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Text Identifier:"^it_is_no_untried_way$"

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It is no untried way

Author: Robert M. Offord Appears in 2 hymnals Hymnal Title: The New Laudes Domini Topics: Christian Experience Discipline and Sorrow Used With Tune: ABER

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ABER

Appears in 36 hymnals Composer and/or Arranger: Wm. H. Monk Hymnal Title: The New Laudes Domini Incipit: 32176 55765 45555 Used With Text: It is no untried way

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It is no untried way

Hymnal: Laudes Domini #903 (1884) Hymnal Title: Laudes Domini Languages: English
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It is no untried way

Author: Robert M. Offord Hymnal: The New Laudes Domini #934 (1892) Hymnal Title: The New Laudes Domini Topics: Christian Experience Discipline and Sorrow Languages: English Tune Title: ABER

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Robert M. Offord

1846 - 1924 Hymnal Title: The New Laudes Domini Author of "It is no untried way" in The New Laudes Domini Offord, Robert M., son of an English "open-communion" Baptist, was born at St. Austell, Cornwall, Sept. 17, 1846. In 1870 he removed to America, where he was associated for some time with the Methodists, but subsequently joined the Reformed Dutch Church in 1878. He is editor of the New York Observer. To that paper he contributed:— 1. Jesus, heed me, lost and dying. Lent. 2. It is no untried way. Christ's Burden. No. 1 appeared on Jan. 25th, and No. 2 on Feb. 1st, 1883. They were revised for Laudes Domini, N. Y., 1884 (Duffield's English Hymns, N. Y., 1886). --John Julian, Dictionary of Hymnology (1907)

William Henry Monk

1823 - 1889 Person Name: Wm. H. Monk Hymnal Title: The New Laudes Domini Composer of "ABER" in The New Laudes Domini William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman