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While Jesus Whispers to You
Author: Will E. Witter Meter: 7.4.7.4 D Appears in 415 hymnals Topics: Sabbath School The Call Used With Tune: COME, SINNER, COME!
While Jesus Whispers to You
Hail the day that sees Him rise
Author: Charles Wesley, 1707-1788 Meter: 7.4.7.4 D Appears in 553 hymnals Topics: God The Lord Jesus Christ - His Praise; God The Lord Jesus Christ - His Resurrection and Exaltation Used With Tune: LLANFAIR
Hail the day that sees Him rise
COME, SINNER, COME
Meter: 7.4.7.4 D Appears in 273 hymnals Composer and/or Arranger: H. R. Palmer Tune Key: G Major Incipit: 31234 63212 1233 Used With Text: While Jesus Whispers to You
COME, SINNER, COME
SO NIMM DENN MEINE HÄNDE
Meter: 7.4.7.4 D Appears in 99 hymnals Composer and/or Arranger: Friedrich Silcher Tune Key: D Major Incipit: 56543 32345 33254 Used With Text: O Take My Hand, Dear Father
SO NIMM DENN MEINE HÄNDE
Welcome to Another Day
Author: Michael Saward Hymnal: Voices United #408 (1996) Meter: 7.4.7.4 D First Line: Welcome to another day! Lyrics: 1 Welcome to another day!
Night is blinded.
"Welcome," let creation say;
darkness ended.
Comes the sunshine after dew,
time for labour;
time to love my God anew
and my neighbour.
2 Welcome to the day of prayer
with God's people
welcome is the joy we share
at this table.
Bread and wine from heaven fall:
come, receive it
that the Christ may reign in all
who believe it.
3 Welcome is the peace that's given,
sure for ever;
welcome is the hope of heaven
when life's over.
As we work and as we pray,
trust God's story:
come then, as the dawning day
heralds glory!
Michael Saward (born 1932)
© Michael Saward/Jubilate Hymns
7 4 7 4 D
Used By Permission. CCL Licence No. Not entered
Copied from HymnQuest 2010: Standard Version
HymnQuest ID: 63686
Topics: The Church at Worship Opening and Morning Hymns; liturgical Opening Hymns; Opening Hymns; Service Music Gathering, Call to Worship, Greeting; Proper 24 Year A; Epiphany 7 Year B Tune Title: GWALCHMAI
Welcome to Another Day
King of glory, King of peace
Author: George Herbert, 1593-1632 Hymnal: The Methodist Hymn-Book with Tunes #23 (1933) Meter: 7.4.7.4 D Topics: Adoration and Worship; Times and Seasons Week-day Services Languages: English Tune Title: GWALCHMAI
King of glory, King of peace
Praise the Lord! His glories show
Author: Henry Francis Lyte, 1793-1847 Hymnal: The Hymnary of the United Church of Canada #24 (1930) Meter: 7.4.7.4 D Scripture: Psalm 150 Languages: English Tune Title: GWALCHMAI
Praise the Lord! His glories show
Charles Wesley
1707 - 1788 Person Name: Charles Wesley, 1707-1788 Meter: 7.4.7.4 D Author of "Hail the Day That Sees Him Rise" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Joseph Barnby
1838 - 1896 Meter: 7.4.7.4 D Composer of "WEST DEAN" Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Stephen P. Starke
b. 1955 Person Name: Stephen P. Starke, b. 1955 Meter: 7.4.7.4 D Author of "Lord, Support Us All Day Long" in Lutheran Service Book Rev. Stephen P. Starke has always had a heart for hymns. At a young age, Starke played hymns out of The Lutheran Hymnal and read through the hymnal to pass the time before Sunday services.
Pastor Starke graduated from Concordia University Chicago with a BA. While completing his MDiv from Concordia Theological Seminary, Fort Wayne, Indiana, he attempted his first hymn text and was encouraged to write more. Since that time, he has written more than 175 hymns inspired by music and the Scriptures. He has been commissioned to write hymns for special occasions, including the 125th anniversary of Concordia University Wisconsin, as well as his daughter’s wedding.
Because of his extensive work as a hymnwriter, Pastor Starke received an honorary doctor of letters degree from Concordia University, Irvine, California, and an honorary doctor of divinity degree from Concordia University Wisconsin in Mequon.
It is through the medium of hymns that Pastor Starke desires to preserve and pass on the truths of the Gospel for generations to come.
Stephen P. Starke
Small Church Music
Meter: 7.4.7.4 D Editors: George Herbert Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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