Hymnary Friends,

Please pardon this brief interruption, and please consider a gift today to support the work of Hymnary.org. Here's why.

Each month half a million people visit this website for free access to the most complete database of North American hymnody on the planet. But this project does not come without a cost, and we have limited sources of revenue. Twice a year we hold a fund drive, and these drives are critical to our future.

So if you benefit from Hymnary.org, would you consider a donation today? Even small amounts help, and they also let us know you're behind us and support what we do.

Click the Donate button below to be taken to a secure giving site. Or you can make your tax-deductible contribution by sending a check to Hymnary.org at 3201 Burton SE, Grand Rapids, MI 49546.

On behalf of the entire Hymnary.org team, our thanks.
Harry Plantinga

Search Results

All:god

Looking for other resources related to God? Check out PreachingandWorship.org.

Texts

text icon
Text authorities
Flexscore

To God Be the Glory

Author: Fanny J. Crosby Appears in 181 hymnals First Line: To God be the glory-great things He hath done! Refrain First Line: Praise the Lord, praise the Lord Topics: God - The Father Used With Tune: TO GOD BE THE GLORY
TextImageFlexscore

Nearer, My God, to Thee

Author: Sarah F. Adams Meter: 6.4.6.4.6.6.6.4 Appears in 2,178 hymnals Lyrics: ... be, Nearer, my God, to Thee, Nearer, my God, to Thee, Nearer ... be Nearer, my God, to Thee, Nearer, my God, to Thee, Nearer ... me, Nearer, my God, to Thee, Nearer, my God, to Thee, Nearer ... be, Nearer, my God, to Thee, Nearer, my God, to Thee, Nearer ... Topics: The Christian Life Fellowship With God Used With Tune: BETHANY

How Great Is Our God

Author: Ed Cash; Chris Tomlin; Jesse Reeves Meter: Irregular Appears in 9 hymnals First Line: The splendor of the King

Tunes

tune icon
Tune authorities
TextAudioFlexscore

EIN FESTE BURG

Composer: Martin Luther Meter: Irregular Appears in 328 hymnals Tune Key: C Major Incipit: 11156 71765 1 Used With Text: A Mighty Fortress Is Our God
TextImageAudioFlexscore

TO GOD BE THE GLORY

Composer: William H. Doane Meter: 11.11.11.11 with refrain Appears in 128 hymnals Tune Key: A Flat Major Incipit: 55671 51252 33464 Used With Text: To God Be the Glory
TextAudio

NICAEA

Composer: John B. Dykes; Camp Kirkland Meter: 11.12.12.10 Appears in 415 hymnals Tune Key: D Major Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy! Lord God Almighty

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextAudio

God Omniscient

Author: Daniel O. Teasley Hymnal: Timeless Truths #359 Meter: 7.7.7.7.6.7.7.7 First Line: God omniscient, God all-wise Refrain First Line: God of love, God of light Lyrics: ... in every part. Refrain: God of love, God of light, Guide my ... trusting soul aright; God of wisdom, God of pow’r, Be ... live. [Refrain] 3 God unchanging, God so dear, God afar, and yet so ... sea. [Refrain] 5 God eternal, God most high, God of truth, Who cannot ... Topics: Worship Scripture: 1 Timothy 1:17 Tune Title: [God omniscient, God all-wise]
TextAudioScore

Holy Is the Church of God

Author: D. O. T. Hymnal: Timeless Truths #475 Meter: 7.6.8.6.7.5.7.5.6.5.7.6 Lyrics: ... Holy is the church of God, And holy is her Lord ... children all are born of God, They stand upon His word ... : Holy is the church of God, Pure in Jesus’ blood; Holy ... Holy is the church of God: If you would enter in ... Holy is the church of God, And holy we must be ... Scripture: Ephesians 5:25-32 Tune Title: [Holy is the church of God]
TextAudio

God Is Calling Thee

Author: B. E. W. Hymnal: Timeless Truths #502 Meter: 10.8.10.8 with refrain First Line: Is God calling thee, O guilty sinner? Refrain First Line: Come, sinner, God is calling thee Lyrics: ... closed. Refrain: Come, sinner, God is calling thee; Come, ... pleading, interceding; Come, God is calling thee. 2 Is ... [Refrain] 3 Is God calling thee in great compassion ... ? [Refrain] 4 Is God calling thee? Then wait ... [Refrain] 5 Yes, God’s calling me, and shall ... Topics: Invitation Scripture: Mark 10:49 Tune Title: [Is God calling thee, O guilty sinner?]

People

person icon
Authors, composers, editors, etc.

Johann Heermann

1585 - 1657 Author of "O God, My Faithful God" in Psalter Hymnal (Gray) Heermann, Johann, son of Johannes Heermann, furrier at Baudten, near Wohlau, Silesia, was born at Baudten, Oct. 11, 1585. He was the fifth but only surviving child of his parents, and during a severe illness in his childhood his mother vowed that if he recovered she would educate him for the ministry, even though she had to beg the necessary money. He passed through the schools at Wohlau; at Fraustadt (where he lived in the house of Valerius Herberger, q. v., who took a great interest in him); the St. Elizabeth gymnasium at Breslau; and the gymnasium at Brieg. At Easter, 1609, he accompanied two young noblemen (sons of Baron Wenzel von Rothkirch), to whom he had been tutor at Brieg, to the University of Strassburg; but an affection of the eyes caused him to return to Baudten in 1610. At the recommendation of Baron Wenzel he was appointed diaconus of Koben, a small town on the Oder, not far from Baudten, and entered on his duties on Ascension Day, 1611, and on St. Martin's Day, 1611, was promoted to the pastorate there. After 1623 he suffered much from an affection of the throat, which compelled him to cease preaching in 1634, his place being supplied by assistants. In October, 1638, he retired to Lissa in Posen, and died there on Septuagesima Sunday (Feb. 17), 1647. (Koch, iii. 16-36; Allgemeine Deutsche Biographie, xi. 247-249, &c.) Much of Heermann's manhood was spent amid the distressing scenes of the Thirty Years' War; and by his own ill health and his domestic trials he was trained to write his beautiful hymns of “Cross and Consolation." Between 1629 and 1634, Koben was plundered four times by the Lichtenstein dragoons and the rough hordes under Wallenstein sent into Silesia by the King of Austria in order to bring about the Counter-Reformation and restore the Roman Catholic faith and practice; while in 1616 the town was devastated by fire, and in 1631 by pestilence. In these troublous years Heermann several times lost all his moveables; once he had to keep away from Koben for seventeen weeks; twice he was nearly sabred; and once, while crossing the Oder in a frail boat loaded almost to sinking, he heard the bullets of the pursuing soldiers whistle just over his head. He bore all with courage and patience, and he and his were wonderfully preserved from death and dishonour. He was thus well grounded in the school of affliction, and in his House and Heart Music some of his finest hymns are in the section entitled "Songs of Tears. In the time of the persecution and distress of pious Christians." As a hymnwriter Heermann ranks with the beat of his century, some indeed regarding him as second only to Gerhardt. He had begun writing Latin poems about 1605, and was crowned as a poet at Brieg on Oct. 8, 1608. He marks the transition from the objective standpoint of the hymnwriters of the Reformation period to the more subjective and experimental school that followed him. His hymns are distinguished by depth and tenderness of feeling; by firm faith and confidence in face of trial; by deep love to Christ, and humble submission to the will of God. Many of them became at once popular, passed into the hymnbooks, and still hold their place among the classics of German hymnody. They appeared principally in— (1) Devoti Musica Cordis. Hauss-und Hertz-Musica &c. Leipzig and Breslau, 1630, with 49 hymns (2nd edition 1636, with 64; 3rd edition 1644, with 69). The first section is entitled "Hymns of Penitence and Consolation from the words of the Ancient Fathers of the Church." Seven of these, however, have no mention in their individual titles of the sources from which they are derived; and the remainder are mostly based not on Latin hymns, but on the prose meditations in Martin Moller's Meditationes sanctorum patrum, or on the mediaeval compilations known as the Meditationes and the Manuale of St. Augustine. (2) Sontags-und Fest-Evangelia. Leipzig and Breslau, 1636, being hymns on the Gospels for Sundays and festivals. (3) Poetische Erquickstunden, Nürnberg, 1656; and its Fernere Fortsetzung, also Nürnberg, 1656 [both in Wernigerode], are poems rather than hymns. The hymns of the Hauss-und Hertz-Musica, with a representative selection from Heermann's other poetical works, were edited by C. E. P. Wackernagel, prefaced by a long biographical and critical introduction, and published at Stuttgart, 1855. Six of the most important of Heermann's hymns are annotated under their respective first lines. The other hymns by Heermann which have passed into English are :— I. Hymns in English common use:-- i. 0 Jesu, du mein Bräutigam. Holy Communion. In his Devoti Musica Cordis, Breslau, 1630, p. 78, in 12 stanzas of 4 lines. Thence in Mützell, 1858, No. 34, in Wackernagel's ed. of his Geistliche Lieder, No. 22, and the Unverfälschter Liedersegen, 1851, No. 283. Seems to be founded on Meditation xi. in the mediaeval compilation known as St. Augustine's Manuale. Translated as:— 0 Jesu, Lord, who once for me, a good translation of stanzas i., ii., iv., v., viii., by A. T. Russell, as No. 158 in his Psalms & Hymns, 1851. Other translations are: (l) 0 Jesu! Bridegroom of my Soul," by J. C. Jacobi, 1722, p. 44 (1732, p. 73). (2) "Dear Saviour, who for me hast borne," by Miss Dunn, 1857. ii. Rett, 0 Herr Jesu, rett dein Ehr. In Time of Trouble. A prayer for deliverance and peace for the Church. In his Devoti Musica Cordis, 1630, p. 119, in 5 stanzas of 4 lines, among the "Songs of Tears." Thence in Mützell, 1858, No. 48, in Wackernagel’s ed., No. 36, and the Unverfälschter Liedersegen, 1851, No. 245. Translated as:— Thine honour rescue, righteous Lord, in full, by Dr. M. Loy, in the Ohio Lutheran Hymnal, 1880. iii. Treuer Wächter Israel. In Time of War. 1630, p. 115, in 13 stanzas of 7 lines, among the "Songs of Tears." In Mützell, 1858, No. 47; in Wackernagel's edition, No. 35, and the Unverfälschter Liedersegen, 1851, No. 594. Lauxmann, in Koch, viii. 549, says of it:— "It is a powerful hymn filled with that prevailing prayer that takes heaven by force," and relates of st. vii.,11. v-7, "Eine Mauer um uns bau," that on Jan. 6, 1814, the Allied Forces were about to enter Schleswig. A poor widow with her daughter and grandson lived in a little house near the entrance of the town. The grandson was reading in his hymnbook those in time of war, and when he came to this said, “It would be a good thing, grandmother, if our Lord God would build a wall around us." Next day all through the town cries of distress were heard, but all was still before their door. On the following morning they had courage to open the door, and lo a snowdrift concealed them from the view of the enemy. On this incident Clemens Brentano composed a beautiful poem "Draus vor Schleswig." It is translated as:— Jesu! as a Saviour, aid. A good tr. of st; vii., viii., xiii., by A. T. Russell, as No. 138 in his Psalms & Hymns, 1851. iv. Zionklagt mit Angst und Schmerzen. Church of Christ. First published in his Devoti Musica Cordis, 2nd ed., 1636 (1644, p. 196), in 6 stanzas of 8 lines, entitled, "From the beautiful golden saying of Isaiah, Chapter xlix." In Mützell, 1858, No. 101, in Wackernagel’s ed., No. 53, and the Unverfälschter Liedersegen, 1851, No. 256. Translated as:— Sion bow'd with anguish weepeth A good translation of stanzas i., iii., v., by A. T. Russell, as No. 141 in his Psalms & Hymns, 1851. Another translation is: "Zion mourns in fear and anguish," by Miss Winkworth, 1869, p. 198. II. Hymns not in English common use:-- v. Ach Jesu! dessen Treu. Love to Christ. 1630, p. 144, in 33 stanzas. One of his finest hymns, full of deep love to Christ, but from its great length very little used in Germany. Translated as, "Ah! Jesus! Lord! whose faithfulness," by Miss Burlingham, in the British Herald, May, 1867, p. 72. vi. Der Tod klopft bei mir an. For the Dying. 1656, p. 22, in 121. Translated as, "That Death is at my door," by Miss Winkworth, 1869, p. 201. vii. Du weinest für Jerusalem. Christ weeping over Jerusalem. 1630, p. 81, in 6 stanzas, entitled, "On the Tears of Christ." Founded on St. Luke xix. 41-44, part of the Gospel for the 10 Sundays after Trinity. The translations are: (1) "With tears o'er lost Jerusalem," by Miss Cox, 1841, p. 159. (2) "Our Lord wept o'er Jerusalem," by Dr. H. Mills, 1845 (1856, p. 295). (3) "Thou weepest o'er Jerusalem," by Miss Winkworth, 1855,p. 70. viii. Herr Jesu Christe mein getreuer Hirte. Holy Communion. 1630, p. 74, in 9 stanzas, founded on M. Moller's Meditationes sanctorum patrum, pt. i. c. 11, and pt. v. c. 2. The translations are: (1) "Dear Saviour, Thou my faithful Shepherd, come” by Miss Dunn, 1857, p. 111. (2) "Lord Jesus Christ, my faithful Shepherd, hear," by Miss Winkworth, 1858, p. 93, repeated in Lyra Eucharistica, 1863-64. ix. Herr unser Gott, lass nicht zu Schanden werden. Christ's Church. 1630, p. 114, as one of the "Songs of Tears," in 5 stanzas. Translated as, "Ah! Lord our God, let them not be confounded," by Miss Winkworth, 1869, p. 197. x. Hilf mir, mein Oott, hilf dass nach dir. Christian Conduct. 1630, p. 32, in 7 stanzas, entitled, "For a better life. From the words of Augustine." Founded on No. i. of the Meditationes current under the name of St. Augustine. This meditation is apparently by St. Anselm of Canterbury. Translated as, "Lord, raise in me a constant Flame," by J. C. Jacobi, 1725, p. 27 (1732, p. 105). xi. Jesu, der du tausend Schmerzen. In Sickness. 1656, in the Fernere Fortsetzung, p. 79, in 12 lines, entitled, "In great bodily pain." Translated as, “Jesu, who didst stoop to prove," by Miss Winkworth, 1869, p. 200. xii. Jesu Tilger meiner Sünden. Lent. 1656, in the Fernere Fortsetzung, p. 1, in 10 lines, entitled, "For Victory in Temptation." Translated as, "Jesu, Victor over sin," by Miss Winkworth, 1869, p. 201. xiii. 0 Jesu, Jesu, Gottes Sohn. Love to Christ, 1630, p. 83, in 7 stanzas, entitled, “Of the Love, which a Christian heart bears to Christ, and will still bear." A beautiful expansion of his motto "Mihi omnia Jesus." The translations are: (1) "What causes me to mourn is this," a translation of stanza ii. by P. H. Molther, as No. 371, in the Moravian Hymn Book, 1789 (1886, No. 461). (2) "O Jesus, Jesus, Son of God," by Miss Burlingham, in the British Herald, Oct. 1865, p. 153, and in Reid's Praise Book, 1872. xiv. Treuer Gott ich muss dir klagen. In Trouble. 1630, p. 103, in 12 stanzas, entitled, "Hymn of a sorrowful heart for increase of faith." Translated as, "Faithful God! I lay before Thee," by J. C. Jacobi, 1720, p. 9(1722, p. 70; 1732, p. 117), and as No. 538 in pt. i. of the Moravian Hymn Book, 1754. xv. Wollt ihr euch nicht, o ihr frommen Christen. Second Advent. 1636, p. 210, in 9 stanzas, entitled, "On the day of the Holy Bishop Nicolaus. Gospel of Luke, 12 Chapter." Translated as: (l) "0 dear Christians, as 'tis needful, wou'd ye," as No. 153 in pt. i. of the Moravian Hymn Book, 1754. (2) “Help us, 0 Christ, to watch and pray," a tr. of st. ix. as st. iii. of No. 868 in the Moravian Hymn Book, 1789 (1849, No. 1221). xvi. Wo soll ich fliehen hin. Lent. 1630, p. 20, in 11 stanzas, entitled, "A hymn of consolation in which a troubled heart lays all its sins in true faith upon Christ. From Tauler." Based on M. Moller's Meditationes, vol. i. pt. i., No. 10. Translated as, "0 whither shall I fly," as No. 447 in pt. i. of the Moravian Hymn Book, 1754. In 1886, No. 279, it begins with "0 Jesus, source of Grace" (stanza ii.). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

William M. Runyan

1870 - 1957 Person Name: William M. Runyan, 1870- Composer of "FAITHFULNESS" in Hymnal of the Church of God William M. Runyan (1870-1957) was an Christian composer from the United States who wrote the music to the well-known hymn "Great Is Thy Faithfulness." William Marion Runyan was born in Marion, New York in 1870 to a Methodist minister Rev. William White and his wife Hannah (Orcutt) Runyan. As a youth, Runyan served as a church organist and graduated from Marion High School in Marion, Kansas. Runyan attended Northwestern University for three years from 1895 to 1898 and was ordained as a Methodist minister at age twenty-one and then pastored various congregations in Kansas. Starting in 1915 Runyan began writing gospel songs with the encouragement of D.B. Towner of the Moody Bible Institute. In 1923 Runyan moved from Wichita to Chicago. From 1924 to 1926 Runyan was affiliated with John Brown University in Siloam Springs, Arkansas pastoring the Federated Church, and editing the Christian Workers' Magazine. Runyan then moved back to Chicago where he worked with the Moody Bible Institute, and he worked as editor for Hope Publishing Company, co-editing "The Service Hymnal" with Gordon Shorney. In 1923 Runyan composed the music to the song "Great is Thy Faithfulness," originally a poem by Thomas O. Chisholm, a friend and fellow Methodist minister. Runyan retired from Hope in 1948 and received the honorary Doctor of Letters from Wheaton College. Runyan lived for a period of his retirement in Galveston, Texas and died on July 29, 1957 in Pittsburg, Kansas. He is buried in Baldwin City, Kansas. Runyan was a professor and preacher at Baker University in Baldwin City for a period and his children attended the University. Runyan's survivors endowed the "The Rev. William M. Runyan Endowed Memorial Scholarship" at Baker University with the royalties from his song "Great is Thy Faithfulness." http://en.wikipedia.org/wiki/

Gregory Murray

1905 - 1992 Person Name: A. Gregory Murray, OSB, b. 1905 Harmonizer of "NUN DUNKET" in Gather Comprehensive Dom Gregory Murray OSB, organist and composer, died at Downside Abbey on January 19th 1992 aged 86. he was born in Fulham, London on February 27, 1905 DOM Gregory Murray enhanced the music of the Roman Catholic Church, and latterly that of other denominations, almost by stealth. His music is sung every Sunday in thousands of churches throughout the English-speaking world: a case of everybody knowing the tune but few knowing the name of the composer. His influence through such simple music as A People's Mass (with sales of over two million copies), his psalm tones, organ music and hymn tunes reached far, although he had more or less withdrawn from public life half a century ago. Anthony Gregory Murray was educated at Westminster Cathedral Choir School when Sir Richard Terry was Master of the Music, and St Benedict's, Ealing. He was ordained in 1932 for Downside Abbey and spent most of the rest of his life there except for periods at Ealing during the war and as parish priest of Hindley, Lancashire, from 1948 to 1952. He was parish priest of St Benedict's, Stratton-on-the-Fosse, from 1952 to 1987, a position he combined with his domestic duties. In 1923 he became a fellow of the Royal College of Organists and read for the historical tripos at Cambridge, graduating in 1929. Murray was a brilliant organist, regular broadcasts from the Compton organ at Downside led to the folk tale among musicians that the abbey was permanently hooked up to the BBC. He was particularly noted for his skill at improvising. Those with acute hearing and their wits about them would frequently detect a musical quotation from another work, not necessarily sacred in nature. He was an authority on Gregorian Chant, publishing two books on the subject. It was a measure of his honesty that, once he had changed his mind about the rhythmic basis of plainsong, the second more or less contradicted the first. He disowned his Gregorian Rhythm: a Pilgrim's Progress (1934) in the October 1957 edition of The Score, later giving his reasons in Gregorian Chant According to the Manuscripts (1963). Two of his hymn tunes were published in the widely esteemed Hymns Ancient & Modern (New Standard). Outside of music his interests encompassed the gospel of St Matthew, football, cricket, tennis and chess. He complained during his last illness that the greatest privation of being sick was his inability to play the latter four, especially football. The sharp wit of his early years had mellowed to a delightful humour which he retained to the end. His over-riding interest as a musician was to provide music that would enhance the Roman Catholic liturgy. (when the Church of England later took to his music with enthusiasm he was delighted). His reflections on the place of music as a servant of the liturgy are recorded in Music and the Mass (1977). He wrote for the old Latin liturgy, but as a keen vemacularist he seized the opportunities offered by the reforms of the Second Vatican Council and continued composing until a few months before his death. He was always threatening to stop writing, once describing music to his publisher as "a bore and a chore", but he never did and his Chorale Prelude on Marienlied was published on the day his death was announced. His four books of Short Organ Interludes for Liturgical use are a blessing for parish organists. --www.nottsorganists.co.uk

Hymnals

hymnal icon
Published hymn books and other collections

Small Church Music

Editors: Charles Wesley Description: The SmallChurchMusic site was commenced in 2006 grew out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

The Church of God Selection of Spiritual Songs for the Church and Choir

Publication Date: 1887 Publisher: Publishing House and Book Rooms, Church of God Publication Place: Harrisburg, Penn. Editors: Publishing House and Book Rooms, Church of God

Products

* This song is a Powerpoint presentation with notes and lyrics, suitable for projection. * Each son…
Majestically flowing, this Tom Fettke original features both familiar melody and text. The text from…
See all 500 product results




Advertisements