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Text Identifier:"^how_did_my_heart_rejoice_to_hear$"

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How did my heart rejoice to hear

Author: Isaac Watts, 1674-1748 Appears in 301 hymnals Hymnal Title: The National Baptist Hymnal Used With Tune: MEAR

Tunes

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BARBY

Meter: 8.6.8.6 Appears in 100 hymnals Composer and/or Arranger: Tansur Hymnal Title: African Methodist Episcopal hymn and tune book Tune Key: G Major Incipit: 13323 21713 5432 Used With Text: How did my heart rejoice to hear
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FAIR HAVEN

Appears in 110 hymnals Hymnal Title: Bible School Echoes, and Sacred Hymns Incipit: 51113 21231 13566 Used With Text: How did my heart rejoice to hear
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GALENA

Appears in 1 hymnal Hymnal Title: Book of Worship Incipit: 51132 16557 24325 Used With Text: How did my heart rejoice to hear

Instances

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Published text-tune combinations (hymns) from specific hymnals

How did my heart rejoice to hear

Author: Isaac Watts, 1674-1748 Hymnal: A Baptist Hymn Book, Designed Especially for the Regular Baptist Church and All Lovers of Truth #d302 (1844) Hymnal Title: A Baptist Hymn Book, Designed Especially for the Regular Baptist Church and All Lovers of Truth Languages: English
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How did my heart rejoice to hear

Author: Isaac Watts, 1674-1748 Hymnal: A Choice Selection of Evangelical Hymns, from various authors #361 (1806) Hymnal Title: A Choice Selection of Evangelical Hymns, from various authors Languages: English
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How did my heart rejoice to hear

Author: Isaac Watts, 1674-1748 Hymnal: A Choice Selection of Hymns and Spiritual Songs for the use of the Baptist Church and all lovers of song #119 (1877) Hymnal Title: A Choice Selection of Hymns and Spiritual Songs for the use of the Baptist Church and all lovers of song Languages: English

People

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Authors, composers, editors, etc.

William Tans'ur

1699 - 1783 Person Name: Tansur Hymnal Title: African Methodist Episcopal hymn and tune book Composer of "BARBY" in African Methodist Episcopal hymn and tune book William Tansur, b. about 1700, Dunchurch of Barnes; d. 1783, St. Neots Evangelical Lutheran Hymnal, 1908 Also known as Tansur; Tanzer; le Tansur

Samuel Webbe

1740 - 1816 Hymnal Title: Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Composer of "BELMONT" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

Jacob Henry Hall

1855 - 1941 Person Name: J. H. Hall Hymnal Title: Hymns and Tunes Composer of "BRIDGEWATER" in Hymns and Tunes Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch