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Haldor Lillenas

1885 - 1959 Arranger of "[The conscience of childhood is speaking in whispers]" in Inspiring Gospel Solos and Duets No. 2 Rv Haldor Lillenas DMus Norway/USA 1885-1959. Born at Stord, near Bergen, Norway, his father sold their 15 acre farm in Norway and emigrated to the U.S., buying a farm in Colton, SD. After he built a sod house, the family (wife and three chldren) also came to SD in 1887. They moved to Astoria, Oregon in 1889, where Lillenas learned English and began writing song lyrics at an early age. In 1900 the family moved again to Roseville, MN, where he worked as a farm laborer and began attending a Lutheran high school at Hawick, MN. He sold a few songs at age 19. At age 21 he began writing more songs, encouraged by some earlier ones becoming popular (“He set me free” was one). His mother died in 1906 and his father returned to ND, but Lillenas decided to move back to Astoria, OR, to finish a chemical correspondence course he had been taking. There he found employment in a chemical factory. He started attending a Lutheran church, but one evening he heard the song, “Tell mother I’ll be there”, sung at a mission. It made him decide to commit his life to Christ. An elderly lady who worked there told him about Jesus, and he began attending the Peniel Mission, a holiness rescue mission in Astoria, OR. He started working at the mission himself. In 1907 he moved to Portland, OR, where he worked with the Peniel Mission there, the mission paying most of his expenses. He was appointed leader of the mission. He saw many there come to know Christ and felt called to the Lord’s work. He joined the First Church of the Nazarene in Portland. Soon he enrolled in a ministerial course of study by correspondence. Soon afterward, he joined a vocal group associated with the Salvation Army called the ‘Charioteers Brigade’, which held street meetings and revival services throught much of CA. As a result of generous donations made, and efforts by his pastor, A O Hendricks, he was able to attend Pacific Bible College (later renamed Pasadena College), Los Angeles, CA. He also found part-time work to help support himself. He was soon a music director at a local church, and was preaching and writing songs. He also studied voice at the Lyric School of Music in Los Angeles, CA. While at Deets, he met and married Bertha Mae Wilson, also on an evangelistic team. Both preached. She was a songwriter like he. They practiced music at her father’s house and found that their voices blended well. They had two children: Evangline, and Wendell. They eventually became elders in the Nazarene Church, and she eventually became an ordained minister as well. He also studied music at the Siegel-Myers School of Music Chicago, IL. He composed songs for cantatas, Christmas, Easter, and special day services. He also used several pseudonyms in their composition. He traveled as an evangelist, then he pastored several churches (1910-1924) at Lompoc, CA, then Redlands, CA, and later in Indianapolis, IN. While there, In 1924, he founded the Lillenas Music Company (bought by the Nazarene Publishing Company in 1930). His wife preached at their pastorate until he was able to get the company up and running. While they owned the company, they published more than 700,000 hymnals. He worked as an editor there (after selling his company) until his retirement in 1950, becoming an advisor for them until his death. Also that year Lillenas purchased a 500 acre rural estate in Miller County, MO, where they built an Ozark home called ‘Melody Lane’. Lillenas joined the American Society of Composers, Authors, and Publishers (ASCAP) in 1938. In 1941 he received an honorable doctorate degree from Olivet Nazarene College, Bourbonnais, IL. In 1945 Bertha died of cancer, and later that year Lillenas remarried to a Lola Dell, and they lived in Melody Lane until 1955, when they moved to Pasadena, CA, attending the Nazarene Church there. They also made three trips to Norway after his retirement, and he wrote three books during that time: “Modern gospel song stories (1952), “Down Melody Lane (an autobiography): (1953), “Motoring 11,000 miles through Norway-A guide for tourists” (1955). In 1955 they toured Israel and sponsored a Palestinian Greek Orthodox family he had met as immigrants to the US that included Sirhan Bishara Sirhan (born in 1944). After they arrived in Pasadena, the Sirhan family stayed with Lillenas for several months, after which the Sirhans moved to a home Lillenas rented and furnished to them. When Mary Sirhan’s husband abandoned her and her two sons and returned to Jordan, Lillenas ensured that they were able to remain in the US. S B Sirhan was the convicted killer of Robert Kennedy. Lillenas wrote some 4000 hymn lyrics, supplying some for evangelists. Four of his song books contain his hymns: “Special sacred songs” (1919), “New Sacred Songs”, “Strains of love”, and “Special sacred songs #2”. He died at Aspen, CO. He is buried at Kansas City, MO. He was an author, editor, compiler, composer, and contributor. He edited and compiled over 50 song books. John Perry

Isaac Watts

1674 - 1748 Author of "Lord, how secure my conscience was " in The Seventh-Day Adventist Hymn and Tune Book Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Hugh Wilson

1766 - 1824 Composer of "AVON" in The Seventh-Day Adventist Hymn and Tune Book Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

Benjamin Beddome

1717 - 1795 Author of "Peace of Conscience" Benjamin Beddome was born at Henley-in Arden, Warwickshire, January 23, 1717. His father was a Baptist minister. He studied at various places, and began preaching in 1740. He was pastor of a Baptist society at Bourton-on-the-Water, Gloucestershire, until his death in 1795. In 1770, he received the degree of M.A. from the Baptist College in Providence, Rhode Island. He published several discourses and hymns. "His hymns, to the number of 830, were published in 1818, with a recommendation from Robert Hall." Montgomery speaks of him as a "writer worthy of honour both for the quantity and the quality of his hymns." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================= Beddome, Benjamin , M.A. This prolific hymnwriter was born at Henley-in-Arden, Warwickshire, Jan. 23, 1717, where his father, the Rev. John Beddome, was atthat time Baptist Minister. He was apprenticed to a surgeon in Bristol, but removing to London, he joined, in 1739, the Baptist church in Prescott St. At the call of this church he devoted himself to the work of the Christian ministry, and in 1740 began to preach at Bourton-on-the-Water, in Gloucestershire. Declining invitations to remove to London or elsewhere, he continued pastor at Bourton until his death, on Sep. 3, 1795, at the age of 78. Mr. Beddome was for many years one of the most respected Baptist ministers in the West of England. He was a man of some literary culture. In 1770 he received the degree of M.A. from Providence College, Rhode Island. He was the author of an Exposition of the Baptist Catechism, 1752, in great repute at the time, and reprinted by Dr. C. Evans in 1772. It was his practice to prepare a hymn every week to be sung after his Sunday morning sermon. Though not originally intended for publication, he allowed thirteen of these to appear in the Bristol Baptist Collection of Ash & Evans (1769), and thirty-six in Dr. Rippon's Baptist Selection (1787), whence a number of them found their way into the General Baptist Hymn Book of 1793 and other collections. In 1817, a posthumous collection of his hymns was published, containing 830 pieces, with an introduction by the Rev. Robert Hall, and entitled "Hymns adapted to Public Worship or Family Devotion, now first published from the Manuscripts of the late Rev. B. Beddome, M.A." Preface dated "Leicester, Nov. 10, 1817." Some of the early copies bear the same date on the title page. Copies bearing both the 1817 and 1818 dates are in the British Museum. The date usually given is 1818. Some hymns are also appended to his Sermons, seven volumes of which were published l805—1819; and over twenty are given in the Baptist Register of various dates. Beddome's hymns were commended by Montgomery as embodying one central idea, "always important, often striking, and sometimes ingeniously brought out." Robert Hall's opinion is just, when in his "Recommendatory Preface" to the Hymns, &c, he says, p. vii.:— "The man of taste will be gratified with the beauty and original turns of thought which many of them ex¬hibit, while the experimental Christian will often perceive the most secret movements of his soul strikingly delineated, and sentiments pourtrayed which will find their echo in every heart." With the exception of a few composed for Baptisms and other special occasions, their present use in Great Britain is limited, but in America somewhat extensive. One of the best is the Ordination Hymn, "Father of Mercies, bow Thine ear." Another favourite is “ My times of sorrow and of joy," composed, by a singular coincidence, to be sung on Sunday, Jan. 14, 1778, the day on which his son died, most unexpectedly, in Edinburgh. "Let party names no more," is very popular both in Great Brit, and America. "Faith, His a precious gift," "Witness, ye men and angels, now," and the hymn for Holy Baptism, "Buried beneath the yielding wave," are also found in many collections. Beddome's popularity is, however, now mainly in America. [Rev. W. R. Stevenson, M.A.] Beddome is thus seen to be in common use to the extent of about 100 hymns. In this respect he exceeds every other Baptist hymnwriter; Miss Steele ranking second. The authorities for Beddome's hymns are: (1) A Collection of Hymns adapted to Public Worship, Bristol, W. Pine, 1769, the Collection of Ash & Evans; (2) Dr. Rippon's Selections 1787, and later editions; (3) Sermons printed from the Manuscripts of the late Rev. Benjamin Beddome, M.A.,... with brief Memoir of the Author, Dunstable & Lond., 1805-1819; (4) Dr. Rippon's Baptist Register, 1795, &c.; (5) The Beddome Manuscripts, in the Baptist College, Bristol; (6) and Hymns adapted to Public Worship, or Family Devotion now first published, from Manuscripts of the late Rev. B. Beddome, A.M. With a Recommendatory Preface by the Rev. R. Hall, A.M. Lond., 1817. In his Preface, Mr. Hall gives this account of the Beddome Manuscript:— "The present Editor was entrusted several years ago with the MSS, both in prose and verse, with permission from the late Messrs. S. & B. Beddome, sons of the Author, to publish such parts of them as he might deem proper. He is also indebted to a descendant of the Rev. W. Christian, formerly pastor of the Baptist Church at Sheepshead, Leicestershire, for some of the Author's valuable hymns, which had been carefully preserved in the family. From both these sources, as well as others of less consequence, the present interesting volume has been derived." -- Excerpts from John Julian, Dictionary of Hymnology (1907) ======================= Beddome, Benjamin, pp. 121-124. Other hymns in common use:— 1. Great God, before Thy mercy-seat. (1817). Lent. 2. Great God, oppressed with grief and fear. (1787.) Reading H. Scripture. 3. How glorious is Thy word, 0 God. Holy Scripture. From "When Israel, &c," p. 124, i. 4. In God I ever will rejoice. Morning. From his Hymns, &c, 1817. 5. Jesus, my Lord, divinely fair. (1817.) Jesus the King of Saints. Begins with stanza ii. of “Listen, ye mortals, while I sing." 6. Rejoice, for Christ the Saviour reigns. Missions. Altered form of "Shout, for the blessed, &c," p. 123, ii. 7. Satan, the world, and sin. (1817.) In Temptation. 8. Thou, Lord of all above. (1817.) Lent. 9. Unto Thine altar, Lord. (1787.) Lent. 10. Ye saints of every rank, with joy. (1800.) Public Worship. The dates given above are, 1787 and 1800, Rippon's Selection; and 1817 Beddome's Hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II

Charles Price Jones

1865 - 1949 Person Name: Charles P. Jones Author of "There is No Peace" in His Fullness Songs Charles Price Jones born December 9, 1865, near Rome, Georgia. He grew up in Kingston, Georgia, and attended the Baptist church. He was converted in 1884 while living in Cat Island, Arkansas. In 1885 he was called to the ministry and began preaching. In 1888 he attended Arkansas Baptist College and taught school in Grant County, Arkansas. He preached and pastored several Baptist churches. After asking God for a deeper experience of grace and fasting and praying for three days, Jones experienced a closeness with God, and in 1895, along with other Baptist holiness adherents, who taught that a second work of grace can cleanse the Christian of original sin. They started a holiness movement in the Baptist church, and he began teaching holiness in his congregation, Mount Helm Baptist Church in Jackson, Mississippi. He faced much opposition from some members of his congregation and other Baptist churches. Eventually the church voted to remove "Baptist" and change it to "Church of Christ." For several years, Jones led a non-denominational holiness movement. In 1899 he began to write songs for his church. Most of his hymns were inspired by a scripture passage. The congregation built the Christ Temple campus which included a 1000 seat sanctuary, a printing press, a school building, and a girl's dormitory. In 1917, Jones organized Christ Temple Church in Los Angeles and moved the printing press there. He died January 19, 1949 in Los Angeles Dianne Shapiro, from Church of Christ (Holiness) U.S.A. website and "Charles Price Jones (1865-1949) Religious Leader" by David Daniels, Mississippi Encyclopedia website (both accessed 10/9/2020)

Barney Elliott Warren

1867 - 1951 Person Name: Barney E. Warren Composer of "[In the chambers of thy bosom]" in Timeless Truths Barney Elliott Warren was an American Christian hymnwriter and minister. See more in Wikipedia

B. D. Ackley

1872 - 1958 Composer of "[There is work awaiting you]" in Williston Hymns Bentley DeForrest Ackley was born 27 September 1872 in Spring Hill, Pennsylvania. He was the oldest son of Stanley Frank Ackley and the brother of A. H. Ackley. In his early years, he traveled with his father and his father's band. He learned to play several musical instruments. By the age of 16, after the family had moved to New York, he began to play the organ for churches. He married Bessie Hill Morley on 20 December 1893. In 1907 he joined the Billy Sunday and Homer Rodeheaver evangelist team as secretary/pianist. He worked for and traveled with the Billy Sunday organization for 8 years. He also worked as an editor for the Homer Rodeheaver publishing company. He composed more than 3000 tunes. He died 3 September 1958 in Winona Hills, Indiana at the age of 85 and is buried in Oakwood Cemetery, Warsaw, Indiana, near his friend Homer Rodeheaver. Dianne Shapiro (from ackleyfamilygenealogy.com by Ed Ackley and Allen C. Ackley)

P. P. Bilhorn

1865 - 1936 Person Name: P. Bilhorn Composer of "[The voice of thy conscience oft whispers]" in Crowning Glory No. 2 Pseudonyms: W. Ferris Britcher, Irene Durfee; C. Ferris Holden, P. H. Rob­lin (a an­a­gram of his name) ================ Peter Philip Bilhorn was born, in Mendota, IL. His father died in the Civil War 3 months before he was born. His early life was not easy. At age 8, he had to leave school to help support the family. At age 15, living in Chicago, he had a great singing voice and sang in German beer gardens there. At this time, he and his brother also formed the Eureka Wagon & Carriage Works in Chicago, IL. At 18 Peter became involved in gospel music, studying under George F. Root and George C. Stebbins. He traveled to the Dakotas and spent some time sharing the gospel with cowboys there. He traveled extensively with D. L. Moody, and was Billy Sunday's song leader on evangelistic endeavors. His evangelistic work took him into all the states of the Union, Great Britain, and other foreign countries. In London he conducted a 4000 voice choir in the Crystal Palace, and Queen Victoria invited him to sing in Buckinghm Palace. He wrote some 2000 gospel songs in his lifetime. He also invented a folding portable telescoping pump organ, weighing 16 lbs. It could be set up in about a minute. He used it at revivals in the late 19th century. He founded the Bilhorn Folding Organ Company in Chicago. IL, and his organ was so popular it was sold all over the world. He edited 10 hymnals and published 11 gospel songbooks. He died in Los Angeles, CA, in 1936. John Perry

D. S. Warner

1842 - 1895 Person Name: Daniel S. Warner Author of "Conscience Stings" in Timeless Truths Warner, Daniel Sidney. (near Marshallville, Wayne County, Ohio, 1842--1895). Church of God. Reared on an Ohio farm. During the Civil War, he substituted for a brother. Later he taught school. He attended Oberlin College briefly in 1865. By 1867 he was licensed to preach by the Western Ohio Eldership of the Church of God (Winebrennerian). His experience in preaching was gained on circuits in Nebraska and Ohio. In 1874 he was in trouble with the Eldership for preaching entire sanctification. Soon he joined the Indiana Eldership. In 1881 he was in trouble with this Eldership over sectism. Warner was an associate editor of the Herals of Gospel Freedom in 1878. this paper was merged with the Pilgrim about 1881, and the new paper was called the Gospel Trumpet, with Warner as its editor. Warner was forced to move the paper about, seeing for firm financial foundations. The publishing work was at last established in Grand Junction, Michigan, enabling Warner to travel more extensively with a group of evangelists. Warner's time was spent in editing the Trumpet, writing books, tracts, and songs, and making evangelistic tours of the United States. --John W.V. Smith, DNAH Archives =================================== Daniel Sidney Warner, 1842-1895 Born: June 25, 1842, Bris­tol (now Mar­shall­ville), Ohio. Died: De­cem­ber 12, 1895, Grand Junc­tion, Mi­chi­gan, of pneu­mon­ia. Buried: Near Grand Junc­tion, Mi­chi­gan, at the edge of the Church of God camp­ground that was once there. As of 1880, Warner was liv­ing in Rome Ci­ty, In­di­a­na. His works in­clude: Echoes From Glo­ry, with Bar­ney War­ren (Grand Junc­tion, Mi­chi­gan: The Gos­pel Trump­et Pub­lish­ing Com­pa­ny, 1893) Lyrics-- Ah Poor Ali­en Far from the Fold of Love Ah Poor Sin­ner, Think of Cal­va­ry All This World, Its Wealth and Hon­or All Ye People, Come Down to the Judg­ment Be­gun Along a Dark and Gloomy Path Are You of the Holy Rem­nant Are You Rea­dy, Wait­ing for the Lord? Are You Sow­ing Seeds of Kind­ness? Asleep in Je­sus, Oh, How Sweet A Gentle Hand Un­seen by Us A Long Time I Wan­dered Away Beautiful, Peace­ful Zi­on Behold a Form upon the Lone­ly Mount Behold, What Love, What Bound­less Love Bond of Per­fect­ness, The Borne Away in Mind and Spir­it Brighter Days Are Sweet­ly Dawn­ing By Thy Blessed Word Obey­ing Can the Spir­it of a Mor­tal Church of God, Thou Spot­less Vir­gin Church of the Liv­ing God Come, Be­hold the Love of Je­sus Come unto Me, All Ye That La­bor Come, With­in That Upper Cham­ber Dear Friends, We Have Pre­cious Tidings of Old Don’t Re­sist the Ho­ly Spirit Down into the Flow­ing Ri­ver Do You Tr­iumph, O My Bro­ther? Ere Christ Will Reign Within Thy Heart Fair C­ity of the Gos­pel Day Far Down o’er the Ag­es a Prom­ise Di­vine Fill Me with Thy Spir­it From My Soul and All With­in From the Mount of Heav­en­ly Vi­sion God Is Sit­ting in the Aw­ful Val­ley God Is Sweep­ing through the Na­tions God of Mer­cy, God of Love Great Peace Have They That Love Thy Law Hallelujah to Je­sus! Hark, in the Bi­ble a Warn­ing Hear the Tid­ings of a King­dom Hear the Voice of Our Com­mand­er Hear Ye the Moan of a Soul That Is Lost Here We Meet and Part in Je­sus His Yoke Is Ea­sy How Often I’ve Pondered My Struggles Within How Sweet Is My Walk with Je­sus! How Sweet This Bond of Per­fect­ness I Am Rest­ing in Je­sus, Hal­le­lu­jah! I Know My Name Is There I Heard the Dear Re­deem­er Say I Lost My Life for Je­sus on the Cross I Ought to Love My Sav­ior I Seem to Hear an An­gel Choir I Will Be with Thee, O, Child of Love I Will Part with Thee, Old Mas­ter I Will Trust Thee, O My Fa­ther If Thou Wilt Know the Foun­tain Deep I’ll Sing of a Ri­ver Di­vine In the Cham­bers of Thy Bo­som In the Light of God In the Morn­ing of the Lord Is the Spirit Glow­ing in Thy Heart? It Is Writ­ten in the Bi­ble I’ve Found a Friend in Je­sus I’ve Found My Lord and He Is Mine I’ve Reached the Land of Pure De­light Jesus Drank the Cup of Sor­row Jesus Has Taken My Load of Sin Jesus, Thou a Fount­ain Art Last Great Day, The Let Us Sing an In­vi­ta­tion Let Us Sing a Sweet Song of the Home of the Soul Let Us Sing the Name of Je­sus Life Is Not a Mys­tic Dream Light in Our Dark­ness, Bro­ther Lord Our Shep­herd, The Listen, Sin­ner, to the Voice Lord, the Shades of Night Lo, Heav­en Now Opens to Rap­tur­ous View Lo the King­dom of Hea­ven We See Lo, wisdom Crieth in the Streets Mansion Is Wai­ting in Glo­ry, A Men Speak of a Church Tri­umph­ant Mighty Mes­sen­gers Are Run­ning My Je­sus Died for Me up­on the Cross My Name Is in the Book of Life My Soul in Trou­ble Roamed My Soul Is Sa­tis­fied My Soul Is Saved from Sin Not in the Tem­ples Made with Hands Now My Pil­grim toils Are Over Now the Great King of Ba­bel O Blessed Je­sus, for Thee W Are Wait­ing O Blessed Je­sus, Thy Love Is Su­preme O Careless Sin­ner, Wake to Mer­cy’s Call O God, In­spire Our Morn­ing Hymn O How Can Any­one Re­fuse O How Sublime Is the Life of the Christ­ian O Let Us Sing the Mighty Love O Love Di­vine, Un­fa­thomed! O Praise the Lord, My Soul Is Saved O Precious Bi­ble! Burn­ing Words from Hea­ven O Sin­ner, Come Home to the Sav­ior O W Love the Child­ren’s Mee­ting O What Deep and Pure Com­pas­sion O Wor­ship God, the Fa­ther O Ye Pil­grims, Sing an Ex­hor­ta­tion O’er the Door of Hea­ven’s King­dom Oft My Heart Has Bled with Sor­row Oh, Wor­ship God the Fa­ther, Just and True Oh, Come and Praise the Lord To­day Oh, When We Re­mem­ber the Good­ness O Who Can Stand the Judg­ment Day Oh, Why Should I Be Lost Onward Moves the Great Eter­nal Our God Is Love, the An­gels Know Perishing Souls at Stake Tod­ay! Pilgrim of Je­sus, o’er Life’s Trou­bled Sea Praise the Lord with Songs of Glo­ry Rejoice, Little Ones, in the Pro­mise Di­vine River of Peace Salvation Is the Sweet­est Thing See the Great King of Ba­bel Shall I Tell You Why I Ceased from Fol­ly? Shall My Soul As­cend with Rap­ture Shield of Faith, The Since I Have Found My Sa­vior Sing of Salvation, O, it Was Love Sinner, will You Lose Your Soul Sunbeams Spark­ling and Glanc­ing Sweet Fellowship, Thy Crys­tal Tide Sweetly Whis­pered the Lord in My Mind Take the Shield of Faith, My Bro­ther Tell Me, Pil­grim, Traveling Home­ward Tell Me, Watch­man, Oh, What of the Morn­ing There Are Some Rays of Hope Di­vine There Are Tidings of a Land Far Away There Is a Blest Pa­vil­ion There Is a Grace Few Mor­tals Find There Is a Story I Oft­en Must Pon­der There Is Joy in the Ser­vice of the Mas­ter There Was a Bright and Love­ly Boy There’s an An­gel of Mer­cy from Hea­ven There’s a Fact No Mortal Ever Can Deny There’s a Fount­ain of Blood That Atones for the Soul There’s a Land of Ev­er­last­ing Song There’s a Peace­ful Valley of De­ci­sion Found There’s a Song We Love to Sing There’s an Awful Day That’s Com­ing There’s Mercy, Poor Sin­ner, for Thee There’s Mu­sic in My Soul This Is Why I Love My Sav­ior Tho’ All Along My Hap­py Pil­grim Race Time Enough, the Slug­gard Cries Time On­ward Flows Like a R­iver Vast Trusting in Je­sus, My Sa­vior and Friend ’Twas Sung by the Po­ets Two Little Hands Are Sweet­ly Fold­ed Unheeding Win­ter’s Cru­el Blast Un­i­verse Is God’s Do­main, The We Are Com­ing, Hal­le­lu­jah! We Are Going Home to Hea­ven’s Gold­en City We Are the Hap­py Child­ren We Have Met To­day on the Old Camp­ground We Have Reached an Aw­ful Era We Have Read in Sac­red Sto­ry We Stand upon the Sea of Glass We Tread up­on the Aw­ful Verge We Will Work for Je­sus We’ll Fol­low the Lord All the Way We’re a Hap­py Christ­ian Band What Awful Dark­ness Shrouds All the Earth! When Lost in the Dark­ness of Guilt and Despair When We Pass the Gold­en Sum­mer Where Art Thou, Wan­d’ring Sin­ner? Where Shall We Look for Help in Af­flict­ion? While Sleep­ing Care­less on the Brink Whiter Than Snow Who but the Christ­ian Is Hap­py and Free? Who Can Sing the Won­drous Love of the Son Di­vine?? Who Is My Life but Christ Alone? Who Will Suf­fer with the Sav­ior? Why Should a Doubt or Fear Arise? Why Should a Mor­tal Man Com­plain? Wonderful Fount­ain of Glo­ry --hymntime.com/tch

Chas. H. Gabriel

1856 - 1932 Author of "Conscience bells" Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

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