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Lord God of Morning and of Night
Author: Francis Turner Palgrave Appears in 78 hymnals Hymnal Title: The Friends' Hymnal, a Collection of Hymns and Tunes for the Public Worship of the Society Used With Tune: GERMANY
Lord God of Morning and of Night
FULDA (Walton)
Appears in 744 hymnals Composer and/or Arranger: William Gardiner, 1770-1853 Hymnal Title: Catholic Book of Worship III Tune Sources: Sacred Melodies, Vol. II, 1815 Tune Key: G Major Incipit: 51712 56711 17627 Used With Text: Lord God of Morning and of Night
FULDA (Walton)
Lord God of morning and of night
Author: Francis T. Palgrave Hymnal: Book of Worship with Hymns and Tunes #1 (1899) Hymnal Title: Book of Worship with Hymns and Tunes Lyrics: 1 Lord God of morning and of night,
We thank Thee for Thy gift of light;
As in the dawn the shadows fly,
We seem to find Thee now more nigh.
2 Fresh hopes have wakened in the heart,
Fresh force to do our daily part;
Thy thousand sleeps our strength restore
A thousandfold to serve Thee more.
3 O Lord of lights, ’tis Thou alone
Canst make our darkened hearts Thine own:
O, then be with us, Lord, that we
In Thy great day may wake to Thee.
4 Praise God, our Maker and our Friend;
Praise Him through time, till time shall end;
Till psalm and song His name adore
Through Heaven’s great day of evermore.
Amen. Topics: God Mercies of; Morning Languages: English Tune Title: QUEBEC
Lord God of morning and of night
Lord God of morning and of night
Author: Francis Turner Palgrave (1824- ) Hymnal: Carmina Sanctorum, a selection of hymns and songs of praise with tunes #545 (1886) Hymnal Title: Carmina Sanctorum, a selection of hymns and songs of praise with tunes Topics: The Christian Life Scripture: Genesis 1:3 Languages: English
Lord God of morning and of night
Lord God of morning and of night
Author: Francis Turner Palgrave (1824- ) Hymnal: Carmina Sanctorum #545 (1885) Hymnal Title: Carmina Sanctorum Languages: English Tune Title: RIVAULX
Lord God of morning and of night
Henry Baker
1835 - 1910 Hymnal Title: Book of Worship with Hymns and Tunes Composer of "QUEBEC" in Book of Worship with Hymns and Tunes Henry Baker, Mus. Bac., son of the Rev. James Baker, Chancellor of the diocese of Durham; born at Nuneham, Oxfordshire; educated at Winchester School; graduated Bachelor in Music at the University of Oxford in 1867. He also worked as a civil engineer.
Scottish Church Music, its composers and sources by James Love; William Blackwwod and Sons, Edinburgh and London, 1891
Henry Baker
John Bacchus Dykes
1823 - 1876 Person Name: Rev. John Bacchus Dykes (1823-1876) Hymnal Title: Carmina Sanctorum Composer of "RIVAULX" in Carmina Sanctorum As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Gardiner
1770 - 1853 Person Name: William Gardiner, 1770-1853 Hymnal Title: Catholic Book of Worship III Composer (attributed to) of "FULDA (Walton)" in Catholic Book of Worship III William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music.
Bert Polman
William Gardiner
