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Oracios De S.S. Pablo VI Por Las Vocaciones
Appears in 1 hymnal First Line: Oh Jesús, divino Pastor, que llamaste a los apóstoles
Oracios De S.S. Pablo VI Por Las Vocaciones
PRAISE, MY SOUL
Meter: 8.7.8.7.8.7 Appears in 269 hymnals Composer and/or Arranger: John Goss, 1800-1880 Tune Key: D Major Incipit: 55551 76543 65342 Used With Text: ¡Oh Jesús, Pastor divino!
PRAISE, MY SOUL
Oh Jesus, Pastor Divino
Hymnal: Himnos Selectos #60 (1952) First Line: ¡Oh Jesús, Pastor divino! Languages: Spanish Tune Title: [¡Oh Jesús, Pastor divino!]
Oh Jesus, Pastor Divino
¡Oh Jesús, Pastor divino!
Hymnal: Himnario Adventista #428 (1962) First Line: ¡Oh Jesús, Pastor divino! Acudimos a rogar Languages: Spanish Tune Title: [¡Oh Jesús, Pastor divino! Acudimos a rogar]
¡Oh Jesús, Pastor divino!
¡Oh Jesús, Pastor divino!
Author: Anónimo Hymnal: Himnario Adventista del Séptimo Día #450 (2010) Topics: La Vida Christian Petición y anhelo; The Christian Life Request and longing Scripture: John 10:11 Languages: Spanish Tune Title: [Oh Jesús, Pastor divino]
¡Oh Jesús, Pastor divino!
William B. Bradbury
1816 - 1868 Person Name: W. B. Bradbury Composer of "PASTOR" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Anonymous
Person Name: Anonimo Author of "Jesus es nuestro Pastor" in Himnario de la Iglesia Metodista Episcopal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
John Goss
1800 - 1880 Person Name: John Goss, 1800-1880 Composer of "PRAISE, MY SOUL" in Culto Cristiano John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854).
Bert Polman
John Goss
