Hymnary Friends,

Please pardon this brief interruption, and please consider a gift today to support the work of Hymnary.org. Here's why.

Each month half a million people visit this website for free access to the most complete database of North American hymnody on the planet. But this project does not come without a cost, and we have limited sources of revenue. Twice a year we hold a fund drive, and these drives are critical to our future.

So if you benefit from Hymnary.org, would you consider a donation today? Even small amounts help, and they also let us know you're behind us and support what we do.

Click the Donate button below to be taken to a secure giving site. Or you can make your tax-deductible contribution by sending a check to Hymnary.org at 3201 Burton SE, Grand Rapids, MI 49546.

On behalf of the entire Hymnary.org team, our thanks.
Harry Plantinga

Search Results

All:good friday

Looking for other resources related to Good Friday? Check out PreachingandWorship.org.

Looking for a lectionary week?

Day
Good FridayYear AYear BYear C

Texts

text icon
Text authorities
Flexscore

Let all mortal flesh keep silence

Author: Gerard Moultrie Meter: 8.7.8.7.8.7 Appears in 142 hymnals Topics: liturgical Communion Liturgy; liturgical Communion Songs Text Sources: Liturgy of St James
TextImageFlexscore

When I Survey the Wondrous Cross

Author: Isaac Watts Meter: 8.8.8.8 Appears in 1,765 hymnals Lyrics: 1 When I survey the wondrous cross, on which the Christ of glory died, My richest gain I count but loss, and pour contempt on all my pride. 2 Forbid it, then, that I should boast, save in the death of Christ, my God; All the vain things that charm me most ... Topics: Year C Good Friday; Year B Good Friday; Year A Good Friday; Good Friday Scripture: Philippians 3:7-8 Used With Tune: HAMBURG
TextFlexscore

What Wondrous Love Is This

Meter: 12.9.12.12.9 Appears in 206 hymnals First Line: What wondrous love is this, O my soul! O my soul! Lyrics: 1 What wondrous love is this, O my soul, O my soul! What wondrous love is this, O my soul! What wondrous love is this! that Christ should come in bliss to bear the heavy cross for my soul, for my soul, to bear the heavy cross for my soul! 2 To God and to ... Topics: Year C Good Friday; Year B Good Friday; Year A Good Friday Scripture: Revelation 5:13 Used With Tune: WONDROUS LOVE (CHRISTOPHER) Text Sources: 19th century, United States; alt.; First published in Mercer's Cluster , 1836

Tunes

tune icon
Tune authorities
TextAudio

THE OLD RUGGED CROSS

Composer: George Bennard Meter: Irregular Appears in 115 hymnals Tune Key: B Flat Major Incipit: 34546 55565 76 Used With Text: On a Hill Far Away (The Old Rugged Cross)
TextImageAudioFlexscore

MY SAVIOR’S LOVE

Composer: Charles H. Gabriel Appears in 79 hymnals Tune Key: G Major Incipit: 55351 23177 71215 Used With Text: I Stand Amazed
TextAudioFlexscore

LORD OF THE DANCE

Composer: Sydney Carter Meter: Irregular Appears in 52 hymnals Tune Sources: American Shaker melody Tune Key: F Major Incipit: 55112 31345 55321 Used With Text: I Danced in the Morning

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextImage

Good Friday, Good Friday, Thou Beautiful Day

Hymnal: Hymnal and Order of Service #67 (1901) Meter: 11.9.11.9.11.11.9 Lyrics: 1 Good Friday, Good Friday, thou beautiful day, With peace ... earth He has finished. 2 Good Friday, Good Friday, thou glorious day, The heavenly ... Topics: Lent Languages: English Tune Title: LÅNGFREDAG, LÅNGFREDAG, DU SKÖNASTE DAG

It was a Good Fri-, Good Fri-, Good Friday

Author: Gerry Holmes, 1959- Hymnal: Together in Song #358 (1999) Meter: Irregular First Line: When the sky turned black and Jesus cried Lyrics: It was a Good Fri-, Good Fri-, Good Friday, It was a Good ... Topics: Good Friday Languages: English Tune Title: GOOD FRIDAY

People

person icon
Authors, composers, editors, etc.

George Frideric Handel

1685 - 1759 Person Name: George Frederick Handel (1685-1759) Composer of "SOLOMON" in Ancient and Modern George Frederick Handel; b. 1685, Halle, Germany; d. 1759, London, England Evangelical Lutheran Hymnal, 1908

John Newton

1725 - 1807 Person Name: John Newton, 1725-1807 Author of "How sweet the name of Jesus sounds" in Complete Anglican Hymns Old and New Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

Ludwig van Beethoven

1770 - 1827 Person Name: Ludvig von Beethoven, 1770 - 1827 Arranger of "GORTON" in Service Book and Hymnal of the Lutheran Church in America Ludwig van Beethoven, baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. See more in: Wikipedia

Products

Series: Choral. Pages: 8. Liturgical/Seasonal: Good Friday.
Series: Choral. Accompaniment: Keyboard. Pages: 4. Liturgical/Seasonal: Palm Sunday, Good Friday. La…
See all 166 product results




Advertisements