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John H. Willcox

1827 - 1875 Person Name: J. H. Willcox, Mus. Doc. Composer of "[For Thy mercy and Thy grace]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892
John H. Willcox

John Naylor

1838 - 1897 Person Name: John Naylor, Mus.D. (1838-) Composer of "Barnby's Hymnary, Tune 157" in The Evangelical Hymnal with Tunes
John Naylor

John H. Spielman

Composer of "PENTECOST" in Evangelical Lutheran hymnal John Henry Spielman, b. 1840, Lancaster, Ohio. Professor at Capital University, 1864-72. Editor of "Sunday-School Hymnal," "Psalterlust," and "Cantica Sacra." Public School Librarian, Columbus, Ohio; d. Columbus, Ohio, 1896
John H. Spielman

William Smallwood

1831 - 1897 Person Name: W. Smallwood Composer of "[For thy mercy and thy grace]" in The Spirit of Praise
William Smallwood

Andreas Jakob Romberg

1767 - 1821 Person Name: Andreas Jacob Romberg Composer of "KIEL" in Children's Hymnal
Andreas Jakob Romberg

J. Clippingdale

Composer of "SPRINGFIELD" in The Westminster Abbey Hymn-Book
J. Clippingdale

Alan Davies

Composer of "PSALM 67" in Praise! psalms hymns and songs for Christian worship
Alan Davies

Claude Goudimel

1514 - 1572 Person Name: Claude Goudimel, c. 1505-1572 Composer of "LOUEZ DIEU TOUT HAUTEMENT (Geneva 136)" in Hymns for Youth The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman
Claude Goudimel

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