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Scripture:1 Corinthians 3:1-9

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Hymn 119

Author: Isaac Watts Meter: 8.6.8.6 Appears in 116 hymnals Scripture: 1 Corinthians 3:6-7 First Line: Christ and his cross is all our theme Lyrics: Christ and his cross is all our theme; The myst'ries that we speak Are scandal in the Jew's esteem, And folly to the Greek. But souls enlightened from above With joy receive the word; They see what wisdom, power, and love Shine in their dying Lord. The vital savor of his name Restores their fainting breath; But unbelief perverts the same To guilt, despair, and death. Till God diffuse his graces down, Like showers of heav'nly rain, In vain Apollos sows the ground, And Paul may plant in vain.
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Come, Ye Thankful People, Come

Author: Henry Alford, 1810-1871 Meter: 7.7.7.7 D Appears in 722 hymnals Scripture: 1 Corinthians 3:9 Lyrics: 1 Come, ye thankful people, come; raise the song of harvest home. All is safely gathered in ere the winter storms begin. God, our maker, does provide for our wants to be supplied; come to God's own temple, come, raise the song of harvest home. 2 All the world is God's own field, fruit unto his praise to yield, wheat and tares together sown, unto joy or sorrows grown. First the blade, and then the ear, then the full corn shall appear, Lord of harvest, grant that we wholesome grain and pure may be. 3 For the Lord our God shall come and shall take his harvest home, from his field shall in that day all offenses purge away, give his angels charge at last in the fire the tares to cast, but the fruitful ears to store in his garner evermore. 4 Even so, Lord, quickly come to your final harvest home, gather all your people in, free from sorrow, free from sin, there, forever purified, in your presence to abide. Come, with all your angels, come, raise the glorious harvest home. Used With Tune: ST. GEORGE'S, WINDSOR
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All good gifts around us

Author: Matthias Claudius (1740-1815); Jane Montgomery Campbell (1817-1878) Meter: 7.6.7.6 D with refrain Appears in 451 hymnals Scripture: 1 Corinthians 3:6-7 First Line: We plough the field and scatter Lyrics: 1 We plough the fields and scatter the good seed on the land, but it is fed and watered by God's almighty hand; he sends the snow in winter, the warmth to swell the grain, the breezes and the sunshine and soft refreshing rain. [Refrain:] All good gifts around us are sent from heaven above; then thank the Lord, O thank the Lord, for all his love. 2 He only is the Maker of all things near and far; he paints the wayside flower, he lights the evening star; the wind and waves obey him, by him the birds are fed; much more to us, his children, he gives our daily bread. [Refrain] 3 We thank you then, O Father, for all things bright and good, the seed-time and the harvest, our life, our health, our food. Accept the gifts we offer for all your love imparts, with what we know you long for: our humble, thankful hearts. [Refrain] Topics: Our Response to God in times and seasons; Gratitude; Harvest; Offering of gifts; Providence; Summer; Winter Used With Tune: WIR PFLÜGEN

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ST. GEORGE'S, WINDSOR

Meter: 7.7.7.7 D Appears in 635 hymnals Composer and/or Arranger: George J. Elvey, 1816-1893 Scripture: 1 Corinthians 3:9 Tune Key: F Major Incipit: 33531 23335 31233 Used With Text: Come, Ye Thankful People, Come
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WIR PFLÜGEN

Meter: 7.6.7.6 D with refrain Appears in 281 hymnals Composer and/or Arranger: Johann Abraham Peter Schulz (1747-180); John Bacchus Dykes (1823-1876) Scripture: 1 Corinthians 3:6-7 Tune Key: A Major Incipit: 51155 31543 21556 Used With Text: All good gifts around us
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ANNIVERSARY SONG

Meter: 11.11.11.11 Appears in 15 hymnals Composer and/or Arranger: Jane Marshall Scripture: 1 Corinthians 3:6 Tune Key: D Major Incipit: 14325 16545 31465 Used With Text: What Gift Can We Bring?

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O for a Closer Walk with God

Author: William Cowper Hymnal: Moravian Book of Worship #747 (1995) Meter: 8.6.8.6 Scripture: 1 Corinthians 3:3 Lyrics: 1 O for a closer walk with God, the calm of sins forgiv'n, a light to shine upon the road that leads at last to heav'n. 2 O gentle messenger, return - return, O holy Dove; I hate the sins that made you mourn and grieved your heart of love. 3 Restore the happiness I knew when first I saw the Lord; refresh me with the radiant view of Jesus and his word! 4 From ev'ry idol I have known now set my spirit free; O make me worship you alone, and reign supreme in me. 5 So shall my walk be close with God, my wand'rings be forgiv'n; so shall his light mark out the road that leads me at last to heav'n. Topics: Prayer; Confession of Sin; Forgiveness; Journey; Prayer Languages: English Tune Title: BEATITUDO
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The Solid Rock

Author: Edward Mote Hymnal: Hymns of Faith #215 (1980) Scripture: 1 Corinthians 3:1 First Line: My hope is built on nothing less Refrain First Line: On Christ, the solid Rock, I stand Lyrics: 1 My hope is built on nothing less Than Jesus' blood and righteousness; I dare not trust the sweetest frame, But wholly lean on Jesus' name. Chorus: On Christ, the solid Rock I stand; All other ground is sinking sand, All other ground is sinking sand. 2 When darkness veils His lovely face, I rest on His unchanging grace; In every high and stormy gale, My anchor holds within the veil. (Chorus) 3 His oath, His covenant, His blood Support me in the whelming flood; When all around my soul gives way, He then is all my hope and stay. (Chorus) 4 When He shall come with trumpet sound, O may I then in Him be found; Dressed in His righteousness alone, Faultless to stand before the throne. (Chorus) Topics: Christ Rock; Christ Rock Languages: English Tune Title: [My hope is built on nothing less]
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The Church's One Foundation

Author: Samuel J. Stone Hymnal: Hymns of Faith #77 (1980) Scripture: 1 Corinthians 3:1 Lyrics: 1 The Church’s one foundation Is Jesus Christ her Lord; She is His new creation By water and the word; From heav'n He came and sought her To be His holy bride; With His own blood He bought her And for her life He died. 2 Elect from every nation, Yet one o’er all the earth, Her charter of salvation One Lord, one faith, one birth; One holy name she blesses, Partakes one holy food, And to one hope she presses, With every grace endued. 3 Though with a scornful wonder Men see her sore oppressed, By schisms rent asunder, By heresies distressed; Yet saints their watch are keeping, Their cry goes up, “How long?” And soon the night of weeping Shall be the morn of song. 4 'Mid toil and tribulation, And tumult of her war, She waits the consummation Of peace forevermore; Till with the vision glorious Her longing eyes are blest, And the great Church victorious Shall be the Church at rest. 5 Yet she on earth hath union With God, the Three in One, And mystic sweet communion With those whose rest is won: O happy ones and holy! Lord, give us grace that we, Like them, the meek and lowly, On high may dwell with Thee. Amen. Topics: Church Militant and Triumphant; Worship; Church Militant and Triumphant; Worship Languages: English Tune Title: [The Church's one foundation]

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Henry Alford

1810 - 1871 Person Name: Henry Alford, 1810-1871 Scripture: 1 Corinthians 3:9 Author of "Come, Ye Thankful People, Come" in Worship and Rejoice Alford, Henry, D.D., son of  the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place  at  Canterbury, Jan. 12, 1871.  In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour.    His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages.    As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original.   They are evangelical in their teaching,   but somewhat cold  and  conventional. They vary greatly in merit, the most popular being "Come, ye thankful  people, come," "In token that thou  shalt  not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success.  His poetical and hymnological works include— (1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J.   J.  Deighton, 1833.  (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832.   (18) A translation of Cantemus cuncti, q.v. -- John Julian, Dictionary of Hymnology (1907) ================== Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:— 1. Herald in the wilderness. St. John Baptist. (1867.) 2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.) 3. Not in anything we do. Sexagesima. (1867.) 4. O Thou at Whose divine command. Sexagesima. (1844.) 5. 0 why on death so bent? Lent. (1867.) 6. Of all the honours man may wear. St. Andrew's Day. (1867.) 7. Our year of grace is wearing to a close. Close of the Year. (1867.) 8. Saviour, Thy Father's promise send. Whit-sunday. (1844.) 9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.) 10. Thou that art the Father's Word. Epiphany. (1844.) 11. Thou who on that wondrous journey. Quinquagesima. (1867.) 12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.) 13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.) 14. When in the Lord Jehovah's name. For Sunday Schools. (1844.) All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same. --Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

George J. Elvey

1816 - 1893 Person Name: George J. Elvey, 1816-1893 Scripture: 1 Corinthians 3:9 Composer of "ST. GEORGE'S, WINDSOR" in Worship and Rejoice George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes (1823-1876) Scripture: 1 Corinthians 3:6-7 Harmonizer of "WIR PFLÜGEN" in Church Hymnary (4th ed.) As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman