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Meter:7.7.7.7

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Texts

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Songs of Praise

Author: James Montgomery Meter: 7.7.7.7 Appears in 542 hymnals First Line: Songs of praise the angels sang
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Take My Life, and Let It Be

Author: Frances R. Havergal Meter: 7.7.7.7 Appears in 1,192 hymnals Lyrics: 1 Take my life, and let it be consecrated, Lord, to thee. Take my moments and my days; let them flow in ceaseless praise. 2 Take my hands, and let them move at the impulse of thy love. Take my feet, and let them be swift and beautiful for thee. 3 Take my voice, and let me sing, always, only, for my King. Take my lips, and let them be filled with messages from thee. 4 Take my silver and my gold; not a mite would I withhold Take my intellect, and use ev'ry pow'r as thou shalt choose. 5 Take my will, and make it thine; it shall be no longer mine. Take my heart, it is thine own; it shall be thy royal throne. 6 Take my love; my Lord, I pour at thy feet its treasure store. Take myself, and I will be ever, only, all for thee. Topics: The Christian Life Christian Service; Daily Living; Ministry Ordinations Scripture: Romans 6:19 Used With Tune: ST. BEES
Text

Sing, my soul, his wondrous love

Author: Anon. Meter: 7.7.7.7 Appears in 122 hymnals Lyrics: 1 Sing, my soul, his wondrous love, who, from yon bright throne above, ever watchful o'er our race, still to us extends his grace. 2 Heaven and earth by him were made; all is by his scepter swayed; what are we that he should show so much love to us below? 3 God, the merciful and good, bought us with the Savior's blood, and, to make salvation sure, guides us by his Spirit pure. 4 Sing, my soul, adore his Name! Let his glory be thy theme: praise him till he calls thee home; trust his love for all to come. Topics: Jesus Christ our Lord Used With Tune: ST. BEES

Tunes

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NOTTINGHAM

Meter: 7.7.7.7 Appears in 192 hymnals Tune Sources: 'Twelfth Mass' 1821 Tune Key: F Major Incipit: 11175 44355 53521 Used With Text: Take my life, and let it be
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SAVANNAH

Meter: 7.7.7.7 Appears in 99 hymnals Tune Sources: Melody: Herrnhut Choralbuch (Moravian, c. 1735) Tune Key: D Major Incipit: 55432 12325 54321 Used With Text: Lord, Our Lord, Thy Glorious Name
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NUN KOMM, DER HEIDEN HEILAND

Meter: 7.7.7.7 Appears in 118 hymnals Composer and/or Arranger: Seth Calvisius Tune Sources: Enchiridion Oder Handbüchlein, Erfurt, 1524 Tune Key: g minor Incipit: 11732 12112 34345 Used With Text: Savior of the Nations, Come

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Lord, We Come Before Thee Now

Author: William Hammond; Martin Madan Hymnal: The Lutheran Hymnal #18 (1941) Meter: 7.7.7.7 Lyrics: 1 Lord, we come before Thee now, At Thy feet we humbly bow; Oh, do not our suit disdain! Shall we seek Thee, Lord, in vain? 2 Lord, on Thee our souls depend; In compassion now descend, Fill our hearts with Thy rich grace, Tune our lips to sing Thy praise. 3 In Thine own appointed way Now we seek Thee, here we stay. Lord, we know not how to go Till a blessing Thou bestow. 4 Send some message from Thy Word That may joy and peace afford; Let Thy Spirit now impart Full salvation to each heart. 5 Comfort those who weep and mourn, Let the time of joy return; Those that are cast down lift up, Make them strong in faith and hope. 6 Grant that all may seek and find Thee a gracious God and kind. Heal the sick, the captive free; Let us all rejoice in Thee. Amen. Topics: Adoration Worship and Praise Scripture: Psalm 27:8 Languages: English Tune Title: VIENNA
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As the sun doth daily rise

Author: Earl Nelson; O. B. C. Hymnal: Trinity Hymnal #329 (1961) Meter: 7.7.7.7 Lyrics: 1 As the sun doth daily rise, Bright'ning all the morning skies, So to thee with one accord Lift we up our hearts, O Lord! 2 Day by day provide us food, For from thee come all things good: Strength unto our souls afford From thy living Bread, O Lord! 3 Be our Guard in sin and strife; Be the Leader of our life; Lest like sheep we stray abroad, Stay our wayward feet, O Lord! 4 Quickened by the Spirit's grace All thy holy will to trace, While we daily search thy Word, Wisdom true impart, O Lord! 5 When the sun withdraws his light, When we seek our beds at night, Thou, by sleepless hosts adored, Hear the pray'r of faith, O Lord! 6 Praise we, with the heavn'ly host, Father, Son, and Holy Ghost; Thee would we with one accord Praise and magnify, O Lord! Amen. Topics: Bread of Life; The Church The Lord's Day Morning; God Faithfuless of; Holy Spirit Illuminator; Supplication General Scripture: Psalm 113:3 Languages: English Tune Title: INNOCENTS
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Chief of Sinners Though I Be

Author: William McComb Hymnal: Lutherförbundets Sångbok #E75 (1913) Meter: 7.7.7.7 Lyrics: 1 Chief of sinners though I be, Jesus shed His Blood for me; Died, that I might live on high; Lives, that I might never die. 2 Oh, the height of Jesus' love! Higher than the heavens above, Deeper than the depths of sea Lasting as eternity. 3 Jesus only can impart Balm to heal the smitten heart: Peace that flows from sin forgiven, Joy that lifts the soul to heaven. 4 Chief of sinners though I be, Christ is all in all to me; All my wants to Him are known, All my sorrows are His own. Topics: Atonement-Justification Languages: English Tune Title: HENDON

People

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Authors, composers, editors, etc.

M. M. Wells

1815 - 1895 Person Name: Marcus M. Wells Meter: 7.7.7.7 Composer of "GUIDE" in The Psalter Converted to Christianity as a youth at a mission in Buffalo, New York, Marcus Morris Wells (b. Cooperstown, NY, 1815; d. Hartwick, NY, 1895) spent most of his life near Hartwick as a farmer and maker of farm implements. He is remembered in hymnody for writing both the text and tune of "Holy Spirit, Faithful Guide." "On a Saturday afternoon, October 1858, while at work in my cornfield, the sentiment of the hymn came to me," writes Wells. "The next day, Sunday, being a very stormy day, I finished the hymn and wrote the tune for it and sent it to Prof. I. B. Woodbury." Isaac Woodbury was the editor of the New York Musical Pioneer, and the original text and tune were first published in that periodical's November 1858 issue. Bert Polman ================= Wells, Marcus M. Concerning this author and his hymn we have no information beyond the following facts:— Holy Spirit, faithful Guide. [Whitsuntide.] Appeared in The Sacred Lute, by T. E. Perkins, N.Y., undated [1864], p. 373, with music. Both words and music are attributed therein to M. M. Wells. The hymn has since been repeated in several English and American collections, including I. D. Sankey's Sacred Songs and Solos, 1878. It is dated 1858. --John Julian, Dictionary of Hymnology, New Supplement (1907)

F. E. Belden

1858 - 1945 Person Name: F. E. B. Meter: 7.7.7.7 Author of "Seven Times" in Songs for the King's Business Belden was born in Battle Creek, Michigan in 1858. He began writing music in his late teenage years after moving to California with his family. For health reasons he later moved to Colorado. He returned to Battle Creek with his wife in the early 1880s, and there he became involved in Adventist Church publishing. F. E. Belden wrote many hymn tunes, gospel songs, and related texts in the early years of the Seventh-day Adventist Church. Belden was able to rapidly write both music and poetry together which enabled him to write a song to fit a sermon while it was still being delivered. He also wrote songs for evang­el­ist Bil­ly Sun­day. Though Belden’s later years were marred by misunderstandings with the church leadership over his royalties, he did donate his papers and manuscripts to the church’s seminary at his death. He died on December 2, 1945 in Battle Creek, Michigan. N.N., Hymnary. Source: http://www.hymntime.com/tch/bio/b/e/l/belden_fe.htm

Venantius Honorius Clementianus Fortunatus

540 - 600 Person Name: Fortunatus Meter: 7.7.7.7 Author of "See the destined day arise" in The Book of Common Praise Venantius Honorius Clematianus Fortunatus (b. Cenada, near Treviso, Italy, c. 530; d. Poitiers, France, 609) was educated at Ravenna and Milan and was converted to the Christian faith at an early age. Legend has it that while a student at Ravenna he contracted a disease of the eye and became nearly blind. But he was miraculously healed after anointing his eyes with oil from a lamp burning before the altar of St. Martin of Tours. In gratitude Fortunatus made a pilgrimage to that saint's shrine in Tours and spent the rest of his life in Gaul (France), at first traveling and composing love songs. He developed a platonic affection for Queen Rhadegonda, joined her Abbey of St. Croix in Poitiers, and became its bishop in 599. His Hymns far all the Festivals of the Christian Year is lost, but some of his best hymns on his favorite topic, the cross of Jesus, are still respected today, in part because of their erotic mysticism. Bert Polman ================== Fortunatus, Venantius Honorius Clementianus, was born at Ceneda, near Treviso, about 530. At an early age he was converted to Christianity at Aquileia. Whilst a student at Ravenna he became almost blind, and recovered his sight, as he believed miraculously, by anointing his eyes with some oil taken from a lamp that burned before the altar of St. Martin of Tours, in a church in that town. His recovery induced him to make a pilgrimage to the shrine of St. Martin, at Tours, in 565, and that pilgrimage resulted in his spending the rest of his life in Gaul. At Poitiers he formed a romantic, though purely platonic, attachment for Queen Rhadegunda, the daughter of Bertharius, king of the Thuringians, and the wife, though separated from him, of Lothair I., or Clotaire, king of Neustria. The reader is referred for further particulars of this part of the life of Fortunatus to Smith and Wace's Dictionary of Christian Biography, vol. ii. p. 552. It is sufficient to say here that under the influence of Rhadegunda, who at that time lived at Poitiers, where she had founded the convent of St. Croix, Fortunatus was ordained, and ultimately, after the death of Rhadegunda in 597, became bishop of Poitiers shortly before his own death in 609. The writings, chiefly poetical, of Fortunatus, which are still extant, are very numerous and various in kind; including the liveliest Vers de Societé and the grandest hymns; while much that he is known to have written, including a volume of Hymns for all the Festivals of the Christian Year, is lost. Of what remains may be mentioned, The Life of St. Martin of Tours, his Patron Saint, in four books, containing 2245 hexameter lines. A complete list of his works will be found in the article mentioned above. His contributions to hymnology must have been very considerable, as the name of his lost volume implies, but what remains to us of that character, as being certainly his work, does not comprise at most more than nine or ten compositions, and of some of these even his authorship is more than doubtful. His best known hymn is the famous "Vexilla Regis prodeunt," so familiar to us in our Church Hymnals in some English form or other, especially, perhaps, in Dr. Neale's translation, "The Royal Banners forward go." The next most important composition claimed for him is "Pange, lingua, gloriosi praelium certaminis," but there would seem to be little doubt according to Sirmond (Notis ad Epist. Sidon. Apollin. Lib. iii., Ep. 4), that it was more probably written by Claudianus Mamertus. Besides these, which are on the Passion, there are four hymns by Fortunatus for Christmas, one of which is given by Daniel, "Agnoscat omne saeculum," one for Lent, and one for Easter. Of "Lustra sex qui jam peregit," of which an imitation in English by Bishop. Mant, "See the destined day arise," is well-known, the authorship is by some attributed to Fortunatus, and by some to St. Ambrose. The general character of the poetry of Venantius Fortunatus is by no means high, being distinguished neither for its classical, nor, with very rare exceptions, for its moral correctness. He represents the "last expiring effort of the Latin muse in Gaul," to retain something of the "old classical culture amid the advancing tide of barbarism." Whether we look at his style, or even his grammar and quantities, we find but too much that is open to criticism, whilst he often offends against good taste in the sentiments he enunciates. Occasionally, as we see in the "Vexilla Regis," he rises to a rugged grandeur in which he has few rivals, and some of his poems are by no means devoid of simplicity and pathos. But these are the exceptions and not the rule in his writings, and we know not how far he may have owed even these to the womanly instincts and gentler, purer influence of Rhadegunda. Thierry, in his Récits des Temps Mérovingiens, Récit 5, gives a lively sketch of Fortunatus, as in Archbishop Trench's words (Sacred Latin Poetry, 1874,p. 132), "A clever, frivolous, self-indulgent and vain character," an exaggerated character, probably, because one can hardly identify the author of "Vexilla Regis," in such a mere man of the world, or look at the writer of "Crux benedicta nitet, Dominus qua carne pependit" q.v., as being wholly devoid of the highest aspirations after things divine. A quarto edition of his Works was published in Rome in 1786. [Rev. Digby S. Wrangham, M.A.] - John Julian, Dictionary of Hymnology (1907) ==================== Fortunatus, V. H. C., p. 384, i. The best edition of his poems is F. Leo's edition of his Opera Poetica, Berlin, 1881 (Monumenta Germaniae, vol. iv.). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Hymnals

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Published hymn books and other collections

The Methodist Hymn-Book with Tunes

Publication Date: 1933 Publisher: Methodist Conference Office Meter: 7.7.7.7 Publication Place: London

The Book of Common Praise

Publication Date: 1939 Publisher: Oxford University Press Meter: 7.7.7.7 Publication Place: Toronto

Small Church Music

Meter: 7.7.7.7 Editors: Charles Wesley Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About