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How amiable are thy tabernacles
Appears in 45 hymnals Topics: Prose Psalms Scripture: Psalm 84 Used With Tune: [How amiable are thy tabernacles]
How amiable are thy tabernacles
[How amiable are thy tabernacles]
Appears in 50 hymnals Composer and/or Arranger: T. Norris, 1741 - 1790 Tune Key: A Flat Major Incipit: 13511 67143 22534 Used With Text: How amiable are thy tabernacles
[How amiable are thy tabernacles]
[How amiable are thy tabernacles]
Appears in 22 hymnals Composer and/or Arranger: Macfarren Tune Key: A Major Incipit: 12346 71171 Used With Text: How amiable are thy tabernacles
[How amiable are thy tabernacles]
[How amiable are thy tabernacles]
Appears in 3 hymnals Composer and/or Arranger: Hayes Tune Key: F Major Incipit: 54343 23212 171 Used With Text: How amiable are thy tabernacles
[How amiable are thy tabernacles]
How amiable are Thy tabernacles
Hymnal: The Calvary Hymnal #331 (1891) First Line: How amiable are Thy tabernacles, O Lord Languages: English Tune Title: [How amiable are Thy tabernacles, O Lord]
How amiable are Thy tabernacles
How amiable are thy tabernacles
Hymnal: Voices of Praise #388a (1883) Lyrics: 1 How amiable are Thy tabernacles: O Lord of hosts!
2 My soul longeth, yea, even fainteth for the courts of the Lord: my heart and my flesh crieth out for the living God.
3 Yea, the sparrow hath found a house and the swallow a nest for herself, where she may lay her young: even Thine altars, O Lord of hosts, my King and my God.
4 Blessed are they that dwell in Thy house: they will be still praising Thee.
5 Blessed is the man whose strength is in Thee: in whose heart are the ways of them.
6 Who passing through the valley of Baca make it a well: and rain also filleth the pools.
7 They go from strength to strength: every one of them in Sion appeareth before God.
8 O Lord God of hosts, hear my prayer: give ear O God of Jacob.
9 Behold O God our shield; and look upon the face of Thine anointed.
10 For a day in Thy courts is better than a thousand: I had rather be a doorkeeper in the house of my God, than to dwell in the tents of wickedness.
11 For the Lord God is a sun and shield: the Lord will give grace and glory, no good thing will He withhold from them that walk uprightly.
12 O Lord of hosts: blessed is the man that trusteth in Thee.
Glory be to the Father, and to the Son: and to the Holy Ghost;
As it was in the beginning is now and ever shall be: world without end
Amen. Topics: Psalms and Canticles Scripture: Psalm 84 Tune Title: [How amiable are thy tabernacles]
How amiable are thy tabernacles
How amiable are thy tabernacles
Hymnal: Voices of Praise #388b (1883) Lyrics: 1 How amiable are Thy tabernacles: O Lord of hosts!
2 My soul longeth, yea, even fainteth for the courts of the Lord: my heart and my flesh crieth out for the living God.
3 Yea, the sparrow hath found a house and the swallow a nest for herself, where she may lay her young: even Thine altars, O Lord of hosts, my King and my God.
4 Blessed are they that dwell in Thy house: they will be still praising Thee.
5 Blessed is the man whose strength is in Thee: in whose heart are the ways of them.
6 Who passing through the valley of Baca make it a well: and rain also filleth the pools.
7 They go from strength to strength: every one of them in Sion appeareth before God.
8 O Lord God of hosts, hear my prayer: give ear O God of Jacob.
9 Behold O God our shield; and look upon the face of Thine anointed.
10 For a day in Thy courts is better than a thousand: I had rather be a doorkeeper in the house of my God, than to dwell in the tents of wickedness.
11 For the Lord God is a sun and shield: the Lord will give grace and glory, no good thing will He withhold from them that walk uprightly.
12 O Lord of hosts: blessed is the man that trusteth in Thee.
Glory be to the Father, and to the Son: and to the Holy Ghost;
As it was in the beginning is now and ever shall be: world without end
Amen. Topics: Psalms and Canticles Scripture: Psalm 84 Tune Title: [How amiable are thy tabernacles]
How amiable are thy tabernacles
George Frideric Handel
1685 - 1759 Person Name: G. F. Händel Composer of "[How amiable are Thy tabernacles, O Lord of Hosts]" in Songs of Worship George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
W. H. Havergal
1793 - 1870 Person Name: Rev. W. H. Havergal Composer of "[How amiable are Thy tabernacles]" in Sunday-School Book Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:—
1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883.
2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c.
3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund.
4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory,
5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883.
6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c.
7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c.
8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c.
9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883.
10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c.
11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883.
12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer."
13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c.
14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883.
15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c.
16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872.
17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872.
18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child.
19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c.
In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869.
--John Julian, Dictionary of Hymnology (1907)
=====================
Havergal, W. H., p. 498, i. Other hymns are: —
1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c.
2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.)
It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
W. H. Havergal
James Turle
1802 - 1882 Person Name: J. Turle Composer of "[How amiable are Thy tabernacles, O Lord of hosts]" in The Methodist Hymn-Book with Tunes TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral.
Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer.
His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer.
--en.wikisource.org/
James Turle
