye blind, behold your Saviour come;
and leap, ye lame, for joy!
6 My gracious Master and my God,
assist me to proclaim,
to spread through all the earth abroad
the honours of thy name. Topics: Life in Christ Christ Incarnate - Public Ministry Used With Tune: RICHMOND
O for a thousand tongues to sing
Breathe on me, Breath of God
Author: Edwin Hatch (1835-1889) Meter: 6.6.8.6 Appears in 339 hymnals Scripture: Romans 8:9-10 Lyrics: 1 Breathe on me, Breath of God;
fill me with life anew,
that I may love the way you love,
and do what you would do.
2 Breathe on me, Breath of God,
until my heart is pure,
until with you I will one will,
to do and to endure.
3 Breathe on me, Breath of God,
direct my heart's desire,
till every earthly part of me
glows with your holy fire.
4 Breathe on me, Breath of God;
so shall I never die,
but live with you the perfect life
of your eternity. Topics: The Holy Spirit The Coming of the Spirit; Eternal Life; God Will of; Purity Of Heart Used With Tune: VENI SPIRITUS
Breathe on me, Breath of God
And Can It Be
Author: Charles Wesley Meter: 8.8.8.8 Appears in 286 hymnals Scripture: Romans 8 First Line: And can it be that I should gain Refrain First Line: Amazing love! How can it be Lyrics: 1 And can it be that I should gain
an interest in the Savior's blood?
Died he for me, who caused his pain–
for me, who caused his bitter death?
Amazing love! How can it be
that you, my Lord, should die for me?
Refrain:
Amazing love! How can it be
that you, my Lord, should die for me?!
2 He left his Father's throne above–
so free, so infinite his grace–
emptied himself of all but love,
and bled for Adam's helpless race!
What mercy this, immense and free,
for, O my God, it found out me! [Refrain]
3 Long my imprisoned spirit lay
fast bound in sin and nature's night.
Your sunrise turned that night to day;
I woke– the dungeon flamed with light!
My chains fell off, your voice I knew;
I rose, went out, and followed you. [Refrain]
4 No condemnation now I dread,
for Christ, and all in him, is mine!
Alive in him, my living Head,
and clothed in righteousness divine,
bold I approach the eternal throne
and claim the crown, through Christ, my own. [Refrain]
Topics: Biblical Names & Places Adam; Deliverance; Love God's Love to Us; Profession of Faith; Suffering of Christ; Confession and Forgiveness; Assurance; Atonement; Biblical Names & Places Adam; Blood of Christ; Christmas; Confession of Sin; Deliverance; Forgiveness; Freedom; Hope; Love God's Love to Us; Mercy; Profession of Faith; Redemption; Suffering of Christ Used With Tune: SAGINA
And Can It Be
[Holy Spirit, Light divine]
Appears in 698 hymnals Composer and/or Arranger: Louis M. Gottschalk; Edwin P. Parker Scripture: Romans 8:11 Tune Key: A Flat Major Incipit: 56513 32111 171 Used With Text: Holy Spirit, Light Divine
[Holy Spirit, Light divine]
LIVING GOD
Meter: Irregular Appears in 104 hymnals Composer and/or Arranger: Daniel Iverson Scripture: Romans 8:11 Tune Key: F Major Incipit: 33332 34312 33333 Used With Text: Spirit of the Living God
LIVING GOD
How Firm a Foundation
Hymnal: Moravian Book of Worship #709 (1995) Meter: 11.11.11.11 Scripture: Romans 8 First Line: How firm a foundation, you saints of the Lord Lyrics: 1 How firm a foundation, you saints of the Lord,
is laid for your faith in his excellent word!
What more can he say than to you he has said,
to you who for refuge to Jesus have fled?
2 "Fear not, I am with you; O be not dismayed,
for I am your God and will still give you aid;
I'll strengthen you, help you, and cause you to stand,
upheld by my righteous, omnipotent hand.
3 "When through the deep waters I call you to go,
the rivers of sorrow shall not overflow;
for I will be with you in trouble to bless,
and sanctify to you your deepest distress.
4 "When through fiery trials your pathway shall lie,
my grace, all-sufficient, shall be your supply.
The flame shall not hurt you; I only design
your dross to consume and your gold to refine.
5 "The soul that on Jesus still leans for repose,
I will not, I will not desert to its foes;
that soul, though all hell should endeavor to shake,
I'll never, no, never, no never forsake!" Topics: Trust and Guidance; Christ--Protection by; Christian year-All Saints; Deliverance; Trust and Confidence Languages: English Tune Title: FOUNDATION
How Firm a Foundation
El divino Consolador
Hymnal: Celebremos Su Gloria #250 (1992) Scripture: Romans 8:11 First Line: Yo rogaré al Padre Topics: Espíritu Santo; Holy Spirit Languages: Spanish
El divino Consolador
God Works for Good
Hymnal: Seventh-day Adventist Hymnal #725 (1985) Scripture: Romans 8 First Line: I consider that our present sufferings are not worth comparing Topics: Scripture Readings
God Works for Good
Charles Wesley
1707 - 1788 Scripture: Romans 8 Author of "And Can It Be" in Psalter Hymnal (Gray) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Scripture: Romans 8:11 Arranger of "LASST UNS ERFREUEN" in Lutheran Service Book Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Rabanus Maurus
776 - 856 Person Name: Rhabanus Maurus, d. 856 Scripture: Romans 8:9 Author (attributed to) of "Creator Spirit, by Whose Aid" in The Lutheran Hymnal Rabanus Maurus (c. 776-856) or Hrabanus Magnentius Maurus, was born of noble parents at Mainz, and educated at Fulda and Tours under Alcuin, who is reputed to have given him the surname, Maurus, after the saint of that name. In 803, he became director of the school at the Benedictine Abbey at Fulda. He was ordained priest in 814, spending the following years in a pilgrimage to Palestine. In 822, he became Abbott at Fulda, retiring in 842. In 847, he became archbishop of Mainz. He died at Winkel on the Rhine, February 4, 856. This distinguished Carolingian poet-theologian wrote extensive biblical commentaries, the Encyclopaedic De Universo, De Institutione Clericorum, and other works which circulated widely during the Middle Ages. Some of his poems, with English translations, are in Helen Waddell's Mediaeval Latin Lyrics. He is the author of:
O Come, Creator Spirit, come
Christ, the fair glory of the holy angels
Come, Holy Ghost, our souls inspire
Come, Holy Ghost, Creator blest
Creator Spirit, by whose aid
--The Hymnal 1940 Companion, New York: The Church Pension Fund (1949)
===========================
Hrabanus (Rabanus) Maurus, son of one Ruthard, was born probably at Mainz, about 776. At an early age he was sent to the Monastery of Fulda to receive a religious education. In 801 he was ordained Deacon, and the following year he went to the monastic school of St. Martin at Tours to study under Alcuin, a celebrated teacher of that time, who gave to Hrabanus the name of Maurus to which Hrabanus added Magnentius. On his return to Fulda in 804 he became the head of the school connected with the Monastery. Towards him Ratgar the abbot showed great unkindness, which arose mainly from the fact that Ratgar demanded the students to build additions to the monastery, whilst Hrabanus required them at the same time for study. Hrabanus had to retire for a season, but Ratgar's deposition by Ludwig the Pious, in 817, opened up the way for his return, and the reopening of the school In the meantime, in 814, he had been raised to the Priesthood. Egil, who succeeded Ratgar as abbot, died in 822, and Hrabanus was appointed in his stead. This post he held for some time, until driven forth by some of the community. In 847, on the death of Archbishop Otgar, Ludwig the younger, with whom Hrabanus had sided in his demand for German independence as against the imperialism of his elder brother Lothar, rewarded him with the Archbishopric of Mainz, then the metropolitan see of Germany. He held this appointment to his death on Feb. 4, 856. He was buried first in St. Alban's, Mainz, and then, during the early days of the Reformation, in St. Maurice, Halle, possibly because of the opposition he is known to have made to the doctrine of Transubstantiation.
With German historians Hrabanus is regarded as the father of the modern system of education in that country. His prose works were somewhat numerous, but the hymns with which his name is associated are few. We have the "Christe sanctorum decus Angelorum”; “Tibi Christe, splendor Patris”; and the "Veni Creator Spiritus”; but recent research convinces us that the ascription in each case is very doubtful; and none are received as by Hrabanus in Professor Dümmler's edition of the Carmina of Hrabanus in the Poetae Latini aevi Carolini, vol. ii. 1884. Dümmler omits them even from the "hymns of uncertain origin."
--John Julian, Dictionary of Hymnology, Appendix I (1907)
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http://en.wikipedia.org/wiki/Rabanus_Maurus
Rabanus Maurus
