Longing After Christ

Representative Text

1 I long to behold him arrayed
With glory and light from above;
The King in his beauty displayed,
His beauty of holiest love:
I languish, and sigh to be there,
Where Jesus hath fixed his abode;
O, when shall we meet in the air,
And fly to the mountain of God?

2 With him, I on Zion shall stand,
For Jesus has spoken the word;
The breadth of Immanuel's land,
Survey, by the side of my Lord.
But when, on thy bosom reclined,
Thy face I am strengthened to see,
My fullness of rapture I find,
My heaven of heavens, in thee.

3 How happy the people whose home
Is found in the city of God!
As pilgrims no more they shall roam,
Nor travel a dangerous road.
Physician divine, unto me
Thy soul-healing blessing now give,
And keep me while waiting for thee,
And then to that city receive.

Source: The Seventh-Day Adventist Hymn and Tune Book: for use in divine worship #840

Author: Charles Wesley

Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepene… Go to person page >

Text Information

First Line: I long to behold Him arrayed
Title: Longing After Christ
Author: Charles Wesley
Meter: 8.8.8.8 D
Language: English
Refrain First Line: I shall arise to be with my Savior
Copyright: Public Domain

Tune

[I long to behold him arrayed] (O'Kane)


CONTRAST (German)

The tune most commonly known as CONTRAST is a German folk tune. In American shape-note tradition the tune is known as GREEN FIELDS or GREENFIELDS. J. S. Bach quoted it in his "Peasant Cantata," but he did not compose it. It has also been misattributed to Maria DeFleury and to Lewis Edson. Edson wrot…

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DAVID (Handel)


Timeline

Instances

Instances (101 - 125 of 125)

Pocket Hymn Book, Designed as a Constant Companion. 25th ed. #d109

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Songs of Pilgrimage #1050

Sowing and Reaping #d21

Tested Songs #d83

The Advent Christian Hymnal #d353

The African Methodist Episcopal Church Hymn Book #d188

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The African Methodist Episcopal Hymn and Tune Book #478

The American Hymn and Tune Book #d309

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The Baptist Hymn Book #B18

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The Centenary Singer #301

The Chapel Hymn Book #d154

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The Church Hymnal #200

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The Heart and Voice #336a

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The Hymn Book of the Free Methodist Church #726

The Methodist Pocket Hymn Book. 35th ed. #d114

The Methodist Pocket Hymn Book. Rev. #d116

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The Methodist Pocket Hymn-book, revised and improved #CCLXV

The Pilgrim's Harp #d95

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The Psalms, Hymns and Spiritual Songs of the Rev. Isaac Watts, D. D. #D443

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The Reformed Methodist Pocket Hymnal #I.205

The Sacred Lyre #d126

The Star of the East #d75

Triumphant Joy #d88

The Gospel Trumpeter #d52

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The Song Victor for the Sunday School and Public School Use #133

Pages

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