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Search Results

Hymnal, Number:ssbw1932

Hymnals

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Published hymn books and other collections

The Selah Song Book. Word ed.

Publication Date: 1932 Publisher: Sotarion Pub. Co. Person Name: A. T. Hanser Publication Place: New York, N.Y. Editors: A. T. Hanser; Sotarion Pub. Co.

Texts

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Text authorities
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Nearer, my God, to thee, nearer to thee

Author: Sarah F. Adams Appears in 2,178 hymnals Person Name: Sarah F. Adams

Lord of glory, who [thou] hast [you have] bought us

Author: Eliza S. Alderson Appears in 60 hymnals Person Name: Eliza S. Alderson

Instances

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Published text-tune combinations (hymns) from specific hymnals

Nearer, my God, to thee, nearer to thee

Author: Sarah F. Adams Hymnal: SSBW1932 #d242 (1932) Person Name: Sarah F. Adams

When all thy [your] mercies, O my [our] God [gracious Lord]

Author: Joseph Addison Hymnal: SSBW1932 #d401 (1932) Person Name: Joseph Addison

Lord of glory, who [thou] hast [you have] bought us

Author: Eliza S. Alderson Hymnal: SSBW1932 #d228 (1932) Person Name: Eliza S. Alderson

People

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Authors, composers, editors, etc.

Adam, de Saint-Victor

1100 - 1146 Person Name: Adam of Saint Victor Hymnal Number: d53 Author of "Christians, come, in sweetest measures" in The Selah Song Book. Word ed. Adam of St. Victor. Of the life of this, the most prominent and prolific of the Latin hymnists of the Middle Ages, very little is known. It is even uncertain whether he was an Englishman or a Frenchman by birth. He is described by the writers nearest to his own epoch, as Brito, which may indicate a native of either Britain, or Brittany. All that is certainly known concerning him is, that about A.D. 1130, after having been educated at Paris, he became, as quite a young man, a monk in the Abbey of St. Victor, then in the suburbs, but afterwards through the growth of that city, included within the walls of Paris itself. In this abbey, which, especially at that period, was celebrated as a school of theology, he passed the whole of the rest of his life, and in it he died, somewhere between the years 1172 and 1192 A.D. Possessed of "the pen of a ready writer," he seems to have occupied his life in study and authorship. Numerous as are the hymns and sequences satisfactorily proved to have been written by him, which have come down to us, there would seem to be little doubt that many more may have perished altogether, or are extant 'without his name attaching to them; while he was probably the author of several prose works as well. His Sequences remained in MS. in the care and custody of the monks of their author's Abbey, until the dissolution of that religious foundation at the Revolution; but some 37 of them, having found their way by degrees into more general circulation, were pub. by Clichtoveus, a Roman Catholic theologian of the first half of the 16th cent, in his Elucidatorium Ecclesiasticum, which passed through several editions from 1516 to 1556, at Paris, Basel and Geneva. Of the rest of the 106 Hymns and Sequences that we possess of Adam's, the largest part—some 47 remaining unpublished—were removed to the National Library in the Louvre at Paris, on the destruction of the Abbey. There they were discovered by M. Leon Gautier, the editor of the first complete edition of them, Paris, 1858. The subjects treated of in Adam's Hymns and Sequences may be divided thus :— Christmas, 7; Circumcision, 1; Easter, 6; Ascension, 1; Pentecost, 5; Trinity, 2; the Dedication of a Church, 4; Blessed Virgin Mary, 17; Festivals of Saints, 53; The Invention of the Cross, 1; The Exaltation of the Cross, 1; On the Apostles, 3; Evangelists, 2; Transfiguration, 2. Although all Adam of St. Victor's Sequences were evidently written for use in the services of his church, and were, doubtless, so used in his own Abbey, it is quite uncertain how many, if any, of them were used generally in the Latin Church. To the lover of Latin hymns the works of this author should not be unknown, and probably are not; but they are far less generally known than the writings should be of one whom such an authority as Archbishop Trench describes as " the foremost among the sacred Latin poets of the Middle Ages." His principal merits may be described as comprising terseness and felicity of expression; deep and accurate knowledge of Scripture, especially its typology; smoothness of versification; richness of rhyme, accumulating gradually as he nears the conclusion of a Sequence; and a spirit of devotion breathing throughout his work, that assures the reader that his work is "a labour of love." An occasional excess of alliteration, which however at other times he uses with great effect, and a disposition to overmuch "playing upon words," amounting sometimes to "punning," together with a delight in heaping up types one upon another, till, at times, he succeeds in obscuring his meaning, are the chief defects to be set against the many merits of his style. Amongst the most beautiful of his productions may be mentioned, perhaps, his Jucundare plebs fidelis; Verbi vere substantivi; Potestate non natura; Stola regni laureatus; Heri mundus exultavit; LaudeB cruets attollamus (Neale considers this "perhaps, his masterpiece "); Aye, Virgo singularis; Salve, Mater Salvatoris; Animemur ad agonem; and Vox sonora nostri chori. Where almost all are beautiful, it is difficult, and almost invidious, to make a selection. Of his Hymns and Sequences the following editions, extracts, and translations have been published:— i. Original with Translations: (1) (Euvres Poetiques d’ Adam de S.-Victor. Pat L. Gautier, Paris, 1858. It is in two vols. duodecimo, and contains, besides a memoir of Adam of St. Victor, and an exhaustive essay upon his writings, a 15th cent. tr. into French of some 46 of the sequences, and full notes upon the whole series of them. (2) The Liturgical Poetry of Adam of St. Victor, from the text of Gautier, with trs. into English in the original metres, and short explanatory notes by Digby S. Wrangham, M.A., St. John's Coll., Oxford, Vicar of Darrington, Yorkshire, 3 vols. Lond., Kegan Paul, 1881. (3) In addition to these complete eds., numerous specimens from the originals are found in Daniel, Mone, Konigsfeld, Trench, Loftie's Latin Year, Dom. Gueranger's Annee Liturgique, &c. ii. Translations:— (1) As stated before, 46 of the Sequences are given by Gautier in a French tr. of the 15th cent. (2) In English we have translations of the whole series by Digby S. Wrangham in his work as above; 11 by Dr. Neale in Med. Hymns: 15, more freely, by D. T. Morgan in his Hymns and other Poetry of the Latin Church; and one or more by Mrs. Charles, Mrs. Chester, C. S. Calverley, and the Revs. C. B. Pearson, E. A. Dayman, E. Caswall, R. F. Littledale, and Dean Plumptre. Prose translation are also given in the Rev. Dom Laurence Shepherd's translation into English of Dom Gueranger's works. iii. English Use:— From the general character of their metrical construction, it has not been possible to any great extent to utilise these very beautiful compositions in the services of the Anglican Church. The following, however, are from Adam of St. Victor, and are fully annotated in this work:— (1) in Hynms Ancient & Modern, Nos. 64 and 434 (partly) ; (2) in the Hymnary, Nos. 270, 273, 324, 380, 382, 403, 418; (3) in the People's Hymnal 215, 277, 304 ; and (4) in Skinner's Daily Service Hymnal, 236. -John Julian, Dictionary of Hymnology (1907) ==================== Adam of St. Victor. A second and greatly improved edition of his Œuvres Poetiques by L. Gautier was published at Paris in 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Sarah Flower Adams

1805 - 1848 Person Name: Sarah F. Adams Hymnal Number: d242 Author of "Nearer, my God, to thee, nearer to thee" in The Selah Song Book. Word ed. Adams, Sarah, nee Flower. born at Harlow, Essex, Feb. 22nd, 1805; died in London, Aug. 14, 1848, and was buried at Harlow, Aug. 21,1848. She was the younger daughter of Mr. Benjamin Flower, editor and proprietor, of The Cambridge Intelligencer; and was married, in 1834, to William B. Adams, a civil engineer. In 1841 she published Vivia Perpetua, a dramatic poem dealing with the conflict of heathenism and Christianity, in which Vivia Perpetua suffered martyrdom; and in 1845, The Flock at the Fountain; a catechism and hymns for children. As a member of the congregation of the Rev. W. J. Fox, an Unitarian minister in London, she contributed 13 hymns to the Hymns and Anthems, published by C. Fox, Lond., in 1841, for use in his chapel. Of these hymns the most widely known are— "Nearer,my God,to Thee," and "He sendeth sun, He sendeth shower." The remaining eleven, most of which have come into common use, more especially in America, are:— Creator Spirit! Thou the first. Holy Spirit. Darkness shrouded Calvary. Good Friday. Gently fall the dews of eve. Evening. Go, and watch the Autumn leaves. Autumn. O hallowed memories of the past. Memories. O human heart! thou hast a song. Praise. O I would sing a song of praise. Praise. O Love! thou makest all things even. Love. Part in Peace! is day before us? Close of Service. Sing to the Lord! for His mercies are sure. Praise. The mourners came at break of day. Easter. Mrs. Adams also contributed to Novello's musical edition of Songs for the Months, n. d. Nearly all of the above hymns are found in the Unitarian collections of Great Britain, and America. In Martineau's Hymns of Praise & Prayer, 1873, No. 389, there is a rendering by her from Fenelon: —" Living or dying, Lord, I would be Thine." It appeared in the Hymns and Anthems, 1841. -John Julian, Dictionary of Hymnology (1907)

Joseph Addison

1672 - 1719 Hymnal Number: d401 Author of "When all thy [your] mercies, O my [our] God [gracious Lord]" in The Selah Song Book. Word ed. Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum



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