We ask for donations here just twice a year, and this is one of those times. So, before you hit the "close" button on this box, would you consider a donation to keep Hymnary.org going? Even small amounts help, and they also let us know you're behind us and support what we do.

Last month, our Hymnary website had almost 1 million visitors from around the world: people like you who love hymns. To serve our users well takes money, and we have limited sources of revenue. This fund drive is one such source.

You can make your tax-deductible contribution by sending a check to Hymnary.org at 3201 Burton SE, Grand Rapids, MI 49546, or you can click the Donate button below. From the entire Hymnary.org team, our grateful thanks.

Search Results

All:christ the king

Planning worship? Check out our sister site, PreachingandWorship.org, for 20+ additional resources related to your search.

Looking for a lectionary week?

Christmas 1Year AYear BYear C
Christmas 2Year AYear BYear C
Christmas DayYear AYear BYear C
Christmas EveYear AYear BYear C


text icon
Text authorities
TextPage scansFlexscoreFlexpresent

All Glory, Laud, and Honor

Author: Theodulph of Orleans ; John Mason Neale Meter: D Appears in 552 hymnals First Line: Thou art the King of Israel Lyrics: Refrain: All glory, laud and honor To Thee, Redeemer, King! To whom the lips of children Made sweet hosannas ring. 1 Thou art the King of Israel, Thou David’s royal Son, Who in the Lord’s name comest, The King and blessèd One. (Refrain) 2 The people of the ... Topics: Jesus Christ Triumphant Scripture: Matthew 21:8-11 Used With Tune: VALET WILL ICH DIR GEBEN
Page scansFlexscoreFlexpresent

O Worship the King

Author: Sir Robert Grant Appears in 1,045 hymnals First Line: O worship the King, all glorious above Used With Tune: [O worship the King, all glorious above]

Crown Him with Many Crowns

Author: Godfrey Thring; Matthew Bridges Meter: D Appears in 736 hymnals Lyrics: 1 Crown him with many crowns, the Lamb upon his throne; hark! how the heavenly anthem drowns all music but its own! Awake, my soul, and sing of him who died for thee, and hail him as thy matchless King through all eternity. 2 Crown him the Lord of life, ... Topics: Christian Year Christ the King/Reign of Christ Used With Tune: DIADEMATA


tune icon
Tune authorities


Composer: John Hatton, c. 1710-1793 Meter: Appears in 862 hymnals Tune Key: C Major Incipit: 13456 71765 55565 Used With Text: Jesus Shall Reign


Appears in 129 hymnals Tune Sources: Old English Melody Tune Key: e minor Incipit: 13456 54271 23117 Used With Text: What Child Is This, Who, Laid to Rest
Page scansFlexscoreAudio

[I love to tell the story]

Composer: William G. Fischer Appears in 359 hymnals Incipit: 51551 32111 62165 Used With Text: I Love to Tell the Story


instance icon
Published text-tune combinations (hymns) from specific hymnals

O Christ the King, Anointed

Author: Richard C. Dickinson Hymnal: This Far By Faith #294 (1999) Lyrics: O Christ the king, anointed, by God ... Topics: Christ the King/Reign of Christ Scripture: Isaiah 61:1 Languages: English Tune Title: [O Christ the king, anointed]

The Children of Jerusalem

Hymnal: Glory and Praise (3rd. ed.) #282 (2015) First Line: The children of Jerusalem they welcomed Christ the King Refrain First Line: Hosanna! Hosanna! Hosanna in the highest! Lyrics: they welcomed Christ the King; they all went out ... Topics: The Liturgical Year Palm Sunday of teh Passion of the Lord Languages: English Tune Title: [The children of Jerusalem they welcomed Christ the King]
TextPage scanAudio

Proclaim the Glad News

Author: Haldor Lillenas Hymnal: Alexander's Hymns No. 4 #190 (1921) First Line: Break forth and sing, of Christ the King Refrain First Line: Proclaim the glad news of salvation Lyrics: ... forth and sing, of Christ the King, The Prince of Peace, and ... Christ hath done; Proclaim the glad tidings to all the world. Refrain: Proclaim the ... tell them the wonderful story Of Jesus the Monarch of ... all the world. 2 Send forth the light into the night ... Topics: Christian Service and Soul Winning; Missionary; Mothers Tune Title: [Break forth and sing, of Christ the King]


person icon
Authors, composers, editors, etc.

Georgia Elma Harkness

1891 - 1974 Person Name: Georgia Harkness Author of "Hope of the World" in Christian Praise Georgia Elma Harkness (1891-1974), first woman to teach theology in an American seminary, was once a household name, but few today know who she is–and all of her writings are out of print. We need to recover the work of this neglected theologian for the life of the church today. Born 21 April 1891, Harkness was the youngest of four children born to Joseph Warren Harkness and Lillie Merrill Harkness. She was born in Harkness, NY, a town in the Adirondacks named for her grandfather. A Methodist, she was personally converted in a revival as a teenager, and sensed a calling to serve the church. Her family was upper middle class and progressive, thereby giving her opportunities for education beyond what was available to most girls and women of her era. Avoiding the women’s colleges, she earned a B.A. (philosophy) from Cornell University in 1912. In a later age, Harkness would probably have gone straight to a seminary and training for the ministry, but seminaries did not admit women as regular, degree-seeking, students and ordained women were very rare. Harkness intended to volunteer for overseas mission work after her graduation from Cornell, but family problems prevented this. She taught high school for six (6) years, but was restless. She wanted to do more to serve the church and she wanted to pursue studies in theology. So, she went to Boston University (related to the Methodists). Denied entrance because of her sex to BU’s School of Theology, she matriculated in the Department of Religion of the Graduate School and earned a Ph.D. in philosophy of religion in 1923 with a dissertation entitled, ”The Relations Between Philosophy of Religion and Ethics in the Thought of Thomas Hill Green.” (Green (1836-1882), was a liberal British Idealist philosopher and social reformer who died 10 years before Harkness’ birth. ) For the next 15 years, Harkness taught courses in religion and philosophy at Elmira College in Elmira, NY–at the time a women’s college, but now co-educational. During summers and sabbatical leaves, Harkness continued her theological education by attending Harvard Divinity School, Yale Divinity School, and Union Theological Seminary (NY) always with the status of “special” (non-degree) student. In 1926, she was ordained by the Methodist Church (later part of the United Methodist Church), but, along with all other women, she was not admitted to any Conference (and, thus, could not function as a minister) until 1956. From 1937 to 1940, Harkness was Professor of Philosophy and Religious Studies at Mount Holyoke College in Massachussetts and from 1940-1949, she was Professor of Applied Theology at Garrett Biblical Institute near Chicago, IL. Garrett Biblical Institute, now known as Garrett-Evangelical Theological Seminary, is a post-baccalaureate Methodist theological seminary whose main mission is the preparation of divinity students for ordained ministry. Harkness was the first woman hired to teach theology at any seminary in the U.S. Today, the Chair of Applied Theology at Garrett-Evangelical Theological Seminary is known as the Georgia Harkness Chair of Applied Theology. Harkness ended her active teaching ministry at The Pacific School of Religion, an ecumenical seminary related to the United Church of Christ outside of San Francisco,CA. She was Professor of Applied Theology at PSR from 1949 until her retirement in 1960. Her early interests in global missions and in global and ecumenical Christianity never left Harkness. Unable to be a missionary herself, Harkness did support work for Methodist global missions, including writing materials for them, especially the Methodist Board of World Peace and and the Board of Social and Economic Relations. After World War II, Harkness also did much to support the global ecumenical work of the World Council of Churches, serving on both the Faith and Order and Church and World Commissions. Her hymn, “The Hope of the World,” was chosen by the Hymn Society of America (now the Hymn Society in the United States and Canada) for the Second global meeting of the World Council of Churches which was held in Evanston, IL in 1954 and had as it’s theme, “Christ, the Hope of the World.” Harkness had previously played key roles in the Life and Work conference at Oxford (1937), and at the first assembly of the World Council of Churches in Amsterdam, 1948. In the 1957-1958 school year, Harkness served as Visiting Professor at both the International Christian University in Japan and the ecumenical Union Theological Seminary, Manila, the Philippines. This pioneer for women in ministry and early feminist theologian usually was irenic and balanced in her approach to such matters. Living in a very patriarchal and sexist era, she knew the dangers of appearing to male-dominated structures as “shrill,” or “strident,” in her advocacy of equality, and so was quick to praise opening or partial steps even while continuing to push for full gender equality in home, church, and society. Typical of Harkness’ approach on these matters, she advocated equal ordination and ministry for decades, but when the 1956 Methodist meeting in Minneapolis opened the door for full pastoral ministry for women, Harkness let younger female colleagues take the lead in advocating for the motion on the floor. However, her caution did not mean timidity, for at the World Council of Churches in 1948, Harkness openly confronted Karl Barth himself on his theology of female subordination! Though Barth’s influence intimidated many, Harkness refuted him point-by-point in open debate and the great man’s startled reaction showed that he was completely unused to confronting strong, independent women! (A year later, when someone mentioned the event to him, Barth replied, “Remember me not of that woman!”) Harkness wrote over 30 books in her lifetime. She dealt with numerous theological subjects: Christian ethics, social concern in global contexts, equality of the sexes, racial equality and integration (though she was not an active participant in the Civil Rights struggle, she openly supported its goals and there was much personal correspondence between Harkness and African America leaders such as Martin Luther King, Jr., and Howard Thurman), the nature of the church, a study from her own Wesleyan Methodist perspective of Calvin’s ethics, prayer and the life of devotion, mysticism, the Holy Spirit, eschatology (partially anticipating themes later made more prominent by Wolfhart Pannenberg and Jürgen Moltmann), the relation of religion to philosophy and to science, secularism (which she saw as more of a challenge than a reason to celebrate, contrasting with the early work of Harvey Cox), and apologetics. Concerned to be understood by a wide audience, Harkness wrote with clarity and a refusal to cloak her thought in academic obscurantism (which led her critics to charge her with a lack of depth or profundity), but always a wide awareness of the history of Christian thought and of current trends on the global scene. She characterized her theological perspective as that of a “chastened liberalism.” She had been raised in the optimism of the late 19th C., been educated in the traditions of Idealism and Borden Parker Bowne’s “Boston Personalism,” as well as the Social Gospel. Even after World War I and into the Great Depression, Harkness could declare her faith in human moral progress, her strong pacifism, and rejoice that belief in Original Sin was disappearing. “The faster it goes, the better,” she remarked to The Christian Century. Yet she interacted with the rise of Neoorthodoxy in the perspectives of Barth, Brunner, Suzanne de Dietrich, Reinhold Niebuhr, and Paul Tillich. On the eve of the Second World War, Harkness called on liberal Protestantism to recall the meaning of the cross and the power of the resurrection. Not surrendering her pacifism, she stated that although she remained committed to liberalism, “it was a chastened and deepened liberalism.” Human moral progress was possible, but did not follow an evolutionary certainty, and was dependant always on the grace of God. She still considered traditional formulations of original sin to be problematic, but recognized anew the power of sin in both individuals and social structures. Harkness’ books are entirely out of print and the influence she once had is largely eclipsed, even among contemporary feminist theologians. Yet the Chair of Applied Theology at Garrett-Evangelical Theological Seminary is named for her and so is a scholarship for women ministry students over 30 at Pacific School of Religion. The church historian Rosemary Skinner Keller wrote a secondary study of Harkness, Georgia Harkness: For Such a Time as This (Abingdon Press, 1992) and in the Doctrine volume of his 3-part Systematic Theology, James Wm. McClendon lists Harkness (along with Walter Rauschenbusch, E.Y. Mullins, D.C. MacIntosh, W.T. Conner, and Dale Moody) as among the guiding forerunners of his approach. Rebekah Miles, Professor of Ethics at Southern Methodist University’s Perkins School of Theology, has just edited a reader of Harkness’ early essays, Georgia Harkness: The Remaking of a Liberal Theologian (Westminster/John Knox Press, 2010). Miles had previously written a biographical and theological sketch of Harkness as a chapter in Makers of Christian Theology in America, ed., Mark Toulouse and James Duke (Nashville: Abingdon Press, 1997). --pilgrimpathways.wordpress.com/2010/02/20/

Henry J. Gauntlett

1805 - 1876 Composer of "NEWLAND" in The Hymnal Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

William Croft

1678 - 1727 Attributed to of "HANOVER" in The United Methodist Hymnal William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844


hymnal icon
Published hymn books and other collections
Page scans

Make Christ King

Publication Date: 1916 Publisher: The Glad Tidings Co. Publication Place: Chicago, Ill. Editors: E. O. Excell; The Glad Tidings Co.
Page scans

The King of Kings

Publication Date: 1915 Publisher: Hackleman Music Co. Publication Place: Indianapolis, Ind. Editors: Hackleman
Page scans

The New Make Christ King

Publication Date: 1914 Publisher: Glad Tidings Publishing Company Publication Place: Chicago, Ill. Editors: E. O. Excell; Glad Tidings Publishing Company; Rev. W. E. Biederwolf; Rev. Milford H. Lyon; Rev. Henry W. Stough


A bright setting of this well-known text for Christ the King Sunday. Also suitable for General use.V…
Fanfare for Brass and Organ Series: Instrumental. Instrumental Parts: Trumpet I and II (in Bb and…
See all 154 product results


It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or subscribing to eliminate ads entirely and help support Hymnary.org.