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Sing Praise to God, Who Reigns Above

Author: Johann Jacob Schütz; Frances Elizabeth Cox Meter: 8.7.8.7 D Appears in 161 hymnals Lyrics: ... the God of all creation, the God of power, the God of love, the God of our ... every faithless murmur stilled: to God all praise and glory! ... er sleepeth; within the shelter of God's might, lo! all ... mother's tender hand, God gently leads the chosen band ... Topics: God Presence; God Mercy; God Kingdom, Majesty, Realm; God Image (Mother); God Faithfulness; God Creator; God Praise and Thanksgiving; God Protection; Processionals (Opening of Worship); Kingdom Of God Used With Tune: MIT FREUDEN ZART

In the Image of God

Author: John W. Peterson Appears in 1 hymnal First Line: In the image of God, we were made long ago

Made in God's likeness, moved by the Spirit

Author: Patricia Lewis, 1938- Appears in 1 hymnal First Line: Birds in the mountains sing of your praises Lyrics: the mountains sing of your praises, ... Made in God's likeness, moved ... Topics: Image Of God; Gifts of the Holy Spirit; Celebration of Faith Scripture: 1 Corinthians 12:4-11 Used With Tune: CALLED TO CREATE

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KREMSER

Composer: Eduard Kremser; Scott Withrow Meter: 12.11.12.11 Appears in 174 hymnals Tune Key: D Major Incipit: 55653 45432 31556 Used With Text: We Praise You, O God
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TWO OAKS

Composer: Marty Haugen Meter: 9.6.8.6.8.7.10 with refrain Appears in 17 hymnals Tune Key: F Major Incipit: 56123 23165 51234 Used With Text: Let Us Build a House (All Are Welcome)
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SLANE

Meter: 10.10.10.10 Appears in 179 hymnals Tune Sources: Irish traditional melody Tune Key: E Flat Major Incipit: 11216 56112 32222 Used With Text: Be Thou My Vision

Instances

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Published text-tune combinations (hymns) from specific hymnals

In the Image of God

Author: John W. Peterson Hymnal: Favorites Number 6 #5 (1966) First Line: In the image of God, we were made long ago Tune Title: [In the image of God, we were made long ago]

Oh, the Mercy of God

Author: Geoff Bullock Hymnal: Singing the New Testament #179 (2008) Refrain First Line: To the praise of his glorious grace Lyrics: in his Son, his image and likeness ... Oh, the mercy of God, the glory of ... Oh, the mercy of God, the glory of ... Topics: Jesus Christ Intercessor; Election Scripture: Ephesians 1:3-10 Languages: English Tune Title: [Oh, the Mercy of God]
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Church of God

Author: Frances R. Havergal; Daniel S. Warner Hymnal: Timeless Truths #852 Meter: 8.7.8.7 D with refrain First Line: Church of God, thou spotless virgin Lyrics: ... pure and sweet! Church of God, the angels marvel At the ... of God, “beloved city,” Thou art of celestial mold; Lo, from God, and out of ... brow; Glorified in His own image, This thy wondrous portion ... before thee gates of praise. 5 Church of God, in heaven written ... Scripture: Hebrews 12:22-23 Tune Title: [Church of God, thou spotless virgin]

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Authors, composers, editors, etc.

Louis Bourgeois

1510 - 1561 Composer (melody) of "RENDEZ À DIEU" in Voices United Loys "Louis" Bourgeois (French: [buʁʒwa]; c. 1510 – 1559) was a French composer and music theorist of the Renaissance. He is most famous as one of the main compilers of Calvinist hymn tunes in the middle of the 16th century. One of the most famous melodies in all of Christendom, the Protestant doxology known as the Old 100th, is commonly attributed to him. See also in: Wikipedia

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes (1823-1876) Composer of "DOMINUS REGIT ME" in Church Hymnary (4th ed.) John Bacchus Dykes, Mus. Doc.; b. Kingston-upon-Hull, 1823; d. St. Leonard's 1876 Evangelical Lutheran Hymnal, 1908

Lowell Mason

1792 - 1872 Composer of "HAMBURG" in The Cyber Hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

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Unison/Two-Part Music By Murray, Shirley Erena / Pote, Allen
With echoes of Psalms 91 and 126, and the use of some feminine images of God, this SAB piece is a ce…
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