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Beautiful Saviour

Author: J. A. Seiss Meter: 5.5.7.5.5.8 Appears in 122 hymnals First Line: Beautiful Savior Topics: Beauty Of God, Of Christ Used With Tune: CRUSADERS' HYMN Text Sources: Münster Gesangbuch, 1677
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For the Beauty of the Earth

Author: Folliott Sandford Pierpoint Meter: 7.7.7.7.7.7 Appears in 527 hymnals Refrain First Line: God of all, to you we raise Lyrics: 1 For the beauty of the earth, for the ... grateful praise. 2 For the beauty of each hour of the ... Topics: Beauty Used With Tune: LUCERNA LAUDONIAE

God of Beauty, Truth, and Goodness

Author: Wesley L. Forbis Meter: 8.7.8.7 with refrain Appears in 1 hymnal

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MATERNA

Composer: Samuel A. Ward Meter: 8.6.8.6 D Appears in 196 hymnals Tune Key: B Flat Major Incipit: 55335 52234 56755 Used With Text: America the Beautiful
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DIX

Composer: W. H. Monk; Conrad Kocher Meter: 7.7.7.7.7.7 Appears in 377 hymnals Tune Key: G Major Incipit: 17121 44367 16555 Used With Text: For the Beauty of the Earth
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WORDS OF LIFE

Composer: Philip P. Bliss Meter: 8.6.8.6.6.6 Appears in 163 hymnals Tune Key: F Major Incipit: 33343 32252 23215 Used With Text: Wonderful Words of Life

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Beautiful

Author: B. E. W. Hymnal: Timeless Truths #903 Meter: 6.6.6.6.6.6.6.4 with refrain First Line: Beautiful robes so white Refrain First Line: Beautiful robes Lyrics: ... us there. Refrain: Beautiful robes, Beautiful land, Beautiful home, Beautiful band; Beautiful crown, Shining so ... fair; Beautiful mansion bright, Gather ... Scripture: Revelation 21 Tune Title: [Beautiful robes so white]
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Star of Beauty

Author: Eliza Edmunds Hewitt Hymnal: The Cyber Hymnal #6318 First Line: Star of beauty, Bethlehem's star Refrain First Line: Star, star, beautiful star Lyrics: 1. Star of beauty, Bethlehem’s star, We follow, ... , follow on. Refrain Star, star, beautiful star, We follow, follow on ... , follow on. 2. Star of beauty, star of joy, We follow ... Languages: English Tune Title: [Star of beauty, Bethlehem's star]
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O beautiful land

Author: Lilla M. Alexander Hymnal: Sacred Songs No. 2 #18 (1899) First Line: There's a beautiful land that no mortal hath seen Refrain First Line: O beautiful, beautiful land Lyrics: 1 There’s a beautiful land that no mortal hath ... rivers of light. Refrain: O beautiful, beautiful land! O land where all ... the King in His beauty they see; O beautiful land, with thy ... Topics: Heaven Scripture: John 14:2 Tune Title: [There's a beautiful land that no mortal hath seen]

People

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Authors, composers, editors, etc.

John R. Sweney

1837 - 1899 Composer of "[I am thinking today of that beautiful land]" in Timeless Truths John R. Sweney (1837-1899) was born in West Chester, Pennsylvania, and exhibited musical abilities at an early age. At nineteen he was studying with a German music teacher, leading a choir and glee club, and performing at children’s entertainments. By twenty-two he was teaching at a school in Dover, Delaware. Soon thereafter, he was put in charge of the band of the Third Delaware Regiment of the Union Army for the duration of the Civil War. After the war, he became Professor of Music at the Pennsylvania Military Academy, and director of Sweney’s Cornet Band. He eventually earned Bachelor and Doctor of Music degrees at the Academy. Sweney began composing church music in 1871 and became well-known as a leader of large congregations. His appreciators stated “Sweney knows how to make a congregation sing” and “He had great power in arousing multitudes.” He also became director of music for a large Sunday school at the Bethany Presbyterian Church in Philadelphia of which John Wanamaker was superintendent (Wanamaker was the founder of the first major department store in Philadelphia). In addition to his prolific output of hymn melodies and other compositions, Sweney edited or co-edited about sixty song collections, many in collaboration with William J. Kirkpatrick. Sweney died on April 10, 1899, and his memorial was widely attended and included a eulogy by Wanamaker. Joe Hickerson from "Joe's Jottings #9" used by permission

Lowell Mason

1792 - 1872 Composer of "[O beautiful, our country!]" in Service Songs for Young People's Societies, Sunday Schools and Church Prayer Meetings Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. AGNES" in Gloria Deo John Bacchus Dykes, Mus. Doc.; b. Kingston-upon-Hull, 1823; d. St. Leonard's 1876 Evangelical Lutheran Hymnal, 1908

Hymnals

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Published hymn books and other collections

Small Church Music

Editors: Jessie Brown Pounds Description: The SmallChurchMusic site was commenced in 2006 grew out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
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Beautiful Melodies

Publication Date: 1942 Publisher: The J. M. Henson Music Company Publication Place: Atlanta, Ga. Editors: J. M. Henson; The J. M. Henson Music Company

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