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[Glory be to God on high]
Appears in 119 hymnals Matching Instances: 117 Composer and/or Arranger: T. Tertius Noble Tune Key: F Major Incipit: 33233 21223 Used With Text: Gloria in excelsis
[Glory be to God on high]
Our Father, which art in heaven, hallowed by Thy name
Appears in 724 hymnals Matching Instances: 66 Topics: Closing; Prayer Used With Tune: THE LORD'S PRAYER
Our Father, which art in heaven, hallowed by Thy name
O come let us sing unto the Lord
Appears in 453 hymnals Matching Instances: 8 Used With Tune: [O come let us sing unto the Lord]
O come let us sing unto the Lord
Glory be to the Father and to the Son
Appears in 986 hymnals Matching Instances: 5 Used With Tune: [Glory be to the Father and to the Son]
Glory be to the Father and to the Son
Have mercy upon me, O God! according to thy loving-kindness
Hymnal: The New Laudes Domini #1224 (1892) Topics: Chants Languages: English Tune Title: MISERER MEI, DEUS
Have mercy upon me, O God! according to thy loving-kindness
Blessed are the dead, who die in the Lord
Hymnal: The New Laudes Domini #1221 (1892) Topics: Chants Languages: English Tune Title: FUNERAL
Blessed are the dead, who die in the Lord
Thomas Tallis
1505 - 1585 Person Name: Tallis Composer of "[Our Father who art in heaven]" in Linden Harp Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
Anonymous
Person Name: Anon. Composer of "[Lord, now lettest thou thy servant] (Anon)" in The Church Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Seth C. Brace
1811 - 1897 Person Name: S. C. Brace Author of "Mourn for the Thousands slain" in The Battle Cry Brace, Seth Collins, son of the Rev. Joab Brace, was born at Newington, Connecticut, Aug. 3, 1811, and entered the Presbyterian ministry in 1842, but subsequently joined the Congregationalists. His Temperance hymn, “Mourn for the thousands slain," is widely used. It was written in 1843, and included in the Philadelphia Parish Hymn, 1843, with others which he wrote on the same subject, under the signature of "C."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Seth C. Brace
The Hymnal
Publication Date: 1916 Publisher: Church Pension Fund Publication Place: New York
The Hymnal
The Irish Presbyterian Hymnbook
Publication Date: 2004 Publisher: Canterbury Press Publication Place: Norwich
The Irish Presbyterian Hymnbook
