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All:salvation

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Texts

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God is my strong salvation

Author: James Montgomery, 1771-1854 Meter: 7.6.7.6.7.6.7.6 Appears in 288 hymnals Lyrics: 1 God is my strong salvation, what foe have I to ... Topics: Salvation Scripture: 1 Kings 3:14 Used With Tune: THORNBURY
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Salvation

Author: Isaac Watts; J. M. Harris Appears in 840 hymnals First Line: Salvation! oh, the joyful sound Refrain First Line: Salvation full! salvation free Lyrics: ... our fears. Refrain: Salvation full! salvation free! Salvation reaches even me; My ... Lamb of God. 2 Salvation! let the echo fly ... the sound! [Refrain] 3 Salvation, oh, Thou bleeding Lamb! ... To Thee the praise belongs; Salvation shall inspire our hearts, And ... Used With Tune: [Salvation! O the joyful sound]
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Salvation Belongs to Our God

Author: Adrian Howard; Pat Turner Appears in 8 hymnals Refrain First Line: be to our God forever and ever Lyrics: Salvation belongs to our ... Topics: Jesus Christ King; Unity of the Church; Elements of Worship Praise and Adoration Scripture: Revelation 7:9-17 Used With Tune: SALVATION BELONGS TO OUR GOD

Tunes

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ST. COLUMBA

Meter: 8.6.8.6 Appears in 200 hymnals Tune Sources: Old Irish hymn melody; alt. 1990 Tune Key: E Flat Major Incipit: 12345 45321 12345 Used With Text: How Sweet and Awesome Is the Place
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KUORTANE

Meter: 7.6.7.6.7.6.7.6 Appears in 81 hymnals Composer and/or Arranger: David Evans Tune Sources: Finnish folk tune, c. 19th century Tune Key: E Flat Major Incipit: 53212 16555 65435 Used With Text: By All Your Saints Still Striving
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BEECHER

Meter: 8.7.8.7 D Appears in 793 hymnals Composer and/or Arranger: John Zundel Tune Key: B Flat Major Incipit: 55653 23217 61654 Used With Text: Love Divine, All Loves Excelling

Hymnals

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Published hymn books and other collections

Blood and Fire

Publication Date: 1890 Publisher: l4 Dock Sq., opp. Faneuil Hall Publication Place: Boston Editors: l4 Dock Sq., opp. Faneuil Hall

Selected Salvation Songs. Vol. 1

Publication Date: 1887 Publisher: Headquarters Salvation Temple Publication Place: Toronto, Ont. Editors: Thomas B. Coombs; Headquarters Salvation Temple
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The Salvation Army Songs and Music

Publication Date: 1917 Publisher: The Salvation Army Publication Place: Yew York / Chicago Editors: Commander Evangeline Booth; The Salvation Army

Instances

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Published text-tune combinations (hymns) from specific hymnals

Salvation Is Free

Author: A. H. A. Hymnal: Hymns for Praise and Service #22 (1956) First Line: Salvation is free, it can never be bought Refrain First Line: Salvation is free, salvation is free Lyrics: Salvation is free, it can ... Topics: Salvation Languages: English Tune Title: [Salvation is free, it can never be bought]
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Sing of Salvation

Author: D. S. Warner Hymnal: Songs of Grace and Glory #98 (1918) First Line: Sing of salvation, oh, it was love Refrain First Line: Sing of salvation full and complete Lyrics: ... throne. Refrain: Sing of salvation full and complete, Sing of ... Spirit’s harmony sweet Blessed salvation, heavenly song. 2 Sing ... . [Refrain] 3 Sing of salvation, worthy the Lamb, Fully redeemed ... . [Refrain] 4 Sing of salvation, wonderful theme, See from the ... Topics: Salvation Tune Title: [Sing of salvation, oh, it was love]
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Salvation

Author: Isaac Watts; J. M. Harris Hymnal: Songs of Praise and Salvation #100 (1902) First Line: Salvation! oh, the joyful sound Refrain First Line: Salvation full! salvation free Lyrics: ... our fears. Refrain: Salvation full! salvation free! Salvation reaches even me; My ... Lamb of God. 2 Salvation! let the echo fly ... the sound! [Refrain] 3 Salvation, oh, Thou bleeding Lamb! ... To Thee the praise belongs; Salvation shall inspire our hearts, And ... Tune Title: [Salvation! O the joyful sound]

People

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Authors, composers, editors, etc.

Basil Harwood

1859 - 1949 Person Name: Basil Harwood, 1859-1949 Composer of "THORNBURY" in Together in Song Basil Harwood (11 April 1859 – 3 April 1949) was an English organist and composer. Basil Harwood was born in Woodhouse, Gloucestershire (the second youngest of 12 children) on 11 April 1859. His mother died in 1867 when Basil was eight. His parents were Quakers but his elder sister Ada, on reaching 21 in 1867, converted to the Anglican Church. Basil was allowed to attend the ceremony at the Church of England in Almondsbury and this is where he was first drawn to organ music and choral singing. His father, Edward, remarried two years later in 1869 to a lady from an Anglican family. Basil was now sent to the Montpellier School in Weston-super-Mare for a year. In 1871, at 12 he was enrolled in Clevedon, the preparatory school for Charterhouse where he was first to formally study music. He went up to Charterhouse in 1874 and left in 1876 having won a leaving Exhibition to Trinity College, Oxford where he initially studied Classics (1879) and Modern History (1880). He then studied for a further two years, 1881–1882, at the Leipzig Conservatory under Carl Reinecke and Salomon Jadassohn. It was here in 1882, Basil composed his first anthem for chorus and organ "O Saving Grace." He returned from Leipzig to realise that he had now passed the age limit to study music formally. In 1883, Basil became organist of St. Barnabas Church, Pimlico completing his Sonata in C# Minor here in 1885, selling the copyright to the publisher Schott for one shilling a year or two later. After this success, he then moved to Ely Cathedral in 1887 where he wrote the bulk of Dithyramb, possibly his greatest organ work. His final appointment was as organist at Christ Church, Oxford and as precentor of Keble College, Oxford from 1892 to 1909. Whilst there he co-founded and conducted the Oxford Bach Choir which helped to earn him his degree as Doctor of Music. He conducted the Oxford Orchestral Association (1892–1898). He was musical editor of the 1908 Oxford Hymn Book and Examiner for Musical Degrees (1900–1925). During this time, he met and married Mabel Ada Jennings (the daughter of George Jennings) (who had become a pupil of his in 1896) at All Souls St. Marylebone, London (27 December 1899). Mabel had studied music herself, piano and composition, and was also a writer. She may well have composed lyrics for some of his lesser known tunes. At an advanced age she wrote a small volume of collected poems named Questing Soul. He retired early at 50 (in 1909) after the death of his father, Edward Harwood, from whom he inherited the family estate of Woodhouse having outlived his seven older brothers. Soon after moving in he had a three manual chamber organ built in the library by Bishop & Sons of Ipswich (now in Minehead Parish Church), on which he promptly finished his Sonata in F# Minor. He continued to compose prolifically. He was a keen walker, and named many of his hymn tunes after local places that he loved to visit, the most notable being the hymn tunes such as Tockington, Olveston, Almondsbury and Thornbury. In 1936 advancing in years, he let the Woodhouse estate and moved to Bournemouth. Part of the estate, Woodhouse Down, was later sold to his contemporary Robert Baden-Powell who was two years older than he was and who had also attended Charterhouse School, and is used as a Scout Camp to this day. In 1939, at eighty, he moved to London, taking a flat in Fleet Street. After a long life, he died on 3 April 1949, eight days short of his 90th birthday, at Courtfield Gardens in the Royal Borough of Kensington, London. A memorial service was held in St Paul's Cathedral on 22 April 1949. Mabel survived him, dying shortly before her 103rd birthday on 20 July 1974. He was survived by two sons; Major John Edward Godfrey Harwood (1900–1996) and Basil Antony Harwood (1903–1990) Senior Master of the Supreme Court, Q.B.D. and Queen's Remembrancer. His remains are interred in St. Barnabas Church, Pimlico and marked by a plaque inset in floor of the chancel, close to where he would have stood to conduct the choir. He composed cantatas, church music and works for the organ; his Service in A flat, the anthem O how Glorious and the hymn tunes LUCKINGTON ("Let all the world in every corner sing") and THORNBURY ("Thy hand O God has guided"), first used during a festival of the London Church Choir Association, remain in the Anglican repertory. --en.wikipedia.org/wiki

R. E. Hudson

1843 - 1901 Composer of "[Salvation! oh, the joyful sound]" in Gospel Jewels Ralph Hudson (1843-1901) was born in Napoleon, OH. He served in the Union Army in the Civil War. After teaching for five years at Mt. Union College in Alliance he established his own publishing company in that city. He was a strong prohibitionist and published The Temperance Songster in 1886. He compiled several other collections and supplied tunes for gospel songs, among them Clara Tear Williams' "All my life long I had panted" (Satisfied). See 101 More Hymn Stories, K. Osbeck, Grand Rapids, MI: Kregel Publications, 1985). Mary Louise VanDyke

Samuel Medley

1738 - 1799 Author of "On Christ Salvation Rests Secure" in Hymns to the Living God Medley, Samuel, born June 23, 1738, at Cheshunt, Herts, where his father kept a school. He received a good education; but not liking the business to which he was apprenticed, he entered the Royal Navy. Having been severely wounded in a battle with the French fleet off Port Lagos, in 1759, he was obliged to retire from active service. A sermon by Dr. Watts, read to him about this time, led to his conversion. He joined the Baptist Church in Eagle Street, London, then under the care of Dr. Gifford, and shortly afterwards opened a school, which for several years he conducted with great success. Having begun to preach, he received, in 1767, a call to become pastor of the Baptist church at Watford. Thence, in 1772, he removed to Byrom Street, Liverpool, where he gathered a large congregation, and for 27 years was remarkably popular and useful. After a long and painful illness he died July 17, 1799. Most of Medley's hymns were first printed on leaflets or in magazines (the Gospel Magazine being one). They appeared in book form as:— (1) Hymns, &c. Bradford, 1785. This contains 42 hymns. (2) Hymns on Select Portions of Scripture by the Rev. Mr. Medley. 2nd ed. Bristol. W. Pine. 1785. This contains 34 hymns, and differs much from the Bradford edition both in the text and in the order of the hymns. (3) An enlargement of the same in 1787. (4) A small collection of new Hymns, London, 1794. This contains 23 hymns. (5) Hymns. The Public Worship and Private Devotion of True Christians Assisted in some thoughts in Verse; principally drawn from Select Passages of the Word of God. By Samuel Medley. London. Printed for J. Johnson. 1800. A few of his hymns are also found in a Collection for the use of All Denominations, published in London in 1782. Medley's hymns have been very popular in his own denomination, particularly among the more Calvinistic churches. In Denham's Selections there are 48, and in J. Stevens's Selections, 30. Their charm consists less in their poetry than in the warmth and occasional pathos with which they give expression to Christian experience. In most of them also there is a refrain in the last line of each verse which is often effective. Those in common use include:— 1. Come, join ye saints, with heart and voice. (1800). Complete in Christ. 2. Death is no more among our foes. Easter. 3. Eternal Sovereign Lord of all. (1789). Praise for Providential Care. 4. Far, far beyond these lower skies. (1789). Jesus, the Forerunner. 5. Father of mercies, God of love, whose kind, &c. (1789.) New Year. 6. Great God, today Thy grace impart. Sermon. 7. Hear, gracious God! a sinner's cry. (1789). Lent. 8. In heaven the rapturous song began. Christmas. 9. Jesus, engrave it on my heart. (1789). Jesus, Needful to all. 10. Mortals, awake, with angels join. (1782). Christmas. 11. My soul, arise in joyful lays. (1789). Joy in God. 12. Now, in a song of grateful praise. Praise to Jesus. In the Gospel Magazine, June, 1776. 13. O could I speak the matchless worth. (1789.) Praise of Jesus. 14. O for a bright celestial ray. Lent. 15. O God, Thy mercy, vast and free. (1800). Dedication of Self to God. 16. O let us tell the matchless love. Praise to Jesus. 17. O what amazing words of grace. (1789). Foutain of Living Waters. 18. Saints die, and we should gently weep. (1800). Death and Burial. From his "Dearest of Names, Our Lord and King." 19. See a poor sinner, dearest Lord. Lent. 20. Sing the dear Saviour's glorious fame. (1789). Jesus the Breaker of bonds. In 1800 a Memoir of Medley was published by his son, which is regarded by members of the family now living as authoritative. But in 1833 appeared another Memoir by Medley's daughter Sarah, to which are appended 52 hymns for use on Sacramental occasions. These she gives as her father's. But 8 of them are undoubtedly by Thos. Kelly, published by him in 1815, and reprinted in subsequent editions of his Hymns. The remainder are by Medley. Nearly all of these 52 hymns (both Medley's and Kelly's) have been altered in order to adapt them to Sacramental use. In Sarah Medley's volume, Kelly's hymns all follow one another, and three of them are in a metre which Medley apparently never used. What could have been Sarah Medley's motive in all this it is hard to divine. She is said to have been a clever, though unamiable woman, and was herself the author of a small volume of Poems published in 1807. In the Memoir she does not conceal her hatred of her brother. [Rev. W. R. Stevenson, M.A.] -- John Julian, Dictionary of Hymnology (1907)

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