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Texts

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Come to the Place of Grief and Shame

Author: F. W. Faber Meter: 8.8.8.8 Appears in 197 hymnals Lyrics: ... the place of grief and shame; come to the stricken Savior ... Topics: Biblical Characters Judas; Biblical Characters Pilate; Jesus Christ Passion and Cross Scripture: Mark 15:1 Used With Tune: ST. CROSS Text Sources: Compilers (stanza 1)
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Defend Me, Lord, from Shame

Author: Anonymous Meter: 6.6.8.6 D Appears in 4 hymnals Lyrics: 1. Defend me, Lord, from shame, For still I trust in ... Used With Tune: LEBANON Text Sources: The Psalter (Pittsburgh, Pennsylvania: The United Presbyterian Board of Publication, 1912), number 82.
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O the Bitter Shame and Sorrow

Author: Rev. Theo. Monod Appears in 161 hymnals First Line: O the bitter shame and sorrow Lyrics: 1 O the bitter shame and sorrow, That a time ... Scripture: Matthew 17:8 Used With Tune: [O the bitter shame and sorrow]

Tunes

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REDHEAD 76

Composer: Richard Redhead Meter: 7.7.7.7.7.7 Appears in 268 hymnals Tune Key: E Flat Major Incipit: 11234 43112 32211 Used With Text: Go to Dark Gethsemane
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IN BABILONE

Composer: Roy F. Kehl (1935-2011) Meter: 8.7.8.7 D Appears in 158 hymnals Tune Sources: Melody from Oude en Nieuwe Hollantse Boerenlities en Contradansen, c. 1710 Tune Key: G Major Incipit: 17651 21231 43232 Used With Text: Hail, thou once despisèd Jesus!
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REGENT SQUARE

Composer: Henry Smart, 1813-1879 Meter: 8.7.8.7.8.7 Appears in 516 hymnals Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: God of grace and God of glory

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O the Bitter Shame and Sorrow

Author: Rev. Theo. Monod Hymnal: The Bright Array #188 (1889) First Line: O the bitter shame and sorrow Lyrics: 1 O the bitter shame and sorrow, That a time ... Scripture: Matthew 17:8 Tune Title: [O the bitter shame and sorrow]
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Aint It a Shame

Hymnal: Jubilee Spirituals #100 (1945) First Line: Aint it a shame to work on Sunday Languages: English Tune Title: [Aint it a shame to work on Sunday]

Lord of the cross of shame

Author: Michael Saward Hymnal: Complete Mission Praise #443 (1999) Meter: 6.6.11 D Topics: Living the Christian Life Revival and Personal Renewal; Living the Christian Life Comfort, Strength and Security Languages: English Tune Title: CROSS OF SHAME

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. CROSS" in Rejoice in the Lord As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Hans Leo Hassler

1564 - 1612 Composer of "[O sacred Head, now wounded, With grief and shame weighed down]" in The New Church Hymnal Hans Leo Hassler (b. Nuremberg, Germany, 1564; d. Frankfurt, Germany, 1612) came from a family of famous musicians. He received his early education from his father in Nuremberg, then studied in Venice with Andrea Gabrieli and became friends with Giovanni Gabrieli. In Venice he learned the polychoral style, for which the Gabrielis were justly famous, and brought this practice back with him to Germany. Hassler served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601), as director of town music and organist in the Frauenkirche in Nuremberg (1601-1608), and finally as court musician for the Elector of Saxony in Dresden (1608-1612). A Lutheran, Hassler composed for both the Roman Catholic liturgy and for Lutheran churches. Among his many works are two volumes of motets (1591, 1601), a famous collection of court songs, Lustgarten neuer Deutscher Gesang (1601), chorale motets, Psalmen und christliche Gesänge (1607), and a volume of simpler hymn settings, Kirchengesänge, Psalmen und geistliche Lieder (1608).

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Arranger of "[O sacred Head, now wounded, With grief and shame weighed down]" in The New Church Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Hymnals

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Published hymn books and other collections

Small Church Music

Editors: Theodore Monod Description: The SmallChurchMusic site was commenced in 2006 grew out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  



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