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Unto Thy Temple, Lord, We Come
Author: Robert Collyer Appears in 30 hymnals Hymnal Title: The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Used With Tune: MENDON
Unto Thy Temple, Lord, We Come
ROCKINGHAM
Meter: 8.8.8.8 Appears in 501 hymnals Composer and/or Arranger: Edward Miller (1731-1807); Samuel Webbe the elder (1740-1816) Hymnal Title: Common Praise (1998) Tune Sources: Psalmody in Miniature, Second Supplement, 1780; Harm. Collection of Psalm-Tunes, 1820 Tune Key: D Major Incipit: 13421 35655 17655 Used With Text: Unto Thy Temple, Lord, We Come
ROCKINGHAM
Unto Thy Temple, Lord, We Come
Author: Robert Collyer Hymnal: A. M. E. C. Hymnal #225 (1954) Hymnal Title: A. M. E. C. Hymnal Languages: English Tune Title: MENDON
Unto Thy Temple, Lord, We Come
Unto thy temple, Lord, we come
Author: Robert Collyer Hymnal: A.M.E. Hymnal #d409 (1946) Hymnal Title: A.M.E. Hymnal Languages: English
Unto thy temple, Lord, we come
Unto Thy Temple, Lord, We Come
Author: Robert Collyer, b. 1823 Hymnal: African Methodist Episcopal Church Hymnal #11 (2011) Meter: 8.8.8.8 Hymnal Title: African Methodist Episcopal Church Hymnal Lyrics: 1 Unto Thy temple, Lord, we come
With thankful hearts to worship Thee;
And pray that this may be our home
Until we touch eternity;
2 The common home of rich and poor,
Of bond and free, and great and small;
Large as Thy love forevermore,
And warm and bright and good to all.
3 And dwell Thou with us in this place,
Thou and Thy Christ, to guide and bless.
Here make the well-springs of Thy grace
Like fountains in the wilderness.
4 May Thy whole truth be spoken here;
Thy gospel light for ever shine;
Thy perfect love cast out all fear,
And human life become divine.
Amen. Topics: Worship and Praise Adoration; Adoration; Church Scripture: Psalm 84 Languages: English Tune Title: MENDON
Unto Thy Temple, Lord, We Come
Samuel Dyer
1785 - 1835 Hymnal Title: A. M. E. C. Hymnal Arranger of "MENDON" in A. M. E. C. Hymnal Rv Samuel Dyer United Kingdom 1785-1835. Born in White Chapel, Hampshire, the family moved to Wellshire, England, where he was ordained and served as a Baptist minister. In 1806 the family moved to Coventry, and Samuel emigrated to the U.S. in 1811. He married Renee Novak. He taught music and directed choirs in New York City and Philadelphia, PA. He later moved to Baltimore, MD, and wrote, conducted singing schools in the south and east, and conducted the New York Sacred Music Society. He published “New selection of sacred music” (1817), “Anthems” (1822 & 1834), and “The Philadelphia collection of sacred music” (1828). He died in Hoboken, NJ.
John Perry
Samuel Dyer
Edward Miller
1735 - 1807 Person Name: Edward Miller (1731-1807) Hymnal Title: Common Praise (1998) Adapter of "ROCKINGHAM" in Common Praise (1998) Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map.
John Perry
Edward Miller
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe the elder (1740-1816) Hymnal Title: Common Praise (1998) Harmonizer of "ROCKINGHAM" in Common Praise (1998) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
