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Text Identifier:"^surrexit_christus_alleliua$"

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Surrexit Christus

Author: Taizé Community Appears in 2 hymnals Hymnal Title: Gather Comprehensive, Second Edition First Line: Surrexit Christus, alleluia! Topics: Eucharist Scripture: Daniel 3 Used With Tune: [Surrexit Christus alleluia]

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[Surrexit Christus alleluia]

Appears in 11 hymnals Composer and/or Arranger: Jacques Berthier, 1923-1994 Hymnal Title: Gather Comprehensive, Second Edition Tune Key: D Major Incipit: 35655 66554 345 Used With Text: Surrexit Christus

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Surrexit Christus

Author: Taizé Community Hymnal: Gather (3rd ed.) #529 (2011) Hymnal Title: Gather (3rd ed.) First Line: Surrexit Christus, alleluia Topics: Easter Season; Blessing; Creation; Joy; Praise; Song Scripture: Psalm 118 Languages: English; Latin; Lithuanian Tune Title: [Surrexit Christus, alleluia]

Surrexit Christus

Author: Taizé Community Hymnal: Gather Comprehensive, Second Edition #455 (2004) Hymnal Title: Gather Comprehensive, Second Edition First Line: Surrexit Christus, alleluia! Topics: Eucharist Scripture: Daniel 3 Languages: English Tune Title: [Surrexit Christus alleluia]

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Communauté de Taizé

Person Name: Taizé Community Hymnal Title: Gather Comprehensive, Second Edition Author of "Surrexit Christus" in Gather Comprehensive, Second Edition

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Hymnal Title: Gather Comprehensive, Second Edition Composer of "[Surrexit Christus alleluia]" in Gather Comprehensive, Second Edition Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman