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Scripture:Luke 11:1-13

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Break Forth, O Beauteous Heavenly Light

Author: Fred Pratt Green, 1903-2000; John Troutbeck, 1832-1899; Johann Rist, 1607-1667 Meter: 8.7.8.7.8.8.7.7 Appears in 57 hymnals Scripture: Luke 11:9 Lyrics: 1 Break forth, O beauteous heavenly light, and usher in the morning; O shepherds, shudder not in fright, but hear the angel's warning. This child, now weak in infancy, our confidence and joy shall be, the power of Satan breaking, our peace eternal making. 2 Come, dearest child, into our hearts, and leave your crib behind you! Let this be where the new life starts for all who seek and find you. To you the honor, thanks, and praise, for all your gifts this time of grace; come, conquer and deliver this world, and us, forever. Used With Tune: ERMUNTRE DICH

Blessed Are They

Author: Tom Tomaszek Appears in 1 hymnal Scripture: Luke 11 First Line: [Blessed Are They] Text Sources: Spirit and Song (OCP Publications, 1999)

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BELMONT

Appears in 553 hymnals Composer and/or Arranger: Samuel Webbe (1740-1816) Scripture: Luke 11:1 Incipit: 53217 76155 54332 Used With Text: Prayer is the soul's sincere desire
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BLOTT EN DAG

Meter: 10.9.10.9 D Appears in 76 hymnals Composer and/or Arranger: Oscar Ahnfelt, 1813-1882 Scripture: Luke 11:3 Tune Key: E Flat Major Incipit: 32111 12332 21777 Used With Text: Day by Day
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BUNESSAN

Meter: 5.5.5.4 D Appears in 265 hymnals Composer and/or Arranger: Colin Hand Scripture: Luke 11:3 Tune Sources: Traditional Gaelic melody Tune Key: C Major Incipit: 13512 76565 12356 Used With Text: Praise and thanksgiving

Instances

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Break Forth, O Beauteous Heavenly Light

Author: Fred Pratt Green, 1903-2000; John Troutbeck, 1832-1899; Johann Rist, 1607-1667 Hymnal: Worship and Rejoice #202 (2003) Meter: 8.7.8.7.8.8.7.7 Scripture: Luke 11:9 Lyrics: 1 Break forth, O beauteous heavenly light, and usher in the morning; O shepherds, shudder not in fright, but hear the angel's warning. This child, now weak in infancy, our confidence and joy shall be, the power of Satan breaking, our peace eternal making. 2 Come, dearest child, into our hearts, and leave your crib behind you! Let this be where the new life starts for all who seek and find you. To you the honor, thanks, and praise, for all your gifts this time of grace; come, conquer and deliver this world, and us, forever. Languages: English Tune Title: ERMUNTRE DICH

Blessed Are They

Author: Tom Tomaszek Hymnal: Scripture Song Database #504 (2008) Scripture: Luke 11 First Line: [Blessed Are They] Languages: English

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John L. Bell

b. 1949 Person Name: John L. Bell, b. 1949 Scripture: Luke 11:9-13 Arranger of "[If you believe and I believe]" in Oramos Cantando = We Pray In Song John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach (1685-1750) Scripture: Luke 11:9 Harmonizer of "EISENACH" in Ancient and Modern Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Person Name: William B. Bradbury, 1816-1868 Scripture: Luke 11:12 Composer of "SWEET HOUR" in Worship and Rejoice William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry