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Meter:9.8.9.9.8.6

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Texts

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Send Forth, O Lord, of My Salvation

Author: Rev. William Kuipers Meter: 9.8.9.9.8.6 Appears in 2 hymnals First Line: Send forth, O Lord of my salvation Topics: Help in Afflictions; Communion Service; Grace of God; Hope; House of God ; Opening of Services; Persecution Of Believers; Spiritual Life Scripture: Psalm 43 Used With Tune: HOLY HILL
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Defend Me, LORD, from Those Who Charge Me

Author: Marie J. Post Meter: 9.8.9.9.8.6 Appears in 1 hymnal Topics: Comfort & Encouragement; Funerals; Illumination; Afflictions; Comfort & Encouragement; Funerals; Illumination; Lord's Supper; Opening of Worship; Prayer; Refuge Scripture: Psalm 43 Used With Tune: GENEVAN 43

Tunes

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HOLY HILL (Bourgeois)

Meter: 9.8.9.9.8.6 Appears in 4 hymnals Composer and/or Arranger: Louis Bourgeois; Henry A. Bruinsma Tune Sources: De Vries Koraalboek (harm.) Tune Key: G Major Incipit: 12211 44321 24321 Used With Text: Send Forth, O Lord of My Salvation

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Defend Me, LORD, from Those Who Charge Me

Author: Marie J. Post Hymnal: Psalter Hymnal (Gray) #43 (1987) Meter: 9.8.9.9.8.6 Topics: Comfort & Encouragement; Funerals; Illumination; Afflictions; Comfort & Encouragement; Funerals; Illumination; Lord's Supper; Opening of Worship; Prayer; Refuge Scripture: Psalm 43 Languages: English Tune Title: GENEVAN 43

Send Forth, O Lord of My Salvation

Author: William Kuipers Hymnal: Psalter Hymnal (Blue) #77 (1976) Meter: 9.8.9.9.8.6 Topics: Comfort, Christian; Hope, Christian; Persecution Of Believers; House of God ; Opening Of The Service; Communion With God, With Christ Scripture: Psalm 43 Languages: English Tune Title: HOLY HILL (Bourgeois)

Send Forth, O Lord, of My Salvation

Author: Rev. William Kuipers Hymnal: Psalter Hymnal (Red) #83 (1934) Meter: 9.8.9.9.8.6 First Line: Send forth, O Lord of my salvation Topics: Help in Afflictions; Communion Service; Grace of God; Hope; House of God ; Opening of Services; Persecution Of Believers; Spiritual Life Scripture: Psalm 43 Languages: English Tune Title: HOLY HILL

People

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Authors, composers, editors, etc.

Louis Bourgeois

1510 - 1561 Meter: 9.8.9.9.8.6 Composer of "HOLY HILL (Bourgeois)" in Psalter Hymnal (Blue) Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Claude Goudimel

1514 - 1572 Meter: 9.8.9.9.8.6 Harmonizer of "GENEVAN 43" in Psalter Hymnal (Gray) The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman

Marie J. Post

1919 - 1990 Meter: 9.8.9.9.8.6 Versifier of "Defend Me, LORD, from Those Who Charge Me" in Psalter Hymnal (Gray) Marie (Tuinstra) Post (b. Jenison, MI, 1919; d. Grand Rapids, MI, 1990) While attending Dutch church services as a child, Post was first introduced to the Genevan psalms, which influenced her later writings. She attended Calvin College, Grand Rapids, Michigan, where she studied with Henry Zylstra. From 1940 to 1942 she taught at the Muskegon Christian Junior High School. For over thirty years Post wrote poetry for the Grand Rapids Press and various church periodicals. She gave many readings of her poetry in churches and schools and has been published in a number of journals and poetry anthologies. Two important collections of her poems are I Never Visited an Artist Before (1977) and the posthumous Sandals, Sails, and Saints (1993). A member of the 1987 Psalter Hymnal Revision Committee, Post was a significant contribu­tor to its array of original texts and paraphrases. Bert Polman