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Meter:6.5.6.5

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Texts

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Now the Day Is Over

Author: S. Baring-Gould Meter: 6.5.6.5 Appears in 931 hymnals Topics: Evening hymns; Children's Hymns for Children; Dismissal; Evening hymns; Service Music Closing Sentences

Speak, Lord, in the Stillness

Author: Emily Crawford Meter: 6.5.6.5 Appears in 37 hymnals Topics: Jesus Christ Teacher; Intercession; Prayer Hymns of
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Glory Be to Jesus

Author: E. Caswall, 1814-78 Meter: 6.5.6.5 Appears in 205 hymnals First Line: Glory be to Jesus, Who in bitter pains Lyrics: 1 Glory be to Jesus, Who in bitter pains Poured for me the life-blood From His sacred veins! 2 Grace and life eternal In that blood I find; Blest be His compassion, Infinitely kind! 3 Blest through endless ages Be the precious stream Which from endless torments Did the world redeem. 4 Abel's blood for vengeance Pleaded to the skies; But the blood of Jesus For our pardon cries. 5 Oft as earth exulting Wafts its praise on high, Angel hosts rejoicing Make their glad reply. 6 Lift we, then, our voices, Swell the mighty flood; Louder still and louder Praise the precious blood! Topics: Passion of Christ Scripture: Hebrews 9:11-12 Used With Tune: WEM IN LEIDENSTAGEN Text Sources: Italian, 18th cent.

Tunes

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NOW THE DAY IS OVER

Meter: 6.5.6.5 Appears in 65 hymnals Composer and/or Arranger: Sabine Baring-Gould, (1834-1924) Tune Key: F Major Incipit: 33445 34433 23321 Used With Text: Now the Day Is Over
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ST. ALBAN (Haydn)

Meter: 6.5.6.5 Appears in 234 hymnals Composer and/or Arranger: Joseph Haydn Tune Key: F Major Incipit: 33221 55566 24433
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WEM IN LEIDENSTAGEN

Meter: 6.5.6.5 Appears in 155 hymnals Composer and/or Arranger: F. Filitz, 1804-76 Tune Key: F Major Incipit: 33221 71122 35544 Used With Text: Glory Be to Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Glory Be to Jesus

Author: Edward Caswall, 1814-1878 Hymnal: Lutheran Book of Worship #95 (1978) Meter: 6.5.6.5 Lyrics: 1 Glory be to Jesus, Who, in bitter pains, Poured for me the lifeblood From his sacred veins. 2 Grace and life eternal In that blood I find; Blest be his compassion, Infinitely kind. 3 Blest through endless ages Be the precious stream Which from endless torment Did the world redeem. 4 Abel’s blood for vengeance Pleaded to the skies; But the blood of Jesus For our pardon cries. 5 Oft as earth exulting Wafts its praise on high, Angel hosts rejoicing Make their glad reply. 6 Lift we then our voices, Swell the mighty flood; Louder still and louder Praise the precious blood. Topics: Lent; Lent 5; Lent Languages: English Tune Title: WEM IN LEIDENSTAGEN
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Glory be to Jesus

Author: E. Caswall (1814-1878) Hymnal: Hymns for Today's Church (2nd ed.) #126 (1987) Meter: 6.5.6.5 Lyrics: 1 Glory be to Jesus, who, in bitter pains, poured for me the life-blood from his sacred veins. 2 Grace and life eternal in that blood I find, blessed be his compassion wonderfully kind! 3 Abel's book for vengeance pleaded to the skies, but the blood of Jesus for our pardon cries. 4 When that blood is sprinkled on our guilty hearts, Satan in confusion terror-struck departs. 5 When this earth exulting lifts its praise on high, angel hosts rejoicing make their glad reply. 6 Raise your thankful voices, swell the mighty flood; louder still and louder praise the Lamb of God! Topics: God, Saviour Suffering and Dying; The Fall; Lent 5, The King and the Kingdom The Victory of the Cross Languages: English Tune Title: CASWALL
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Undan vike smärtan

Hymnal: Lutherförbundets Sångbok #S9 (1913) Meter: 6.5.6.5 Lyrics: 1 Undan vike smärtan, Ty i bönens ljud Mötas skilda hjärtan Då hos samme Gud, Mötas skilda hjärtan Då hos samme Gud. 2 Ut en suck sig smyger, Hörd af ingen vän; Bönens dufva flyger Hem til Gud med den, Bönens dufva flyger Hem til Gud med den. 3 Kommer sedan åter Med sitt glada bud, Lugnar den, som gråter, Hälsar ifrån Gud. Lugnar den, som gråter, Hälsar ifrån Gud. 4 Hälsar från de sälla, Och til jordens grus Bär från ljusets källa Värme, lif och ljus. Bär från ljusets källa Värme, lif och ljus. 5 Aldrig tröttas vingen, Aldrig källan töms: Gud, han glömmer ingen, Fast han ofta glöms. Gud, han glömmer ingen, Fast han ofta glöms. 6 Men mitt hjärta gömmer Evigt Herrens lag, Och min själ er glömmer Faderns anletsdrag. Och min själ er glömmer Faderns anletsdrag. 7 Kraft mig Fadern gifver I hvar pröfvostund; Evigt själen blifver Fast i hans förbund. Evigt själen blifver Fast i hans förbund. 8 Störe tidens smitta Ej min barndomstro, Må ej flärden hitta Till mitt hjärtas bo. Må ej flärden hitta Till mitt hjärtas bo. 9 Säkert han mig låter Vinna hvad jag bad, Sänder dufvan äter Med ett oljeblad. 10 Detta, kan jag hoppas, Sker af nåd mig så, Trofast intill änden Jag dock måste stå. Languages: Swedish Tune Title: UNDAN VILE SMÄRTAN

People

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Authors, composers, editors, etc.

A. H. Mann

1850 - 1929 Person Name: A. H. Mann, 1850-1930 Meter: 6.5.6.5 Composer of "WORSHIP" in The Methodist Hymn-Book with Tunes Arthur Henry ‘Daddy’ Mann MusB MusD United Kingdom 1850-1929. Born at Norwich, Norfolk, England, he graduated from New College, Oxford. He married Sarah Ransford, and they had five children: Sarah, Francis, Arthur, John, and Mary. Arthur died in infancy. Mann was a chorister and assistant organist at Norwich Cathedral, then, after short stints playing the organ at St Peter’s, Wolverhampton (1870-71); St. Michael’s Tettenhall Parish Church (1871-75); and Beverley Minster (1875-76); he became organist at King’s College Chapel, Cambridge (1876-1929), Cambridge University organist (1897-1929), and music master and organist at the Leys School, Cambridge (1894-1922). In addition to composing an oratorio and some hymn tunes, he was music editor of the Church of England Hymnal (1894). In 1918 he directed the music and first service of “Nine lessons & carols” at King’s College Chapel. He was an arranger, author, composer, and editor. His wife, Sarah, died in 1918. He died at Cambridge, England. John Perry

Richard Storrs Willis

1819 - 1900 Meter: 6.5.6.5 Composer of "[Through thy protecting care]" Richard Storrs Willis (February 10, 1819 – May 10, 1900) was an American composer, notably of hymn music. One of his hymns is "It Came Upon the Midnight Clear" (1850), with lyrics by Edmund Sears. He was also a music critic and journal editor. Willis, whose siblings included Nathaniel Parker Willis and Fanny Fern, was born on February 10, 1819, in Boston, Massachusetts. He attended Chauncey Hall, the Boston Latin School, and Yale College where he was a member of Skull and Bones in 1841. Willis then went to Germany, where he studied six years under Xavier Schnyder and Moritz Hauptmann. While there, he became a personal friend of Felix Mendelssohn. After returning to America, Willis served as music critic for the New York Tribune, The Albion, and The Musical Times, for which he served as editor for a time. He joined the New-York American-Music Association, an organization which promoted the work native of naturalized American composers. He reviewed the organization's first concert for their second season, held December 30, 1856, in the Musical World, as a "creditable affair, all things considered". Willis began his own journal, Once a Month: A Paper of Society, Belles-Lettres and Art, and published its first issue in January 1862. Willis died on May 7, 1900. His interment was located at Woodlawn Cemetery. His works and music compilations include: Church Chorals and Choir Studies (1850) Our Church Music (1856) Waif of Song (1876) Pen and Lute (1883) --en.wikipedia.org

Anonymous

Meter: 6.5.6.5 Author of "Glory be to Jesus" in CPWI Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 6.5.6.5

Small Church Music

Meter: 6.5.6.5 Editors: Harriet B. McKeever Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About