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Henri F. Hemy

1818 - 1888 Composer of "ST. CATHERINE" in New Worship and Song Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music. John Perry

Anonymous

Author of "God of our youth, to whom we yield" in New Worship and Song In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Harmonizer of "GOTTLOB" in The Beacon Song and Service book Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

John W. Peterson

1921 - 2006 Person Name: John W. Peterson, 1921- Composer of "BURNING TREE" in Great Hymns of the Faith

Calvin Weiss Laufer

1874 - 1938 Person Name: Calvin W. Laufer Composer of "COVERT" in The Hymnal for Youth Presbyterian minister and hymnographer Calvin Weiss Laufer was born today in Brodheadsville, Pennsylvania in 1874. Following his graduation from Union Seminary in 1900 he was ordained into the Presbyterian ministry and led congregations in New York and New Jersey for several years. Laufer had a generally cheerful outlook on his Christian life, and his first two books, Key-Notes of Optimism (1911) and The Incomparable Christ (1914) expressed that viewpoint. A review of the first book spoke of the "crisp and stirring note in these sermonettes which is well calculated to rouse the mind of readers and banish dejection." His books were popular in their time but today are seen as somewhat superficial. He later began to work with the Presbyterian Board of Christian Education and became its editor of musical publications, producing books such as The Junior Church School Hymnal (1927), The Church School Hymnal for Youth (1928) and When the Little Child Wants to Sing (1935). He was also the associate editor of the Presbyterian Hymnal of 1933, a very popular book which was used in many churches for more than fifty years. In 1932, his book Hymn Lore was published, which contained the stories of fifty hymns from The Church School Hymnal for Youth, with information about their writers and composers (much like this blog). He chose a broad range of hymns, some quite modern and others well-known and loved for centuries. Several of them were by his mentor and friend Louis F. Benson, who had edited the Presbyterian Hymnal of 1895 and its 1911 revision (and also wrote The Best Church Hymns). In the preface to Hymn Lore, Laufer wrote: To live with hymns and to make them one's own is the only sure way of appreciating their literary beauty and spiritual power. (...) That the reading and singing of hymns may become less mechanical, more thoughtful and intelligent, and emotionally more effective, this volume is released to the public. Laufer wrote both hymn texts and tunes himself, most of which first appeared in the books he edited but also had some life outside Presbyterian circles. This tune was written while Laufer was attending a conference in Kansas, though with no particular text in mind. Not long after, he hummed it to a friend, William H. Foulkes, who then wrote the text "Take thou our minds, dear Lord." Laufer's tune was originally called STONY BROOK, but he changed it to honor a friend, William Ralph Hall. Little is known about the writer May Pierpont Hoyt. Her text is generally sung to the tune BREAD OF LIFE by William F. Sherwin, but since that tune is more known with "Break thou the Bread of life," this text could use a different one. --conjubilant.blogspot.com/2010/04/

T. Lynes

Composer of "YOUTH" in A Hymnal for Friends

G. F. Blanchard

1868 - 1926 Person Name: George Frederic Blanchard Composer of "LEST WE FORGET" in The Cyber Hymnal George Frederic Blanchard was born about May 1868 in the Hoxne district of Norfolk, England. He died on May 9, 1926 in Weston-super-Mare, Somerset, England.

William B. Forbush

1868 - 1927 Author of "God of Our Youth, to Whom We Yield" in The Cyber Hymnal Born: February 20, 1868, Springfield, Vermont. Died: October 23, 1927, Philadelphia, Pennsylvania. Buried: Quaker Burial Grounds, Hartford Road, Baltimore, Maryland. Forbush graduated from Dartmouth College (Phi Beta Kappa) in 1888, and became a principal in Amherst, New Hampshire, the next year. He served as pastor of the Riverside Congregational Church, Riverside, Rhode Island (1893-94), entered Union Theological Seminary, in 1889, graduating in 1892. He received an AM in 1890 and PhD in 1892 from the University of New York, and was acting pastor at the Rockaway Church in Brooklyn while enrolled in 1890. He served as pastor at Riverside Church in East Providence, Rhode Island (1892); Tabernacle Church, Yarmouth, Nova Scotia (1894-96); Warren, Massachusetts (1896-1908); Winthrop Church, Boston, Massachusetts (1905-06); and Woodward Avenue, Detroit, Michigan (to 1913). In 1913, he became President of the American Institute of Child Life in Philadelphia, resigning in 1914 to pursue writing. He established his home in Swarthmore, Pennsylvania, where he lived the rest of his life and for a time headed the Woolman House, a school of social and religious education under the Quaker management of Swarthmore. In 1895, he received an honorary Doctor of Laws degree from Hanover College, Indiana. He founded the Knights of King Arthur in 1893, which attracted thousands of young boys. In 1918, he became General Editor of the publications of the University Society of New York, serving until 1924, when he became consulting editor of the John C. Winston Publishing Company of Philadelphia, Pennsylvania. His works include: The Queens of Avalon, 1911 The Coming Generation (New York & London: D. Appleton and Company, 1912) Manual of Stories, 1915 The Wonder Book of Myths and Legends (The John C. Winston Company: 1928) Myths and Legends of Greece and Rome --www.hymntime.com/tch/

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