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Come, Thou Fount of Every Blessing

Author: Robert Robinson Meter: 6.6.8.6 D Appears in 2,200 hymnals First Line: Come, Thou Fount of ev'ry blessing! Topics: Christ Praise to Used With Tune: CECILE

Author: Maltbie D. Babcock Meter: 6.6.8.6 D Appears in 315 hymnals First Line: This is my Father's world And to my listening ears Lyrics: 1 This is my Father's world, And to my listening ears All nature sings, and round me rings The music of the spheres. This is my Father's world: I rest me in the thought Of rocks and trees, of skies and seas-- His hand the wonders wrought. 2 This is my Father's world: The birds their carols raise, The morning light, the lily white, Declare their Maker's praise. This is my Father's world: He shines in all that's fair; In the rustling grass I hear Him pass, He speaks to me everywhere. 3 This is my Father's world: O let me ne'er forget That though the wrong seems oft so strong, God is the Ruler yet. This is my Father's world: Why should my heart be sad? The Lord is King: let the heavens ring! God reigns; let earth be glad! Sing Joyfully, 1989 Topics: Adoration; Scripture Songs; God the Father God in Nature; God the Father His Sovereignty

Forever With the Lord

Author: James Montgomery Meter: 6.6.8.6 D Appears in 630 hymnals First Line: "Forever with the Lord!" Lyrics: 1. "Forever with the Lord!" Amen, so let it be! Life from His death is in that word, 'Tis immortality. My Father's house on high, Home of my soul, how near At times to faith's for-seeing eye The golden streets appear! 2. "Forever with the Lord!" Forever in His will, The promise of that faithful word, Lord, here in me fulfill. With You at my right hand, Then I shall never fail; Uphold me, Lord, and I shall stand, Thro' grace I will prevail. 3. So when my latest breath Breaks thro' the veil of pain, By death I shall escape from death, And life eternal gain. That resurrection word, That shout of victory: Once more, "Forever with the Lord!" Amen, so let it be! Scripture: John 17:3 Used With Tune: TERRA PATRIS

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Tunes

Tune authorities

DIADEMATA

Meter: 6.6.8.6 D Appears in 682 hymnals Tune Key: D Major Incipit: 11133 66514 32235 Used With Text: Soldiers of Christ, Arise

TERRA BEATA

Meter: 6.6.8.6 D Appears in 220 hymnals Composer and/or Arranger: Franklin L. Sheppard Tune Key: E Flat Major Incipit: 12353 21234 65326 Used With Text: This Is My Father's World

BEALOTH

Meter: 6.6.8.6 D Appears in 88 hymnals Tune Sources: Sacred Harp (Mason), 1840 Tune Key: A Major Incipit: 53332 11222 32153 Used With Text: Spirit of Faith, Come Down

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Instances

Published text-tune combinations (hymns) from specific hymnals

I Was a Wandering Sheep

Author: Horatius Bonar Hymnal: Lutherförbundets Sångbok #E49 (1913) Meter: 6.6.8.6 D First Line: I was a wand'ring sheep Lyrics: 1 I was a wand'ring sheep, I did not love the fold; I did not love my Shepherd's voice, I would not be controlled. I was a wayward child, I did not love my home; I did not love my Father's voice, I loved afar to roam. 2 The Shepherd sought His sheep, The Father sought His child; They followed me o'er vale and hill, O'er deserts waste and wild; They found me nigh to death, Famished, and faint, and lone: They bound me with the bands of love, They found the wand'ring one. 3 Jesus my Shepherd is, 'Twas He that loved my soul, 'Twas He that washed me in His blood, 'Twas He that made me whole. 'Twas He that sought the lost, That found the wand'ring sheep: 'Twas He that brought me to the fold, 'Tis He that still doth keep. 4 I was a wand'ring sheep, I would not be controlled; But now I love my Shepherd's voice, I love, I love the fold! I was a wayward child, I once preferred to roam; But now I love my Father's voice, I love, I love His home. Topics: Repentance Languages: English Tune Title: LEBANON

Praise, as in ages past

Hymnal: The Book of Worship #D8 (1907) Meter: 6.6.8.6 D

Thee, Father, Spirit, Son

Hymnal: Book of Worship with Hymns and Tunes #D8 (1899) Meter: 6.6.8.6 D Lyrics: Thee, Father, Spirit, Son, We joyfully adore; We bless th'eternal Three in One, Who reigns for evermore: Thou glorious Trinity, By earth and heaven adored, We glorify, we worship Thee, The Universal Lord. Languages: English

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People

Authors, composers, editors, etc.

James R. Murray

1841 - 1905 Person Name: James Ramsey Murray Meter: 6.6.8.6 D Composer of "[While Thou, O my God, art my help and defender]" in The Cyber Hymnal L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.

Lowell Mason

1792 - 1872 Meter: 6.6.8.6 D Composer of "BEALOTH" in Church Hymnal, Mennonite Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

Joseph Parry

1841 - 1903 Person Name: Joseph Parry, 1841 - 1903 Meter: 6.6.8.6 D Composer (Abridged from) of "DINBYCH" in The Book of Praise Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

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Hymnals

Published hymn books and other collections

Small Church Music

Meter: 6.6.8.6 D Editors: Michael Forster Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About