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Text Identifier:"^we_come_with_joy_in_jesus_christ$"

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We Come with Joy in Jesus Christ

Author: Delores Dufner, OSB, b. 1939 Meter: 8.6.8.6 D Appears in 4 hymnals Hymnal Title: Worship (4th ed.) Topics: Gathering; Ordinary Time, Seventeenth Sunday B; Ordinary Time, Eighteenth Sunday B Used With Tune: ELLACOMBE

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FOREST GREEN

Meter: 8.6.8.6 D Appears in 247 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Gather (3rd ed.) Tune Sources: English Tune Key: F Major Incipit: 51112 32345 34312 Used With Text: We Come with Joy
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ELLACOMBE

Meter: 8.6.8.6 D Appears in 598 hymnals Hymnal Title: Worship (4th ed.) Tune Sources: Gesangbuch der Herzogl, Wirtemberg, 1784 Tune Key: A Major Incipit: 51765 13455 67122 Used With Text: We Come with Joy in Jesus Christ

Instances

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Published text-tune combinations (hymns) from specific hymnals

We Come with Joy

Author: Delores Dufner, OSB, b. 1939 Hymnal: Gather (3rd ed.) #808 (2011) Meter: 8.6.8.6 D Hymnal Title: Gather (3rd ed.) First Line: We come with joy in Jesus Christ Topics: Eucharist; Blessing; Discipleship; Feast; Food; Humility; Hunger and Thirst; Jesus Christ; Offering; Poverty; Providence; Service; Sharing; Social Concern; Stewardship Scripture: Luke 9:11-17 Languages: English Tune Title: FOREST GREEN

We Come with Joy

Author: Delores Dufner, OSB, b. 1939 Hymnal: Gather Comprehensive, Second Edition #706 (2004) Meter: 8.6.8.6 D Hymnal Title: Gather Comprehensive, Second Edition First Line: We come with joy in Jesus Christ Topics: Eucharist; Sharing Languages: English Tune Title: FOREST GREEN

We Come with Joy in Jesus Christ

Author: Delores Dufner, OSB, b. 1939 Hymnal: RitualSong (2nd ed.) #879 (2016) Meter: 8.6.8.6 D Hymnal Title: RitualSong (2nd ed.) Topics: Ministry; Mission Languages: English Tune Title: FOREST GREEN

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Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Hymnal Title: Gather Comprehensive, Second Edition Harmonizer of "FOREST GREEN" in Gather Comprehensive, Second Edition Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Delores Dufner

b. 1939 Person Name: Delores Dufner, OSB, b. 1939 Hymnal Title: Worship (4th ed.) Author of "We Come with Joy in Jesus Christ" in Worship (4th ed.) Delores Dufner is a member of St. Benedict’s Monastery in St. Joseph, Minnesota, with Master's Degrees in Liturgical Music and Liturgical Studies. She is currently a member and a Fellow of The Hymn Society in the United States and Canada, the National Pastoral Musicians (NPM), the American Society of Composers, Authors, and Publishers (ASCAP), and the Monastic Worship Forum. Delores is a writer of liturgical, scripturally based hymn and song texts which have a broad ecumenical appeal and are contracted or licensed by 34 publishers in the United States, Canada, Great Britain, Australia, and China. She has received more than 50 commissions to write texts for special occasions or needs and has published over 200 hymns, many of which have several different musical settings and appear in several publications. She is the author of three hymn collections: Sing a New Church (1994, Oregon Catholic Press), The Glimmer of Glory in Song (2004, GIA Publications), and And Every Breath, a Song (2011, GIA Publications). Delores, the middle child of five, was born and raised on a farm in the Red River Valley of North Dakota. She attended a one-room country school in which she learned to read music and play the tonette, later studying piano and organ. Delores was a school music teacher, private piano and organ instructor, and parish organist/choir director for twelve years. She served as liturgy coordinator for her religious community of 775 members for six years and as Director of the Office of Worship for the Diocese of St. Cloud, Minnesota for fifteen years. She subsequently worked as a liturgical music consultant for the Diocese of Ballarat, Victoria in southeast Australia for fifteen months. At present, she is preparing a fourth hymn collection and assisting with liturgy planning and music leadership at the monastery. Delores Dufner