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Text Identifier:"^blessed_city_heavenly_salem_vision_dear$"

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Blessed City, Heavenly Salem

Author: John Mason Neale Meter: 8.7.8.7.8.7 Appears in 74 hymnals Hymnal Title: Calvin Hymnary Project First Line: Blessed city, heavenly Salem, Vision dear of peace and love Text Sources: Latin ca. 7th cent.

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WESTMINSTER ABBEY

Meter: 8.7.8.7.8.7 Appears in 93 hymnals Composer and/or Arranger: Christopher Robinson (b. 1936); Henry Purcell (1659-1695) Hymnal Title: Ancient and Modern Tune Sources: Adapted from an Anthem Tune Key: A Flat Major Incipit: 35314 27512 32176 Used With Text: Blessèd city, heavenly Salem
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TANTUM ERGO (DULCE CARMEN)

Appears in 237 hymnals Hymnal Title: Service Book and Hymnal of the Lutheran Church in America Tune Sources: Essay on the Church Plain Chant, 1782 Tune Key: G Major Incipit: 12345 43211 14321 Used With Text: Blessed city, heavenly Salem
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URBS COELESTIS

Appears in 5 hymnals Hymnal Title: The English Hymnal Tune Sources: No XVI from 'The Golden Legend,' 1880, by H. E. Hodson Incipit: 32123 43217 121 Used With Text: Blessèd city, heavenly Salem

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Blessed city, heavenly Salem

Hymnal: A Church Hymn Book #165 (1861) Meter: 8.7 Hymnal Title: A Church Hymn Book Topics: Sundays after Trinity Languages: English

Blessed city, heavenly Salem

Hymnal: A Church of England Hymn Book #587 (1880) Meter: 8.7.8.7.8.7 Hymnal Title: A Church of England Hymn Book Languages: English
Text

Blessèd city, heavenly Salem

Author: John Mason Neale (1818-1866) Hymnal: Ancient and Modern #291 (2013) Meter: 8.7.8.7.8.7 Hymnal Title: Ancient and Modern Lyrics: 1 Blessèd city, heavenly Salem, vision dear of peace and love, who of living stones art builded in the height of heaven above, and with angel hosts encircled, as a bride dost earthward move! 2 From celestial realms descending, bridal glory round thee shed, meet for him whose love espoused thee, to thy Lord shalt thou be led; all thy streets and all thy bulwarks of pure gold are fashioned. 3 Bright thy gates of pearl are shining, they are open evermore; and by virtue of his merits thither faithful souls do soar, who for Christ's dear name in this world pain and tribulation bore. 4 Many a blow and biting sculpture polished well those stones elect, in their places now compacted by the heavenly Architect, who therewith hath willed for ever that his palace should be decked. 5 Christ is made the sure foundation, Christ the Head and cornerstone, chosen of the Lord, and precious, binding all the church in one, Holy Sion's help for ever, and her confidence alone. 6 All that dedicated city, dearly loved of God on high, in exultant jubilation pours perpetual melody, God the One in Three adoring in glad hymns eternally. 7 To this temple, where we call thee, come, O Lord of Hosts, to-day; with thy wonted loving-kindness hear thy servants as they pray, and thy fullest benediction shed within its walls alway. 8 Here vouchsafe to all thy servants what they ask of thee to gain, what they gain from thee for ever with the blessed to retain, and hereafter in thy glory evermore with thee to reign. Doxology: Laud and honour to the Father, laud and honour to the Son, laud and honour to the Spirit, ever Three, and ever One, consubstantial, co-eternal, while unending ages run. Topics: Angels; Church nature of; Dedication of buildings; Dedication Festival; Heaven; Jesus Names and images for; Music and Song; Praise; Prayer; Proper 15 Year A Scripture: 1 Corinthians 3:10-11 Languages: English Tune Title: WESTMINSTER ABBEY

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Christopher Robinson

b. 1935 Person Name: Christopher Robinson (b. 1936) Hymnal Title: Ancient and Modern Arranger (last stanza) of "WESTMINSTER ABBEY" in Ancient and Modern

Henry Purcell

1659 - 1695 Person Name: Henry Purcell, 1659-1695 Hymnal Title: Common Praise Composer of "WESTMINSTER ABBEY" in Common Praise Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman

Anonymous

Hymnal Title: CPWI Hymnal Author of "Blessed city, heavenly Salem" in CPWI Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.