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I Need Your Help, O LORD My God
Author: Helen Otte Meter: 8.6.8.6 D Appears in 4 hymnals First Line: I need your help, O LORD, my God
I Need Your Help, O LORD My God
RESTING PLACE
Meter: 8.6.8.6 D Appears in 8 hymnals Composer and/or Arranger: Henry Vander Werp, 1846-1918 Tune Key: D Major Incipit: 12344 32132 11715 Used With Text: I Need Your Help, O Lord My God
RESTING PLACE
THIRD MODE MELODY
Meter: 8.6.8.6 D Appears in 44 hymnals Composer and/or Arranger: Thomas Tallis; Ralph Vaughan Williams Tune Key: d minor or modal Incipit: 13333 44555 55655 Used With Text: I Need Your Help, O LORD My God
THIRD MODE MELODY
I Need Your Help, O LORD My God
Author: Helen Otte Hymnal: Psalter Hymnal (Gray) #55 (1987) Meter: 8.6.8.6 D First Line: I need your help, O LORD, my God Topics: Deliverance; Enemies & Persecution; Afflictions; Deliverance; Enemies & Persecution; Refuge Scripture: Psalm 55 Languages: English Tune Title: RELEASE
I Need Your Help, O LORD My God
I Need Your Help, O LORD My God
Author: Helen Otte Hymnal: Christian Worship #55B (2021) Meter: 8.6.8.6 D Topics: Affliction; Betrayal; Enemies; Forgiveness; Friends; God as Help; Hypocrisy; Prayer; Ten Commandments 8th Commandment (You shall not give false witness) Scripture: Psalm 55 Languages: English Tune Title: THIRD MODE MELODY
I Need Your Help, O LORD My God
I Need Your Help, O Lord My God
Author: Helen Otte, b. 1931; Martin Tel Hymnal: Psalms for All Seasons #55A (2012) Meter: 8.6.8.6 D Topics: Affliction; Enemies; Forgiveness; God as Refuge; God's Vengeance; God's Forgiveness; Jesus Christ Mind of; Lament Individual; Salvation; Ten Commandments 9th Commandment (do not bear false witness); Trust Scripture: Psalm 55 Tune Title: RESTING PLACE
I Need Your Help, O Lord My God
Henry Vander Werp
1846 - 1918 Person Name: Henry Vander Werp, 1846-1918 Composer of "RESTING PLACE" in Psalms for All Seasons
Henry Vander Werp
Thomas Tallis
1505 - 1585 Composer of "THIRD MODE MELODY" in Christian Worship Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
Ralph Vaughan Williams
1872 - 1958 Harmonizer of "THIRD MODE MELODY" in Christian Worship Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
