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Del culto el tiempo llega
Appears in 14 hymnals Matching Instances: 14 First Line: Del culto el tiempo llega, comienza la oración Used With Tune: [Del culto el tiempo llega]
Del culto el tiempo llega
[Del culto el tiempo llega]
Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: Roberto C. Savage Tune Sources: La familia Orbe Tune Key: e minor or modal Incipit: 51324 31121 716 Used With Text: Del Culto el Tiempo Llega
[Del culto el tiempo llega]
Del culto el tiempo llega
Author: Desconocido Hymnal: Culto Cristiano #289 (1964) Meter: 7.6.7.6.7.6.7.6 Lyrics: 1 Del culto el tiempo llega,
Comienza la oración;
El alma a Dios se entrega,
¡Silencio y atención!
Si al santo Dios la mente
Queremos elevar,
Silencio reverente
Habremos de guardar.
2 Mil coros celestiales
A Dios cantando están;
A ellos los mortales
Sus voces unirán.
Alcemos, pues, el alma
Con santa devoción,
Gozando en dulce calma
De Dios la comunión.
3 La Biblia bendecida,
De Dios revelación,
A meditar convida
En nuestra condición.
¡Silencio! que ha llegado
Del culto la ocasión,
Dios se halla a nuestro lado,
¡Silencio y devoción!
Topics: Ocasiones Especiales Apertura; Special Occasions Opening Languages: Spanish Tune Title: AURELIA
Del culto el tiempo llega
Del Culto El Tiempo Llega
Hymnal: Himnos de la Vida Cristiana #223 (1939) Languages: Spanish Tune Title: [Del culto el tiempo llega]
Del Culto El Tiempo Llega
Del culto el tiempo llega
Hymnal: Himnos de la Vida Cristiana #223 (1899) Languages: Spanish
Del culto el tiempo llega
Samuel Sebastian Wesley
1810 - 1876 Person Name: Samuel S. Wesley Composer of "[Del culto el tiempo llega]" in Himnario Adventista Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
Anonymous
Person Name: Desconocido Author of "Del culto el tiempo llega" in Culto Cristiano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Frederick Whitfield
1829 - 1904 Author of "Del Culto el Tiempo Llega" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Whitfield, Frederick, B.A., son of H. Whitfield, was born at Threapwood, Shropshire, Jan. 7, 1829, and educated at Trinity College, Dublin, where he took his B.A. in 1859. On taking Holy Orders, he was successively curate of Otley, vicar of Kirby-Ravensworth, senior curate of Greenwich, and Vicar of Stanza John's, Bexley. In 1875 he was preferred to St. Mary's, Hastings. Mr. Whitfield's works in prose and verse number upwards of thirty, including Spiritual unfolding from the Word of Life; Voices from the Valley Testifying of Jesus; The Word Unveiled; Gleanings from Scripture, &c. Several of his hymns appeared in his Sacred Poems and Prose, 1861, 2nd Series, 1864; The Casket, and Quiet Hours in the Sanctuary. The hymn by which he is most widely known is I need Thee, precious Jesu.” Other hymns by him in common use include:~
1. I have a Great High Priest above. Christ the High Priest.
2. I saw the Cross of Jesus. The Cross.
3. In spirit, Lord, we meet Thee now. Missions. This was written at the request of the Committee of the Irish Church Missions for one of their annual meetings in London.
4. Jesus, Thou Name of magic power. The Name of Jesus. Sometimes given as "Jesus, Thou Name of power divine."
5. The sprinkled blood is speaking. The Blood of Christ.
6. There is a day I long to see. Heaven Anticipated.
7. There is a Name I love to hear. The Name of Jesus. Published in 1855 in hymnsheets and leaflets in various languages. From this the hymn “Jesus, the Name I love so well" is taken.
8. There's naught on earth to rest upon. God Unchangeable.
9. When dead in sin and far from God. Redemption.
All these hymns, with the exception of No. 3, are in his Sacred Poems and Prose, 1861, and several of them have been printed as leaflets, and set to special music. The Sacred Poems, &c, contains 26 hymns, some of which are of considerable merit.
-- John Julian, Dictionary of Hymnology (1907)
Frederick Whitfield
