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Calm on the Listening Ear of Night
Author: Rev. Edmund Hamilton Sears, 1810-1876 Appears in 349 hymnals Matching Instances: 347 First Line: Calm on the list'ning ear of night Used With Tune: NOËL
Calm on the Listening Ear of Night
[Calm on the listening ear of night]
Meter: 8.6.8.6 Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: A. A. Wild Tune Key: C Major Incipit: 53651 72117 65655 Used With Text: Calm on the listening ear of night
[Calm on the listening ear of night]
Calm on the list'ning ear of night
Author: E. H. Sears Hymnal: In Excelsis #a194 (1900) Languages: English
Calm on the list'ning ear of night
Calm on the listening ear of night
Author: Edmund H. Sears, 1810-1876; Edmund Hamilton Sears Hymnal: Melodies and Hymns for Divine Service in Appleton Chapel #a152 (1870) Languages: English
Calm on the listening ear of night
Calm on the list'ning ear of night
Hymnal: The Harp. 2nd ed. #a237 (1860)
Calm on the list'ning ear of night
A. A. Wild
Composer of "[Calm on the listening ear of night]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892
A. A. Wild
Johann Crüger
1598 - 1662 Composer of "GRÄFENBURG" in Hymns of the Spirit for Use in the Free Churches of America Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes.
Bert Polman
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Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:—
1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time.
2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653.
The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works.
In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period.
3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c.
4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck.
5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736.
[Rev. James Mearns, M.A.]
-- Excerpt from John Julian, Dictionary of Hymnology (1907)
=======================
Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Johann Crüger
Ira B. Wilson
1880 - 1950 Composer of "[Calm on the list'ning ear of night]" in Sing Unto the Lord Ira Bishop Wilson, 1880-1950
Born: September 6, 1880, Bedford, Iowa.
Died: April 3, 1950, Los Angeles, California.
Buried: Forest Lawn Memorial Park, Glendale, California.
Pseudonym: Fred B. Holton.
Wilson’s sister taught him to play the violin and organ while still at home. Around 1902, Ira began studies at the Moody Bible Institute in Chicago, Illinois. In 1905, he went to work for the Lorenz Publishing Company in Dayton, Ohio. His compositions appeared in The Choir Leader and The Choir Herald; he also served as editor in chief of The Volunteer Choir.
His works include:
The King’s Message, with Edmund Lorenz (New York: Lorenz Publishing Company, 1910)
The Beginners’ Choir, with Edmund Lorenz (Dayton, Ohio: Lorenz Publishing Company, 1911)
Praise Ye, a Collection of Sacred Songs, with Edmund Lorenz (New York: Lorenz Publishing Company, 1913)
His Worthy Praise, with Edmund Lorenz (Dayton, Ohio: Lorenz Publishing Company, 1915)
Sources--
Hall, pp. 413-5
Lyrics--
Go Forward to Conquer
Look Above
Make Me a Blessing © 1924
My Savior’s Voice
This Wonderful Christ Is Mine
Trustingly Follow
Music--
Across the Templed Hills
Angels’ Chorus, The
Christ Is Born
Christ the Lord Is Born
Christmas Lullaby
Conchita
Exalt the King
Give Praise
God Is Goodness, God Is Love
God Is So Good
He Arose Today
His Love Is Always True
Jesus Wants Us to Help
Joy to the World
Loving Jesus Christ
Marching Forward
May God Depend on You?
Night of Nights
O Star of Matchless Splendor
On Calvary’s Cross One Day
Out in the Highways and Byways of Life
Rejoice! Rejoice!
Ring, Sweet Bells
Song of the Morning, The
Stars of December
Walking with Jesus
Was There Ever a Friend So True?
We Come Today
What Do the Flowers Say?
Who Will Our Pilot Be?
Win One
--hymntime.com/tch
Ira B. Wilson
