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I Am Coming to the Cross
Author: WIlliam McDonald Meter: 7.7.7 D Appears in 831 hymnals First Line: I am coming to the cross: I am poor Refrain First Line: I am trusting, Lord, in Thee Used With Tune: [I am coming to the cross]
I Am Coming to the Cross
Come, Ye Thankful People, Come
Author: Henry Alford, 1810-1871 Meter: 7.7.7 D Appears in 722 hymnals Topics: Harvest and Thanksgiving Used With Tune: ST. GEORGE'S WINDSOR
Come, Ye Thankful People, Come
Praise the Lord, All Nations, Praise
Author: Christopher M. Idle Meter: 7.7.7 D Appears in 1 hymnal First Line: [Praise the Lord, All Nations, Praise] Scripture: Psalm 117 Text Sources: Light Upon the River (Hope Publishing Company,, 1998)
Praise the Lord, All Nations, Praise
ST. GEORGE'S WINDSOR
Meter: 7.7.7 D Appears in 635 hymnals Composer and/or Arranger: George J. Elvey, 1816-1893 Tune Key: F Major Incipit: 33531 23335 31233 Used With Text: Come, Ye Thankful People, Come
ST. GEORGE'S WINDSOR
VENI, SANCTE SPIRITUS
Meter: 7.7.7 D Appears in 52 hymnals Composer and/or Arranger: Samuel Webbe, 1740-1816 Tune Key: F Major Incipit: 11123 21232 5545 Used With Text: Come, thou Holy Spirit, come
VENI, SANCTE SPIRITUS
Let My Spirit Always Sing
Author: Shirley Erena Murray Hymnal: More Voices #83 (2007) Meter: 7.7.7 D Lyrics: 1 Let my spirit always sing,
though my heart be wintering,
though the season of despair
give no sign that you are there,
God to whom my days belong,
let there always be a song.
2 Though my body be confined,
let your word engage my mind,
let the inner eye discern
how much more there is to learn,
see the world becoming whole
through the window of the soul.
3 Let your wisdom grace my years,
choose my words and chase my fears,
give me wit to welcome change,
to accept, and not estrange,
let my joy be full and deep
in the knowledge that I keep.
4 Let my spirit always sing,
to your Spirit answering,
through the silence, through the pain
know my hope is not in vain,
like a feather on your breath
trust your love, through life and death.
Topics: Confession, Lament, and Healing; Aging; Centring; Christian Year Advent; Christian Year Lent; Discernment; God Presence; Healing; Health/Wellness; Hope; Joy; Nurture; Service Music Confession; Service Music Response / Affirmation; Trust; Winter Scripture: Psalm 31:15 Languages: English Tune Title: SPIRITSONG
Let My Spirit Always Sing
Come, thou Holy Spirit, come
Author: Stephen Langton, d. 1228; Edward Caswall, 1814-1878 Hymnal: Complete Anglican Hymns Old and New #127 (2000) Meter: 7.7.7 D Lyrics: 1 Come, thou Holy Spirit, come,
and from thy celestial home
shed a ray of light divine;
come, thou Father of the poor,
come, thou source of all our store,
come, within our bosoms shine.
2 Thou of comforters the best,
thou the soul's most welcome guest,
sweet refreshment here below;
in our labour rest most sweet,
grateful coolness in the heat,
solace in the midst of woe.
3 O most blessèd Light divine,
shine within these hearts of thine,
and our inmost being fill;
where thou art not, man hath naught,
nothing good in deed or thought,
nothing free from taint of ill.
4 Heal our wounds, our strength renew;
on our dryness pour thy dew;
wash the stains of guilt away;
bend the stubborn heart and will;
melt the frozen, warm the chill;
guide the steps that go astray.
5 On the faithful, who adore
and confess thee, evermore
in thy sev'nfold gifts descend:
Give them virtue's sure reward,
give them thy salvation, Lord,
give them joys that never end. Topics: Grace and Providence; Pentecost; Year C Easter 6; Year C Pentecost Scripture: Isaiah 11:1-2 Languages: English Tune Title: VENI, SANCTE SPIRITUS
Come, thou Holy Spirit, come
Come, thou Holy Spirit, come
Author: Stephen Langton, d. 1228; J. M. Neale, 1818-66 Hymnal: The New English Hymnal #139a (1986) Meter: 7.7.7 D Topics: The Christian Year Pentecost or Whitsunday; Procession; Confirmation; Sickness and Health Languages: English Tune Title: VENI SANCTE SPITITUS
Come, thou Holy Spirit, come
W. G. Fischer
1835 - 1912 Person Name: William G. Fischer Meter: 7.7.7 D Composer of "[I am coming to the cross]" in Church Hymnal, Mennonite William Gustavus Fischer In his youth, William G. Fischer (b. Baltimore, MD, 1835; d. Philadelphia, PA, 1912) developed an interest in music while attending singing schools. His career included working in the book bindery of J. B. Lippencott Publishing Company, teaching music at Girard College, and co-owning a piano business and music store–all in Philadelphia. Fischer eventually became a popular director of music at revival meetings and choral festivals. In 1876 he conducted a thousand-voice choir at the Dwight L. Moody/Ira D. Sankey revival meeting in Philadelphia. Fischer composed some two hundred tunes for Sunday school hymns and gospel songs.
Bert Polman
W. G. Fischer
George J. Elvey
1816 - 1893 Person Name: George J. Elvey, 1816-1893 Meter: 7.7.7 D Composer of "ST. GEORGE'S WINDSOR" in Pilgrim Hymnal George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music.
Bert Polman
George J. Elvey
Edward Caswall
1814 - 1878 Person Name: Rev. E. Caswall Meter: 7.7.7 D Translator of "Come, thou Holy Spirit, come" in The Book of Common Praise Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
=====================
Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:—
(1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others.
(2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858.
(3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865.
(4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections.
--John Julian, Dictionary of Hymnology (1907)
======================
Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:—
1. Christian soul, dost thou desire. After Holy Communion.
2. Come, let me for a moment cast. Holy Communion.
3. O Jesu Christ [Lord], remember. Holy Communion.
4. Oft, my soul, thyself remind. Man's Chief End.
5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep."
6. The glory of summer. Autumn.
7. This is the image of the queen. B. V. M.
His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:—
1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii.
2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i.
3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158.
4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i.
5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii.
6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii.
7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i.
The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:—
IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865.
As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Caswall
Small Church Music
Meter: 7.7.7 D Editors: Edward Caswall Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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