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Text Identifier:calm_me_my_god_and_keep_me_calm

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Calm me, my God, and keep me calm

Author: Horatius Bonar Meter: 8.6.8.6 Appears in 144 hymnals Hymnal Title: The Hymnal Topics: Christian Experience Aspiration; Death Confidence in Used With Tune: SAWLEY

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FAITH

Appears in 90 hymnals Composer and/or Arranger: Rev. John Bacchus Dykes (1823-1876) Hymnal Title: Carmina Sanctorum, a selection of hymns and songs of praise with tunes Incipit: 32143 67123 45622 Used With Text: Calm me, my God, and keep me calm
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DUCHESS

Appears in 1 hymnal Composer and/or Arranger: W. B. Gilbert, Mus. Bac. Hymnal Title: Church Hymnal Incipit: 51345 62345 36717 Used With Text: Calm me, my God, and keep me calm
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NAOMI

Appears in 457 hymnals Composer and/or Arranger: Hans G. Nägeli; Lowell Mason Hymnal Title: Common Praise Incipit: 33354 32343 36654 Used With Text: Calm me, my God, and keep me calm

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Calm me, my God, and keep me calm

Author: H. Bonar Hymnal: A Selection of Spiritual Songs #647 (1878) Hymnal Title: A Selection of Spiritual Songs Languages: English

Calm me, my God, and keep me calm

Author: Horatius Bonar Hymnal: Asaph #d39 (1861) Hymnal Title: Asaph Languages: English

Calm me, my God, and keep me calm

Author: Horatius Bonar Hymnal: Book of Common Praise #d66 (1915) Hymnal Title: Book of Common Praise Languages: English

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Samuel Webbe

1740 - 1816 Person Name: S. Webbe Hymnal Title: Christ in Song Composer of "LAMBETH" in Christ in Song Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

Walter Bond Gilbert

1829 - 1910 Person Name: W. B. Gilbert, Mus. Bac. Hymnal Title: Church Hymnal Composer of "DUCHESS" in Church Hymnal Walter Bond Gilbert DMus United Kingdom 1829-1910. Born at Exeter, Devon, England, he studied music under Alfred Angel, Samuel Wesley and Henry Bishop. He attended New College, Oxford and the University of Toronto, Canada. He was organist in Devon at Topsham in 1847, Bideford in 1849, Kent at Tonbridge in 1854, Old Colliegiate Church, Maidstone in 1859, Lee in 1866, Boston, Lincolnshirein 1868, and Trinity Chapel in New York City in 1869-1897. He taught music at Tonbridge School, helped found the College of Organists, edited the America Episcopal Hymnal, and wrote a number of monographs, including “Antiquities of Maidstone”. He continued to write church music, producing services, oratorios (including “The Restoration of Israel and St. John, 1857), organ works, and anthems. He died at Headington, Oxford, England. John Perry

Hans G. Nägeli

1773 - 1836 Hymnal Title: Common Praise Composer of "NAOMI" in Common Praise Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman