I Will Sing the Wondrous Story

• Psalm 1:89
  (hymns)
• Psalm 13:6
  (hymns)
• Psalm 23:1-4
  (hymns)
• Psalm 51:14
  (hymns)
• Psalm 66:16
  (hymns)
• Psalm 89:1
  (hymns)
• Isaiah 43:1-5
  (hymns)
• Isaiah 53:6
  (hymns)
• Matthew 7:7-14
  (hymns)
• Matthew 18:10-14
  (hymns)
• Luke 13:24
  (hymns)
• Luke 15:1-32
  (hymns)
• Luke 23:1-49
  (hymns)
• John 10:14-15
  (hymns)
• John 19:10
  (hymns)
• Acts 10:36-38
  (hymns)
• Galatians 2:20
  (hymns)
• Ephesians 1:1-7
  (hymns)
• Philippians 2:5-11
  (hymns)
• 1 Thessalonians 5:24
  (hymns)
• 1 Timothy 1:15
  (hymns)
• Titus 3:5
  (hymns)
• 1 Peter 2:25
  (hymns)
• Revelation 4:5-8
  (hymns)
• Revelation 5:9-14
  (hymns)
• Revelation 15:2-4
  (hymns)

• Year B, Epiphany season, Fifth Sunday

Text:

This hymn was written by Francis H. Rowley in 1886 during a series of revival services at First Baptist Church in North Adams, Massachusetts, where Rowley was pastoring at the time. He wrote it at the suggestion of Peter Bilhorn, who was the music leader for the revival meeting. The text originally began “Can't you sing …” but Ira D. Sankey changed it when he published it, with other alterations, in Gospel Hymns No. 5 in 1887.

The original text had five four-line stanzas and a four-line refrain of the same meter. Most modern hymnals use all five stanzas, though some omit the fifth (beginning “He will keep me”). When this text is sung to HYFRYDOL, the five stanzas and the refrain are combined into three eight-line stanzas.

This gospel hymn is heavy on narrative, rather than doctrine, though it alludes to several scripture passages. For example, the first stanza refers to Philippians 2:6-8, and the second to the Parable of the Lost Sheep in Luke 15:4-7. The third and fourth remind one of the numerous Psalms where the psalmist complains to God of his troubles and reminds himself of God's constant presence. The fifth stanza and the refrain refer to passages in Revelation.

Tune:

Peter Bilhorn wrote WONDROUS STORY in 1886 for this text, and it is still the most popular tune paired with it in hymnals. It is a sprightly tune, written when Bilhorn was only twenty-one years old. George Stebbins harmonized it, as Bilhorn did not have enough musical training to do so successfully. Piano or organ accompaniment works well. Sing the stanzas in unison, but sing in harmony on the refrain, where the lower parts echo the text and add some interest to the long notes.

Another tune that has a long history with this text is the well-known Welsh tune HYFRYDOL, which was written in 1830 by Rowland H. Prichard, when he was twenty years old. This tune is one of the most popular of all hymn tunes, and occurs in most, if not all, modern hymnals, usually with multiple texts. Some hymnals use it for six different texts! Features of the tune that lend to its popularity include its dependence on stepwise motion and its narrow vocal range (with one exception in the last phrase, the whole tune is within a fifth). The rhythmic patterns are simple, and the tune works well in a variety of moods and tempos. HYFRYDOL was first associated with this text in the Gipsy Smith Special Supplement to Hallowed Hymns, New and Old, 1919, as the second tune (WONDROUS STORY is the first).

When/Why/How:

This hymn can be used throughout the year as a song of testimony to God's faithful guidance through life. The choral medley “I Will Sing!” combines several gospel hymns (including “I Will Sing the Wondrous Story”) on the theme of singing about what God has done for His children. For a prelude or offertory, try “Hyfrydol – for Bass Instrument and Piano” or the handbell arrangement “Prelude on HYFRYDOL.”

Tiffany Shomsky
Hymnary.org

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