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Text Identifier:"^we_have_a_gospel_to_proclaim$"

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We Have a Gospel to Proclaim

Author: Edward J. Burns Meter: 8.8.8.8 Appears in 24 hymnals Hymnal Title: Calvin Hymnary Project

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WALTON (FULDA)

Meter: 8.8.8.8 Appears in 703 hymnals Hymnal Title: Church Hymnary (4th ed.) Tune Sources: Sacred Melodies, 1815 William Gardiner (1770-1853) Tune Key: B Flat Major Incipit: 51712 56711 17627 Used With Text: We Have a Gospel to Proclaim
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MENDON

Meter: 8.8.8.8 Appears in 349 hymnals Composer and/or Arranger: Samuel Dyer Hymnal Title: The Worshiping Church Tune Key: A Flat Major Incipit: 17151 71213 16212 Used With Text: We Have a Gospel to Proclaim

Instances

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Published text-tune combinations (hymns) from specific hymnals

We have a gospel to proclaim

Author: Edward Joseph Burns (b. 1938) Hymnal: Ancient and Modern #507 (2013) Meter: 8.8.8.8 Hymnal Title: Ancient and Modern Topics: Church Year Christmas; Church Year Good Friday; Church Year Easter; Church Year Ascension; Church Year Christ the King; Evangelism; Holy Spirit inspiration of; Jesus Names and images for; Other Saints and Festivals Mark the Evangelist; Other Saints and Festivals Bible Sunday; Proper 22 Year C; The Church's Ministry and Mission; The Fifth Sunday of Easter Year C; The Third Sunday before Lent Year B; The Third Sunday of Easter Year A Scripture: Matthew 28 Languages: English Tune Title: FULDA

We have a gospel to proclaim

Author: Edward J. Burns Hymnal: Anglican Hymns Old and New (Rev. and Enl.) #798 (2008) Hymnal Title: Anglican Hymns Old and New (Rev. and Enl.) Languages: English Tune Title: GERMANY

We have a gospel to proclaim

Hymnal: Australian Hymn Book #189 (1977) Meter: 8.8.8.8 Hymnal Title: Australian Hymn Book Languages: English

People

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Authors, composers, editors, etc.

William Gardiner

1770 - 1853 Hymnal Title: Anglican Hymns Old and New (Rev. and Enl.) Composer of "GERMANY" in Anglican Hymns Old and New (Rev. and Enl.) William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Edward J. Burns

b. 1938 Hymnal Title: Baptist Hymnal (1975 ed) Author of "We Have a Gospel to Proclaim" in Baptist Hymnal (1975 ed)

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig van Beethoven, 1770-1827 Hymnal Title: Christian Worship Composer (attributed to) of "GERMANY" in Christian Worship A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman