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William Owen

1813 - 1893 Person Name: William Owen, 1814-1893 Meter: 8.7.8.7 with refrain Composer of "BRYN CALFARIA" in One Lord, One Faith, One Baptism Owen, William (‘William Owen of Prysgol,’ 1813-1893), musician; b. 12? Dec. 1813 [in Lônpopty], Bangor, the son of William and Ellen Owen. The father was a quarryman at Cae Braich-y-cafn quarry, Bethesda, and the son began to work in the same quarry when he was ten years old. He learnt music at classes held by Robert Williams (Cae Aseth), at Carneddi, and from William Roberts, Tyn-y-maes, the composer of the hymn-tune ‘Andalusia.’ He wrote his first hymn-tune when he was 18 — it was published in Y Drysorfa for June 1841. After the family had [removed] to [Caesguborwen], Bangor, [sometimes called Cilmelyn] — they had spent some years [at Tŷhen] near the quarry — William Owen formed a temperance choir which sang ‘Cwymp Babilon,’ the work of the conductor, at the Caernarvon temperance festival, 1849. In 1852, with the help of some friends at Bethesda, he published Y Perl Cerddorol yn cynnwys tonau ac anthemau, cysegredig a moesol; of this 3,000 copies were sold, A solfa edition appeared in 1886 of which 4,000 copies were sold. He composed several temperance pieces, some of which were sung in the Eryri temperance festivals held at Caernarvon castle. His anthem, ‘Ffynnon Ddisglair,’ and the hymn-tunes ALMA and DEEMSTER became popular, but it was the hymn-tune called BRYN CALFARIA which made the composer famous; this continues to have a considerable vogue in Wales and in England. He married the daughter of the house called Prysgol and went there to live; he also became precentor at Caeathro C.M. chapel. He died 20 July 1893, and was buried in Caeathro chapel burial ground. --wbo.llgc.org.uk/en/

Giovanni Battista Pergolesi

1710 - 1736 Person Name: Giovanni Baptista Pergolesi Meter: 8.7.8.7 with refrain adapted from of "AU SANG QU'UN DIEU" in The Australian Hymn Book with Catholic Supplement

Fred Kaan

1929 - 2009 Meter: 8.7.8.7 with refrain Author of "Out of Deep, Unordered Water" in Voices United Fred Kaan Hymn writer. His hymns include both original work and translations. He sought to address issues of peace and justice. He was born in Haarlem in the Netherlands in July 1929. He was baptised in St Bavo Cathedral but his family did not attend church regularly. He lived through the Nazi occupation, saw three of his grandparents die of starvation, and witnessed his parents deep involvement in the resistance movement. They took in a number of refugees. He became a pacifist and began attending church in his teens. Having become interested in British Congregationalism (later to become the United Reformed Church) through a friendship, he was attended Western College in Bristol. He was ordained in 1955 at the Windsor Road Congregational Church in Barry, Glamorgan. In 1963 he was called to be minister of the Pilgrim Church in Plymouth. It was in this congregation that he began to write hymns. The first edition of Pilgrim Praise was published in 1968, going into second and third editions in 1972 and 1975. He continued writing many more hymns throughout his life. Dianne Shapiro, from obituary written by Keith Forecast in Independent (http://www.independent.co.uk/news/obituaries/fred-kaan-minister-and-celebrated-hymn-writer-1809481.html)

F. A. Blackmer

1855 - 1930 Meter: 8.7.8.7 with refrain Author of "Paz con Dios" Blackmer, Francis Augustus. (Ware, Massachusetts, February 17, 1855--October 8, 1930, Somerville, Massachusetts). Advent Christian musician. His parents, Augustus and Jane Blackmer, were among those caught up in the excitement of the Millerite Movement. One son, Fred, became an Advent Christian minister. Francis, with a talent recognized at an early age, consecrated his own life to Christian service as a musician. He was immersed in baptism at the Adventist campmeeting in Springfield, Massachusetts, by Elder Miles Grant. His early years were spend in central Massachusetts, his schooling at Wilbraham Academy. He was largely self-taught in harmony and musical composition. He wrote the words and music to his first gospel song, "Out on the fathomless sea," at the age of sixteen. Altogether he wrote over 300 gospel songs about the Second Coming, witnessing and working for the Lord, and praises to God's Holy Name. A few of these have circulated widely outside his own denomination. His final text, "I shall see him, And be like him," came when he was so weak that his friend, Clarence M. Seamans, had to supply the music. He used the pseudonym, A. Francis, with some of his early songs. Blackmer's first anthology was The Gospel Awakening, (1888). Subsequent gospel songbooks with which he was associated were: Singing by the Way (1895), Carols of Hope (1906), The Golden Sheaf, No. 2 (1916), and Songs of Coming Glory (1926). Most of his adult life was spent in Somerville, Massachusetts, a suburb of Boston, where he had a prosperous piano business. In the 1890s, his "Francis A. Blackmer Pianos" were made for him by the Washington Hall Piano Company of Boston. Later, his "Good as Gold Pianos" were manufactured by the Christman Piano Company of New York City and shipped directly to his customers throughout New England. In Somerville, Blackmer served as choirmaster and song-leader in the Advent Christian Church for many years. He was also an elder of the church until his death. From 1914 until his death, he was songleader at the mid-summer Alton Bay Campmeeting on Lake Winnepesaukee, New Hapshire. There his High Rock Hill was both a salesroom and a summer cottage over the years. He was a member of the board of directors of the campmeeting association for several years. Very popular were his singing sessions on the campground square between suppertim and evening services, and a final sing into the small hours of the night following the final service of the campmeeting. --Leonard Ellinwood, DNAH Archives

Wayne Hooper

1920 - 2007 Person Name: Wayne Hooper (1920-2007) Meter: 8.7.8.7 with refrain Arranger of "HOLY MANNA" in Seventh-day Adventist Hymnal Born: July 4, 1920, Little Rock, Arkansas. Died: February 28, 2007, at his home in Thousand Oaks, California. Hooper sang baritone with the King’s Quartet group for 18 years, and arranged and composed music for the group for 33 years. He taught music at the Portland (Oregon) Academy and Union College, Lincoln, Nebraska; served as musical director of the Voice of Prophecy broadcast; directed development and marketing for Hosanna House; did arranging and orchestration for Chapel Records; was musical co-editor of the 1985 Seventh-day Adventist hymnal; and co-authored the Companion to the SDA Hymnal. Andrews and La Sierra Universities awarded honorary doctor of music degrees to him. --www.hymntime.com/tch/

Joanne Reynolds

Meter: 8.7.8.7 with refrain Author of "Jesus Calls You to Salvation" in Hymns for a Pilgrim People

John R. MacDuff

1818 - 1895 Person Name: John Ross MacDuff (1818-1895) Meter: 8.7.8.7 with refrain Author of "Jesus Wept, Those Tears Are Over" in The Christian Hymnary Macduff, John Ross, D.D., second son of Alexander Macduff, of Bonhard, near Perth, was born at Bonhard, May 23, 1818. After studying at the University of Edinburgh, he became in 1842 parish minister of Kettins, Forfarshire, in 1849 of St. Madoes, Perthshire, and in 1855 of Sandyford, Glasgow. He received the degree of D.D. from the University of Glasgow in 1862, and about the same time also from the University of New York. He retired from pastoral work in 1871, lived at Chislehurst, Kent and died in 1887. He has published many practical and devotional works which have attained a wide circulation. In 1857 he was appointed by the General Assembly a member of their Hymnal Committee. His 31 hymns appeared in his Altar Stones, 1853, and were also included with his later poems in his The Gates of Praise, 1876. Of these hymns the following are in common use:— 1. Christ Is coming! Let creation. Second Advent. 2. Eternal Rock! To Thee I flee. (1853.) Christ the Rock. 3. Everlasting arms of love. (1853.) Support in Christ. 4. From Thy habitation holy. Whitsuntide. 5. Hasten, Lord, that morn of glory. Second Advent. 6. Jesus wept! Those tears are over. (1853.) The raising of Lazarus. 7. O do not, blessed Lord, depart. Christ's presence desired. 8. Where shall I look for holy calm. (1853.) Passiontide. 9. Why should I murmur or repine? Resignation. Of these hymns those dated 1853 are parts only of Dr. Macduff’s originals. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ============== Macduff, J. R., p. 708, i. Another hymn from his Gates of Praise, 1876, is "Blessed feast! most gracious token" (Holy Communion). He died April 30, 1895. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== http://en.wikipedia.org/wiki/John_Ross_Macduff

Mary Louise Bringle

b. 1953 Person Name: Mary Louise Bringle, b. 1953 Meter: 8.7.8.7 with refrain Author of "As the Waters Rise around Us" in One Lord, One Faith, One Baptism

S. B. Jackson

1856 - 1932 Person Name: Charles H. Gabriel, 1856–1932 Meter: 8.7.8.7 with refrain Composer of "I Stand Amazed" in One and All Rejoice Pseudonym. See Gabriel, Charles Hutchinson, 1856-1932

Lela B. Long

1896 - 1951 Meter: 8.7.8.7 with refrain Author of "Jesus Is the Sweetest Name I Know" She’s an almost unknown personality, except for the song associated with her name. Perhaps that’s the way Lela B. Long wanted it…to be faceless, almost nameless, in favor of making His name more well-known. “Jesus Is the Sweetest Name I Know” must have been a statement her family and friends could remember her saying, but we don’t have to rely on any published biography to learn this. She recorded her opinion for us. What opinions do I have that I would want to survive me? Just any pontification probably wouldn’t last, but what makes Lela’s opinion notable is that it strikes a chord with us still today. There’s not much information on Lela B. Long, other than a record with the words she wrote that suggests the song was written prior to 1925. That would suggest she was an adult who was born in the late 19th or early 20th Century, and went on to eternity prior to the end of the 20th Century. She must have had some affinity with people she knew, including unspoken names she says in verse one had moved her emotionally. But, she makes it clear that those names paled next to ‘Jesus’. Why would His name be so special to Long? Had she been affected by poor health, or events of her time like World War I, which robbed its survivors of friends and loved ones? What life circumstances drew her toward Him? We only know that she wrote three verses and a refrain (see the link below for access to them) to carry her message, though most often we hear only the refrain. She has us say repeatedly throughout the refrain that he’s genuine, as authentic and loveable as one can imagine Him. Isn’t that really the root of love, that this person to whom I cling is not a fake, but true? He’s worth my worship, she declares. Can I identify with what Lela says? I live in a different time than her, but what’s really different? There are still people around, many of whom move me in different ways, as some evidently did for Lela Long in her life. She must have experienced illness, or other calamities that threatened her faith. War? The war she must have known was once known as the ‘war to end all wars’. Did it really accomplish this? How sweet was its conclusion for those who signed the peace at Versailles (see picture), if they lived to see what happened a generation later? Lies like that are too common. Likewise, health is too fragile for me to become complacent in my comfort. I must find something that won’t go sour. Lela did. It’s still pretty tasty, even decades after she savored it. Link to the song’s scant history and the three verses that accompany the chorus-refrain: http://www.hymntime.com/tch/htm/j/i/s/jisnikno.htm Posted by David Cain at 12:23 PM http://songscoops.blogspot.com/2012/02/jesus-is-sweetest-name-i-know-lela-b.html