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Text Identifier:"^come_o_holy_spirit_come_and_from_alstott$"

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Come, O Holy Spirit

Author: Owen Alstott Meter: 7.7.7.7 D Appears in 2 hymnals Hymnal Title: Calvin Hymnary Project First Line: Come, O Holy Spirit, come! And from your celestial home (Alstott) Text Sources: Pentecost Sequence, "Veni, Sancte Spiritus", alt.

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HYMN TO JOY

Meter: 7.7.7.7 D Appears in 517 hymnals Composer and/or Arranger: Ludwig van Beethoven, 1770-1827; Edward Hodges, 1796-1867 Hymnal Title: Journeysongs (3rd ed.) Tune Key: G Major or modal Incipit: 33455 43211 23322 Used With Text: Come, O Holy Spirit

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Come, O Holy Spirit

Author: Owen Alstott, b. 1947 Hymnal: Journeysongs (2nd ed.) #459 (2003) Meter: 7.7.7.7 D Hymnal Title: Journeysongs (2nd ed.) First Line: Come, O Holy Spirit, come! Topics: Holy Spirit; Holy Spirit; Holy Spirit Languages: English Tune Title: HYMN TO JOY
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Come, O Holy Spirit

Author: Owen Alstott, b. 1947 Hymnal: Journeysongs (3rd ed.) #434 (2012) Meter: 7.7.7.7 D Hymnal Title: Journeysongs (3rd ed.) First Line: Come, O Holy spirit, come! Topics: Holy Spirit; Rites of the Church Order of Christian Funerals: Vigil for the Deceased; The Liturgical Year Pentecost Sunday Languages: English Tune Title: HYMN TO JOY

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Owen Alstott

Person Name: Owen Alstott, b. 1947 Hymnal Title: Journeysongs (3rd ed.) Adapter of "Come, O Holy Spirit" in Journeysongs (3rd ed.)

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig van Beethoven, 1770-1827 Hymnal Title: Journeysongs (3rd ed.) Composer of "HYMN TO JOY" in Journeysongs (3rd ed.) A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Edward Hodges

1796 - 1867 Person Name: Edward Hodges, 1796-1867 Hymnal Title: Journeysongs (3rd ed.) Adapter of "HYMN TO JOY" in Journeysongs (3rd ed.) Born: Ju­ly 20, 1796, Bris­tol, Eng­land. Died: Sep­tem­ber 1, 1867, Clif­ton, Bris­tol, Eng­land. Buried: Church of St. Mary the Vir­gin, Stan­ton Drew (about eight miles south of Bristol). Hodges’ mu­sic­al gift showed it­self at an ear­ly age; by 1819, he was play­ing the or­gan at St. James’ Church in Bris­tol, and at St. Nicholas’, 1821-1838. He al­so had an in­ter­est­ing me­chan­ic­al bent, and spurred sev­er­al tech­ni­cal im­prove­ments in or­gan de­sign. He com­posed a num­ber of serv­ic­es and an­them piec­es, and Cam­bridge Un­i­ver­si­ty award­ed him a doc­tor­ate in mu­sic in 1825. Hodges event­u­al­ly em­i­grat­ed, ac­cept­ing a post at the ca­thed­ral in To­ron­to, Ca­na­da, in 1838. The next year, he be­came mu­sic di­rect­or at Trin­i­ty Par­ish in New York Ci­ty. He be­came the or­gan­ist at Trin­i­ty Church when it opened in 1846 (the church had its or­gan built to his spe­ci­fi­ca­tions). He re­tired for health rea­sons in 1859, and re­turned to his native Eng­land in 1863. Hodges’ works in­clude: An Apol­o­gy for Church Mu­sic and Mu­sic­al Fes­tiv­als, in Ans­wer…to the Stan­dard and the Re­cord (Lond­on: 1834) Essays on the Ob­jects of Mu­sic­al Study (Bris­tol, Eng­land: 1838) An Es­say on the Cul­ti­va­tion of Church Mu­sic (New York: 1841) Contributions to the Quar­ter­ly Mu­sic­al Mag­a­zine & Mu­sic­al World Trin­i­ty Col­lect­ion of Church Mu­sic (Bos­ton, Mass­a­chu­setts: 1864) (ed­it­or) Music-- BRISTOL GLOUCESTER HABAKKUK HYMN TO JOY --www.hymntime.com/
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