Person Results

Switch back to the old search page.Advanced Search

Showing 1 - 10 of 49Results Per Page: 10 20 50

Charles Wesley

1707 - 1788 Person Name: Charles Wesley, 1707-1788 Meter: 7.4.7.4 D Author of "Hail the Day That Sees Him Rise" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

William F. Sherwin

1826 - 1888 Person Name: William Fiske Sherwin Meter: 7.4.7.4 D Composer of "[Precious Savior, may I live] (Sherwin 56543)" Sherwin, William Fisk, an American Baptist, was born at Buckland, Massachusetts, March 14,1826. His educational opportunities, so far as schools were concerned, were few, but he made excellent use of his time and surroundings. At fifteen he went to Boston and studied music under Dr. Mason: In due course he became a teacher of vocal music, and held several important appointments in Massachusetts; in Hudson and Albany, New York County, and then in New York City. Taking special interest in Sunday Schools, he composed carols and hymn-tunes largely for their use, and was associated with the Rev. R. Lowry and others in preparing Bright Jewels, and other popular Sunday School hymn and tune books. A few of his melodies are known in Great Britain through I. D. Sankey's Sacred Songs and Solos, where they are given with his signature. His hymnwriting was limited. The following pieces are in common use:— 1. Grander than ocean's story (1871). The Love of God. 2. Hark, bark, the merry Christmas bells. Christmas Carol. 3. Lo, the day of God is breaking. The Spiritual Warfare. 4. Wake the song of joy and gladness. Sunday School or Temperance Anniversary. 5. Why is thy faith, 0 Child of God, so small. Safety in Jesus. Mr. Sherwin died at Boston, Massachusetts, April 14, 1888. -- John Julian, Dictionary of Hymnology (1907) ================== Sherwin, W. F., p. 1055, i. Another hymn from his Bright Jewels, 1869, p. 68, is "Sound the battle cry" (Christian Courage), in the Sunday School Hymnary, 1905, and several other collections. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Joseph Barnby

1838 - 1896 Meter: 7.4.7.4 D Composer of "WEST DEAN" Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Julie von Hausmann

1825 - 1901 Person Name: Julie K. von Hausmann Meter: 7.4.7.4 D Author of "So Nimm Denn Meine Hände" in The Cyber Hymnal Julie Katharina von Hausmann (born 7 March [O.S. 19 March] 1826 in Riga; died 2 August [O.S. 15 August] 1901 in Võsu, Estonia) was a Baltic German poet, known for the hymn Lord, Take My Hand and Lead Me (German: So nimm denn meine Hände) with a melody by Friedrich Silcher. Earlier translations had been made by Herman Brueckner as "O take my hand, dear Father" and Elmer Leon Jorgenson as "Take Thou My Hand, and Lead Me." The hymn has also been translated by Martha D. Lange, whose version appears in the Great Songs of the Church Revised (1986). Julie Hausmann was the daughter of a teacher. She worked for a while as a governess, but due to her ill health she lived with and cared for her father, who had gone blind. After his death in 1864, she lived with her sisters in Germany, Southern France and St. Petersburg, Russia. She died during a summer vacation in Estonia. A legend circulates that Hausmann wrote her most famous poem "So nimm denn meine Hände" after journeying to see her fiancé at a mission and, on arriving, finding that he had just died. Various explorations of her biography have yet to confirm or deny the rumor. She never married. Her poetry was published by others, including Gustav Knak without mentioning her name, at her request. Maiblumen. Lieder einer Stillen im Lande.(May flowers) 2 volumes, 1862 (6th edition around 1880: Front cover Vol. 1) Bilder aus dem Leben der Nacht im Lichte des Evangeliums. 1868 Hausbrot. Schlichte Morgen- und Abend-Andachten. 1899 Blumen aus Gottes Garten. Lieder und Gedichte. 1902 (posthumous collection) --en.wikipedia.org/wiki/

H. R. Palmer

1834 - 1907 Meter: 7.4.7.4 D Composer of "COME, SINNER, COME" in Church Hymnal, Mennonite Palmer, Horatio Richmond, MUS. DOC, was born April 26, 1834. He is the author of several works on the theory of music; and the editor of some musical editions of hymnbooks. To the latter he contributed numerous tunes, some of which have attained to great popularity, and 5 of which are in I. D. Sankey's Sacred Songs and Solos, London, 1881. His publications include Songs of Love for the Bible School; and Book of Anthems, the combined sale of which has exceeded one million copies. As a hymnwriter he is known by his "Yield not to temptation," which was written in 1868, and published in the National Sunday School Teachers' Magazine, from which it passed, with music by the author, into his Songs of Love, &c, 1874, and other collections. In America its use is extensive. Dr. Palmer's degree was conferred by the University of Chicago in 1880. -- John Julian, Dictionary of Hymnology (1907) =============== Palmer, H. R., p. 877, i. The hymn "Would you gain the best in life" (Steadfastness), in the Congregational Sunday School Supplement, 1891, the Council School Hymn Book, 1905, and others, is by this author. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Catherine Winkworth

1827 - 1878 Person Name: Catherine Winkworth, 1829-1878 Meter: 7.4.7.4 D Translator of "Christ the Lord is risen again!" in The Book of Praise Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Henry Francis Lyte

1793 - 1847 Person Name: Henry Francis Lyte, 1793-1847 Meter: 7.4.7.4 D Author of "Praise the Lord! His glories show" in The Book of Praise Lyte, Henry Francis, M.A., son of Captain Thomas Lyte, was born at Ednam, near Kelso, June 1, 1793, and educated at Portora (the Royal School of Enniskillen), and at Trinity College, Dublin, of which he was a Scholar, and where he graduated in 1814. During his University course he distinguished himself by gaining the English prize poem on three occasions. At one time he had intended studying Medicine; but this he abandoned for Theology, and took Holy Orders in 1815, his first curacy being in the neighbourhood of Wexford. In 1817, he removed to Marazion, in Cornwall. There, in 1818, he underwent a great spiritual change, which shaped and influenced the whole of his after life, the immediate cause being the illness and death of a brother clergyman. Lyte says of him:— "He died happy under the belief that though he had deeply erred, there was One whose death and sufferings would atone for his delinquencies, and be accepted for all that he had incurred;" and concerning himself he adds:— "I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done." From Marazion he removed, in 1819, to Lymington, where he composed his Tales on the Lord's Prayer in verse (pub. in 1826); and in 1823 he was appointed Perpetual Curate of Lower Brixham, Devon. That appointment he held until his death, on Nov. 20, 1847. His Poems of Henry Vaughan, with a Memoir, were published in 1846. His own Poetical works were:— (1) Poems chiefly Religious 1833; 2nd ed. enlarged, 1845. (2) The Spirit of the Psalms, 1834, written in the first instance for use in his own Church at Lower Brixham, and enlarged in 1836; (3) Miscellaneous Poems (posthumously) in 1868. This last is a reprint of the 1845 ed. of his Poems, with "Abide with me" added. (4) Remains, 1850. Lyte's Poems have been somewhat freely drawn upon by hymnal compilers; but by far the larger portion of his hymns found in modern collections are from his Spirit of the Psalms. In America his hymns are very popular. In many instances, however, through mistaking Miss Auber's (q. v.) Spirit of the Psalms, 1829, for his, he is credited with more than is his due. The Andover Sabbath Hymn Book, 1858, is specially at fault in this respect. The best known and most widely used of his compositions are "Abide with me, fast falls the eventide;” “Far from my heavenly home;" "God of mercy, God of grace;" "Pleasant are Thy courts above;" "Praise, my soul, the King of heaven;" and "There is a safe and secret place." These and several others are annotated under their respective first lines: the rest in common use are:— i. From his Poems chiefly Religious, 1833 and 1845. 1. Above me hangs the silent sky. For Use at Sea. 2. Again, 0 Lord, I ope mine eyes. Morning. 3. Hail to another Year. New Year. 4. How good, how faithful, Lord, art Thou. Divine care of Men. 5. In tears and trials we must sow (1845). Sorrow followed by Joy. 6. My [our] rest is in heaven, my [our] rest is not here. Heaven our Home. 7. 0 Lord, how infinite Thy love. The Love of God in Christ. 8. Omniscient God, Thine eye divine. The Holy Ghost Omniscient. 9. The leaves around me falling. Autumn. 10. The Lord hath builded for Himself. The Universe the Temple of God. 11. Vain were all our toil and labour. Success is of God. 12. When at Thy footstool, Lord, I bend. Lent. 13. When earthly joys glide swift away. Ps. cii. 14. Wilt Thou return to me, O Lord. Lent. 15. With joy we hail the sacred day. Sunday. ii. From his Spirit of the Psalms, 1834. 16. Be merciful to us, O God. Ps. lvii. 17. Blest is the man who knows the Lord. Ps. cxii. 18. Blest is the man whose spirit shares. Ps. xli. 19. From depths of woe to God I cry. Ps. cxxxx. 20. Gently, gently lay Thy rod. Ps. vi. 21. Glorious Shepherd of the sheep. Ps. xxiii. 22. Glory and praise to Jehovah on high. Ps. xxix. 23. God in His Church is known. Ps. lxxvi. 24. God is our Refuge, tried and proved. Ps. xlvi. 25. Great Source of my being. Ps. lxxiii. 26. Hear, O Lord, our supplication. Ps. lxiv. 27. How blest the man who fears the Lord. Ps.cxxviii. 28. Humble, Lord, my haughty spirit. Ps. cxxxi. 29. In this wide, weary world of care. Ps. cxxxii. 30. In vain the powers of darkness try. Ps.lii. 31. Jehovah speaks, let man be awed. Ps. xlix. 32. Judge me, O Lord, and try my heart. Ps. xxvi. 33. Judge me, O Lord, to Thee I fly. Ps. xliii. 34. Lord, I have sinned, but O forgive. Ps. xli. 35. Lord, my God, in Thee I trust. Ps. vii. 36. Lord of the realms above, Our Prophet, &c. Ps.xlv. 37. Lone amidst the dead and dying. Ps. lxii. 38. Lord God of my salvation. Ps. lxxxviii. 39. Lord, I look to Thee for all. Ps. xxxi. 40. Lord, I would stand with thoughtful eye. Ps. lxix. 41. Lord, my God, in Thee I trust. Ps. vii. 42. My God, my King, Thy praise I sing. Ps. cviii. 43. My God, what monuments I see. Ps. xxxvi. 44. My spirit on [to] Thy care. Ps. xxxi. 45. My trust is in the Lord. Ps. xi. 46. Not unto us, Almighty Lord [God]. Ps. cxv. 47. O God of glory, God of grace. Ps. xc. 48. O God of love, how blest are they. Ps. xxxvii. 49. O God of love, my God Thou art. Ps. lxiii. 50. O God of truth and grace. Ps. xviii. 51. O had I, my Saviour, the wings of a dove. Ps. lv. 52. O how blest the congregation. Ps. lxxxix. 53. O how safe and [how] happy he. Ps. xci. 54. O plead my cause, my Saviour plead. Ps. xxxv. 55. O praise the Lord, 'tis sweet to raise. Ps. cxlvii. 56. O praise the Lord; ye nations, pour. Ps. cxvii. 57. O praise ye the Lord With heart, &c. Ps. cxlix. 58. O that the Lord's salvation. Ps. xiv. 59. O Thou Whom thoughtless men condemn. Ps. xxxvi. 60. Of every earthly stay bereft. Ps. lxxiv. 61. Our hearts shall praise Thee, God of love. Ps. cxxxviii. 62. Pilgrims here on earth and strangers. Ps. xvi. 63. Praise for Thee, Lord, in Zion waits. Ps. lxv. 64. Praise to God on high be given. Ps. cxxxiv. 65. Praise ye the Lord, His servants, raise. Ps. cxiii. 66. Redeem'd from guilt, redeem'd from fears. Ps. cxvi. 67. Save me by Thy glorious name. Ps. liv. 68. Shout, ye people, clap your hands. Ps. xlvii. 69. Sing to the Lord our might. Ps. lxxxi. 70. Strangers and pilgrims here below. Ps. cix. 71. Sweet is the solemn voice that calls. Ps. cxxii. 72. The Church of God below. Ps. lxxxvii. 73. The Lord is King, let earth be glad. Ps. xcvii. 74. The Lord is on His throne. Ps. xciii. 75. The Lord is our Refuge, the Lord is our Guide. Ps. xlvii. 76. The mercies of my God and King. Ps. lxxxix. 77. The Lord Who died on earth for men. Ps. xxi. 78. Tis a pleasant thing to fee. Ps. cxxxiii. 79. Thy promise, Lord, is perfect peace. Ps. iii. 80. Unto Thee I lift mine [my] eyes. Ps. cxxiii. 81. Whom shall [should] we love like Thee? Ps. xviii. Lyte's versions of the Psalms are criticised where their sadness, tenderness and beauty are set forth. His hymns in the Poems are characterized by the same features, and rarely swell out into joy and gladness. --John Julian, Dictionary of Hymnology (1907) ================== Lyte, Henry Francis, p. 706, i. Additional versions of Psalms are in common use:-- 1. Lord, a thousand foes surround us. Psalms lix. 2. Praise, Lord, for Thee in Zion waits. Psalms lxv. 3. The Christian like his Lord of old. Psalms cxl. 4. The Lord of all my Shepherd is. Psalms xxiii. 5. The Lord of heaven to earth is come. Psalms xcviii. 6. Thy mercy, Lord, the sinner's hope. Psalms xxxvi. 7. To Thee, O Lord, in deep distress. Psalms cxlii. Sometimes given as "To God I turned in wild distress." 8. Uphold me, Lord, too prone to stray. Psalms i. 9. When Jesus to our [my] rescue came. Psalms cxxvi. These versions appeared in the 1st edition of Lyte's Spirit of the Psalms, 1834. It must be noted that the texts of the 1834, the 1836, and the 3rd ed., 1858, vary considerably, but Lyte was not responsible for the alterations and omissions in the last, which was edited by another hand for use at St. Mark's, Torquay. Lyte's version of Psalms xxix., "Glory and praise to Jehovah on high" (p. 706, ii., 22), first appeared in his Poems, 1st ed., 1833, p. 25. Read also No. 39 as "Lord, I look for all to Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William Henry Monk

1823 - 1889 Person Name: William Henry Monk, 1823-1889 Meter: 7.4.7.4 D Composer of "LLANFAIR" in CPWI Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Herman H. Brueckner

1866 - 1942 Person Name: H. Brueckner Meter: 7.4.7.4 D Translator of "O Take My Hand, Dear Father" in American Lutheran Hymnal Born: March 11, 1866, Grundy County, Iowa (birth name: Herman Heinrich Moritz Brueckner). Died: January 25, 1942, Hebron, Nebraska (funeral held in Beatrice, Nebraska). Buried: St. Paul’s Lutheran Cemetery, Waverly, Iowa. After ordination in 1888, Brueckner pastored in Illinois, Michigan, Kentucky, and Wisconsin. He later moved to Iowa City, Iowa, and received his Bachelor of Arts degree from Iowa State University in 1917. In 1926, he joined the faculty of Hebron College in Nebraska. In 1938, Wartburg Seminary, Dubuque, Iowa, conferred an honorary Doctor of Divinity degree on him. He retired as professor emeritus from Hebron College in 1941. Sources: Erickson, p. 254 Findagrave, accessed 14 Nov 2016 Hustad, p. 213 Stulken, p. 325 © The Cyber Hymnal™. Used by permission. (www.hymntime.com)

Arthur Penrhyn Stanley

1815 - 1881 Meter: 7.4.7.4 D Author of "All the toil and sorrow done" Stanley, Arthur Penrhyn, Dean of Westminster, one of the most distinguished English Churchmen of the nineteenth century, was the son of Rev. Edward Stanley, Bishop of Norwich, and was born at Alderly, in Cheshire, December 13, 1815. At the age of fourteen he became a pupil of Dr. Arnold, of Rugby, in whose famous school he displayed a strength of moral character which was a prophecy of the frank and courageous man that was to be. He took well-nigh all the honors at Oxford, where he graduated in 1837. Entering the ministry of the Church of England, he filled successively various positions of honor and responsibility until in 1855 he was appointed Regius Professor of Ecclesiastical History at Oxford. In 1864 he became Dean of Westminster. His marriage that same year to Lady Augusta Bruce, a personal friend and attendant of Queen Victoria, increased the freedom and intimacy of his already cordial relations with the royal family. He died July 18, 1881. He was a Churchman of broad and liberal views. His catholicity of spirit was one of his most notable characteristics. His contributions to theological literature are numerous and well known. His Life of Dr. Arnold, of Rugby, 1844, is one of the most successful volumes of biography in the English language. Among his historical writings his lectures on the Eastern Church, 1861, Jewish Church (two volumes), 1863-65, and the Church of Scotland, 1868, are accounted as of highest value. He is the author of about a dozen hymns, and of several translations. These, although of a high order of excellence, do not take rank with his prose writings, which for choice English diction, scholarly erudition, and Christian catholicity are not surpassed, perhaps, by anything in the religious literature of England in the nineteenth century. Day of wrath, O dreadful day 599 He is gone; a cloud of light 170 O Master, it is good to be 131 From Hymn Writers of the Church by Charles S. Nutter, 1915 ============================ Stanley, Arthur Penrhyn, D.D., was born at Alderley, in Cheshire, Dec. 13, 1815. His father, Edward Stanley, was the son of Sir Edward Stanley of Alderley, and younger brother of the first Lord Stanley of Alderley, and was rector of the parish until 1837, when he became Bishop of Norwich. His mother, Catherine Stanley, was daughter of tho Rev. Oswald Leycester, Rector of Stoke-upon-Tern, Shropshire. Arthur Stanley received his early education under the superintendence of his father; but in 1829 he was sent to Rugby to be under the direct charge of Dr. Arnold, who bad been appointed to the head-mastership the year before, and of whom Mr. Stanley had been an early friend and admirer. Arthur Stanley bore the stamp of Rugby and of its great headmaster to the end of his life. In 1834 he went up to Oxford, having won a Balliol scholarship, the "blue ribbon of undergraduate life," and commenced a career of unusual brilliancy at the University. He gained the Newdigate prize for English Verse (the subject being The Gypsies); the Ireland scholarship (the highest test of Greek scholarship), and a First Class in Classical Honours, all in 1837. He won the Prize for the Latin Essay in 1839, the Prize for the English Essay, and the Ellerton Prize for the Theological Essay in 1840, and was in the same year elected to a Fellowship at University College. He was then appointed College Tutor, and held that office for twelve years. In 1845-6 he was Select Preacher for the University. From 1850 to 1852 he was Secretary to the Oxford University Commissioners. In 1851 he was appointed Canon of Canterbury, and held that post until 1855, when he was elected Regius Professor of Ecclesiastical History at Oxford, to which a Canonry at Christ Church was attached. He was also chosen in 1858 Examining Chaplain to the Bishop of London, his fellow Rugbeian, Dr. Tait. These offices he held until 1863, when, on the elevation of Dean Trench to the Archbishopric of Dublin, he was appointed to the Deanery of Westminster. In the same year he married Lady Augusta Bruce, a sister of the Earl of Elgin, and a personal friend and attendant of Queen Victoria. This marriage brought him into still closer relation with the Court, at which he had before been so highly valued, that he had been twice chosen to accompany the Prinoe of Wales in his travels in the East. He was singularly happy in his married life, and felt the death of Lady Augusta, which occurred in 1876, as an irreparable loss. In 1872, he took part in the Old Catholic Congress at Cologne; and at the close of the same year he was again appointed Select Preacher, not, however, without considerable opposition being made to the appointment on account of the Dean's theological views; the vote, however, was carried by 349 against 287. In 1875 he was installed Lord Rector of the University of St. Andrews, having received the degree of LL.D. from that University four years previously. He died at the Deanery, Westminster, on July 18, 1881, after a short illness. Dr. Stanley was a voluminous and very popular writer, his pure and picturesque style being singularly fascinating. The first work by which he became known to the literary world was the Life and Correspondence of Dr. Arnold, published in 1844. This is an almost perfect model of biography. Though the writer is distinctly a hero-worshipper, he never allows his worship to violate the rules of good taste, while he brings out all the points in his hero's character most vividly, and exercises a most wise discretion in permitting him, as far as possible, to tell his own tale. This was followed in 1850 by Memoirs of Edward Stanley, Bishop of Norwich, and Catherine Stanley, which is very interesting both for its intrinsic merits, and also as a pious tribute of filial affection; but it does not reach the level of the Life of Arnold. In 1854 appeared the Epistles to the Corinthians, the value of which will be variously estimated according to the theological standpoint of the reader. But his next two works will command the admiration of all persons who are competent to judge. In his Historical Memorials of Canterbury, published in 1854, and Sinai and Palestine in connexion with their History, published in 1856, Dr. Stanley was again on his own proper ground where his almost unique powers of description had their full scope. The former was a very popular work, reaching a 6th edition in 1872; but Sinai and Palestine was still more warmly welcomed, and may be con¬sidered, with the Life of Dr. Arnold, as Dr. Stanley's chef-d'oeuvre. Passing over for the present his sermons, we next come to his Lectures on the History of the Eastern Church, pub. in 1861; this also was very popular, reaching a 5th ed. in 1869. Then followed a series of Lectures on the History of the Jewish Church, in 2 volumes (1863-5). His next publication again showed him at his best. The Historical Memorials of Westminster Abbey, pub. in 1867, may be regarded as a companion volume to the Historical Memorials of Canterbury, and is, at least, worthy of its predecessor. Dr. Stanley attained great eminence as a preacher, especially in his own Abbey. His manner was most solemn and impressive, and his style of composition was exactly suited for a sermon. It is fair to add that sermons would also, of course, be the species of composition in which what many considered the most unsatisfactory features of Dr. Stanley's intellectual character, his vagueness of doctrine and extreme breadth of statement, were most conspicuous. He published several volumes of sermons and single sermons. The chief are: Sermons and Essays on the Apostolical Age (1846), Sermons preached in Canterbury Cathedral (1857), Sermons on the Unity of Evangelical and Apostolical Teaching (1859), Sermons in the East preached before the Prince of Wales (1863), Address and Sermons at St. Andrews, 1877. The point of view from which this sketch naturally regards Dean Stanley as a writer is that from which he appears at the least advantage. Thirteen of his hymns which had been published singly have been incorporated in the Westminster Abbey Hymn Book, but none of them have attained any extensive popularity; and, to tell the truth, they do not deserve it. That exquisite taste and felicity of diction which distinguish more or less all his prose writings seem to desert him when he is writing verse. This is all the more strange because one would have said that he regarded outward nature, as well as the works and history of man, with a poet's eye. Like another great writer, Jeremy Taylor, his prose is poetical, but his poetry is prosaic. The divine afflatus is wanting. Of course he always writes as a scholar; hence his translations are more successful than his original hymns; but in neither department has he produced anything that can at all be termed classical; and it is from his general eminence rather than from his contributions to hymnology that he requires even the small space which has been devoted to him in this article. [Rev. J. H. Overton, D.D.] In addition to Dean Stanley's trsanslations from the Latin, and his popular hymns, "He is gone! beyond the skies,'' and "Master, it is good to be," the following are also in common use:— 1. Let us with a gladsome mind. National Hymn. The Accession. This hymn is called "Hymn for the Accession (June 20 2. 0 frail spirit, vital spark. Easter. Given in Macmillan's Magazine, May 1878, and headed "Our Future Hope." 3. Spirit unseen, our spirits' home. Whitsuntide. This hymn was published in Macmillan's Magazine, May, 1879, in 7 stanzas of 8 lines, and 1 stanza of 9 lines, with the following note:—"Manzoni's Hymn for Whitsuntide.” 4. The Lord is come! On Syrian soil. Advent. This hymn appeared in Macmillan's Magazine, Dec. 1872, in 6 stanzas of 8 lines, with the following introduction:— “Hymn for Advent.” 5. When the Paschal evening fell. Holy Communion. This appeared in Macmillan's Magazine, Nov. 1874, in 5 st. of 8 1., 1 st. of 12 1., and 1 st. of 8 1., with this introduction:—" This do in Remembrance of Me. It is intended in the following lines to furnish a sacred hymn founded on the one common idea of commemoration which lies at the basis of all views of the Eucharist, whether material or spiritual, and to express this undoubted intention of the original institution apart from the metaphorical language by which the ordinance is often described." 6. Where is the Christian's Fatherland? The Christian's Fatherland. This poem (it cannot be called a hymn) was given in Macmillan's Magazine, Nov. 1872, in 7 st. of 8 1., with the following introduction:—"The Traveller's Hymn for All Saints' Day. Being an adaptation of Arndt's Poem, 'Was ist des Deutschen Vaterland.'" 7. Where shall we find the Lord? Epiphany. Given in Macmillan's Magazine, March 1880, in 7 st. of 8 1., and introduced thus: —"The Divine Life 8. Where shall we learn to die? Good Friday. This was published in Macmillan's Magazine, March 1880, in 7 st. of 8 1., with the simple heading, "The Perfect Death. Disce mori." 9. Who shall be the last great Seer? St. John Baptist. Appeared in Macmillan's Magazine, July 1879, in 4 st. of 8 1., as a "Hymn for St. John the Baptist Day, June 24." All these hymns were given in full, and without alteration, in the Westminster Abbey Hymn Book, 1883. Their use is mainly confined to that collection. --Excerpts from John Julian, Dictionary of Hymnology (1907)