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Satisfied

Author: A. H. Ackley Appears in 31 hymnals First Line: When I have finished my pilgrimage here Refrain First Line: I shall be satisfied Lyrics: ... When I have finished my pilgrimage here, When shall have vanished ... Used With Tune: [When I have finished my pilgrimage here]
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Guide Me

Author: William Williams; Peter Williams Meter: 8.7.8.7.4.7 Appears in 1,845 hymnals First Line: Guide me, O Thou great Jehovah Lyrics: 1 Guide me, O my great Redeemer, pilgrim through this barren land; I am weak, but you are mighty; hold me with your powerful hand. Bread of heaven, bread of heaven, feed me now and evermore, feed me now and evermore. 2 Open now the crystal fountain, where ... Topics: Pilgrimage, Christian Text Sources: Welsh
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On our span-long pilgrimage

Author: James Montgomery Meter: 7.7.7.7 Appears in 1 hymnal Lyrics: On our span-long pilgrimage, Youth, maturity, old age, What ...

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HE LEADETH ME

Meter: 8.8.8.8 with refrain Appears in 619 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: D Major Incipit: 53215 64465 33213 Used With Text: He Leadeth Me: O Blessed Thought
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PRECIOUS NAME

Meter: 8.7.8.7 with refrain Appears in 354 hymnals Composer and/or Arranger: William H. Doane, 1832-1915 Tune Key: A Flat Major Incipit: 51321 21561 76165 Used With Text: Take the Name of Jesus with You
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NYLAND

Meter: 7.6.7.6.7.6.7.6 Appears in 81 hymnals Composer and/or Arranger: David Evans Tune Sources: Finnish folk melody Tune Key: E Flat Major Incipit: 53212 16555 65435 Used With Text: O Jesus, I Have Promised

Instances

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Published text-tune combinations (hymns) from specific hymnals
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When I Have Finished My Pilgrimage Here

Author: Alfred H. Ackley Hymnal: The Cyber Hymnal #7322 Refrain First Line: I shall be satisfied Lyrics: ... . When I have finished my pilgrimage here, When shall have vanquished ... Languages: English Tune Title: [When I have finished my pilgrimage here]
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When I Close My Earthly Pilgrimage

Author: J. A. L. Hymnal: Lasting Hymns No. 2 #26 (1906) First Line: When I close my earthly pilgrimage, to that bright home I'll go Refrain First Line: We'll go then to meet the Saviour Languages: English Tune Title: [When I close my earthly pilgrimage, to that bright home I'll go]
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On our span-long pilgrimage

Author: James Montgomery Hymnal: Sacred Poems and Hymns #219 (1854) Meter: 7.7.7.7 Lyrics: On our span-long pilgrimage, Youth, maturity, old age, What ... Topics: Life's eternal issues Languages: English

People

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Authors, composers, editors, etc.

Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn Composer of "SALZBURG (HAYDN)" in Voices United Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

Arthur Sullivan

1842 - 1900 Person Name: A. S. Sullivan, 1842—1900 Composer of "[I'm but a stranger here]" in The Lutheran Hymnary Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Joseph Swain

1761 - 1796 Author of "Christian pilgrimage" in Songs of Devotion for Christian Assocations Swain, Joseph, was born at Birmingham in 1761, and after being apprenticed to an engraver, removed to London. After a time he became a decided Christian, and being of an emotional poetic temperament, began to give expression to his new thoughts and feelings in hymns. In 1783 he was baptized by the Rev. Dr. Rippon, and in 1791 became minister of a Baptist congregation in East Street, Walworth. After a short but popular and very useful ministry, he died April 16, 1796 Swain published the following:— (1) A Collection of Poems on Several Occasions, London, 1781; (2) Redemption, a Poem in five Books, London, 1789; (3) Experimental Essays on Divine Subjects, London, 1791; (4) Walworth Hymns, by J. Swain, Pastor of the Baptist Church Meeting there, London, 1792, 129 hymns; with a Supplement, 1794, 192 hymns; (5) A Pocket Companion and Directory, London, 1794. In addition to a limited number of Swain's hymns, annotated under their respective first lines, the following, from his Walworth Hymns1792, and the 2nd ed., 1796, are also in common use:— 1. Brethren, while we sojourn here. Mutual Encouragement. 2. Children of the King of grace. Holy Baptism. 3. Christ the Lord will come again. Second Advent. 4. Come, ye souls, by sin afflicted. The Yoke of Christ. 5. How sweet, how heavenly is the sight. Communion of Saints. 6. In expectation sweet. Second Advent. 7. Lift up your heads, ye gates. Ascension. 8. Love is the sweetest bud that blows. A Flower an Emblem of Christ. 9. 0 how the thought that I shall know. Heaven Anticipated. Sometimes it begins with st. ii., "For ever to behold Him shine". 10. On earth the song begins. Heaven Anticipated. 11. On the wings of faith upspringing. Passiontide. 12. Pilgrims we are to Canaan bound. Pilgrimage of Life. 13. Praise ye the Lord, the eternal King. Divinity of Christ. 14. Praise your Redeemer, praise His Name. Praise for Redemption. 15. 'Tis heaven begun below. Heaven Anticipated. 16. What is it for a saint to die? Death and Burial. 17. What must [will] it be to dwell above? Heaven Anticipated. 18. When firm I [we] stand on Zion's hill. Confidence. Sometimes as "I stand on Zion's mount," in American collections. 19. Who can forbear to sing? Praise of Jesus. From his Redemption, a Poem in Five Books, 1791, the following hymns are also in common use:-- 20. 0 Thou in whose presence my soul takes delight. In Affliction. 21. Ye daughters of Zion, declare, have you see? Comfort in Affliction. Of these hymns the most widely known are Nos. 1, 5, 6, and 20. We may add that several of Swain's hymns appeared in The Theological Miscellany, 1784-1789. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Hymnals

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Published hymn books and other collections

Small Church Music

Editors: Robert H. Baynes Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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Songs of Pilgrimage

Publication Date: 1888 Publisher: Scriptural Tract Repository Publication Place: Boston Editors: H. L. Hastings; Scriptural Tract Repository

Songs of Pilgrimage, a Hymnal for the Churches of Christ, Part I

Publication Date: 1880 Publisher: Scriptural Tract Repository Publication Place: Boston, Mass. Editors: H. Hastings; Scriptural Tract Repository

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